This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment.

Bion's life spanned key events in the twentieth century. Born in India in 1897, he came to boarding school in England aged 8 and at 18 fought in the tanks in World War One. He trained as a doctor between the wars and, in his World War Two work for the army, he was an innovator. After the war, he became a patient of Melanie Klein, qualified as a psychoanalyst, and was part of an extraordinary period in psychoanalysis of work with psychotic mechanisms in patients. In the late 1950s, he identified the configuration container/contained as being at the heart of human development. He looked outside of psychoanalysis to philosophers, scientists, mathematicians, and even theo-mystical thinkers. His work evolved radically throughout the 1960s and, at age 70 when many would be thinking of slowing down, he emigrated to California and began to travel internationally, giving lectures and supervisions across three continents. After Freud, Bion appears to be the most quoted psychoanalyst of our time and this book provides the opportunity, even for those familiar with his work, to gain insight into its sheer breadth, showcased so brilliantly in this slim volume. As author of Bion: 365 Quotes, Nicola Abel-Hirsch's immersion in Bion's vast oeuvre has enabled a comprehensive introduction to Bion and his work. Her lightness of touch, whilst retaining the necessary depth, makes it a joy to read. Bion and his work can be somewhat enigmatic but Abel-Hirsch's understanding offers the ideal introduction to the man and his work.

With his concept of "O," Wilfred Bion provided a new psychoanalytic space in which to explore the mind. Dr Annie Reiner's new book, Bion and Being: Passion and the Creative Mind, examines the similarities between this psychoanalytic space and the artist's creative sensibility, as well as mystical and religious states. This most mysterious and revolutionary of Bion's analytic ideas reflects what is essentially a state of being, an experience of mental integrity and union between emotional and rational functions of the mind which is the basis of thinking and creativity. In an effort to provide emotional understanding to Bion's theoretical ideas, Dr Reiner uses examples of artists, poets, writers, theologians, and philosophers, including Rilke, Cummings, Shakespeare, Beckett, and Nietzsche, to illustrate these psychoanalytic concepts. She also presents detailed clinical examples of patient's dreams to explore the obstacles to these states of being, as well as how to work clinically to develop access to these creative states.

On Minding and Being Minded explores links between depictions of lived experience written by Samuel Beckett and the experience of psychoanalytic psychotherapy pioneered in the writings of W.R. Bion. These robust literary and clinical intersections are made explicit within the demanding culture of twenty-first century psychotherapy as patient demand for time-limited, result-driven therapeutic outcomes conflicts sharply with the contours of intensive, long-term psychotherapy. Bion and Beckett present elements of familiarity to the practicing psychoanalyst which emerge tantalizingly, out of explicit reach, yet become knowable through interpersonal engagement. These stutterings and intimations are thick with meaning, suggestively presented in passing. They hint at how it is for the patient, provoking excitations of thinking; and, like the mental constructions of us all, their articulation conceals deep artistry. On Minding and Being Minded provides a therapeutic link bridging the single session with multiple session psychotherapy focused upon the dynamic engagement of patient and therapist.

Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.

This book focuses on Samuel Beckett's psychoanalytic psychotherapy with W. R. Bion as a central aspect both of Beckett's and Bion's radical transformations of literature and psychoanalysis. The recent publication of Beckett's correspondence during the period of his psychotherapy with Bion provides a starting place for an imaginative reconstruction of this psychotherapy, culminating with Bion's famous invitation to his patient to dinner and a lecture by C.G. Jung. Following from the course of this psychotherapy, Miller and Souter trace the development of Beckett's radical use of clinical psychoanalytic method in his writing, suggesting the development within his characters of a literary-analytic working through of transference to an idealized auditor known by various names, apparently based on Bion. Miller and Souter link this pursuit to Beckett's breakthrough from prose to drama, as the psychology of projective identification is transformed to physical enactment. They also locate Bion's memory and re-working of his clinical contact with Beckett, who figures as the 'patient zero' of Bion's pioneering postmodern psychoanalytic clinical theories.