Brenda Phiri is dying of AIDS. She will soon leave her sixteen-year-old daughter, Beauty, alone in the world with her younger brother. Before she succumbs, Brenda asks young Beauty for a promise. She requests that her daughter remain a virgin until marriage and hopes Beauty will keep a journal of her experiences. Beauty is no ordinary girl, however; shes a traffic-stopping beauty. With her mother gone, Beauty finds herself under the guardianship of the very handsome Thabo Gumede. Thabo believes it is only a matter of time before he seduces young Beauty. She deftly avoids his advances, though, determined to keep her promise to her mother. She even founds the Diary Girls, a group intended to promote chastity among young people. Unfortunately, the patron of this group is Pastor Mandla Khumalo, who also wants to have his wicked way with Beauty. Plagued by her own raging hormones and surrounded by amorous schoolboys and lustful older men, Beauty must fight to stay pure and keep her promise. She must remain chaste in a society awash with sex. Will she be able to resist the power of temptation, or will she give in and become a mans plaything?

Beauty's Vineyard: A Theological Aesthetic of Anguish and Anticipation, part spiritual memoir, part systematic theology, opens with an interpretation of the parable of the tenants and concludes with the parable of the workers in the vineyard. In between unfolds a systematic theology of anguish and anticipation in which the author wrestles with the social evils that plague our society and expresses hopeful anticipation for the coming of the "kingdom of God" about which Jesus spoke--a just and peaceful reality in the here and now that will find its ultimate consummation, Christians hope, in the hereafter. A theological understanding of Beauty as the incarnation of the Compassion of God guides the way, bringing the metaphysics of Thomas Aquinas into conversation with the liberative theologies of the Global South, through treatments of Trinity, imago Dei, sin, Christology, salvation, theodicy, and hope.

Examines the South African HIV/AIDS epidemic through creative texts and the impact of these representations in determining which issues receive attention and how public understanding of the virus is shaped. South Africa is one of the countries in the world most affected by HIV/AIDS, and yet, until recently, the epidemic was barely visible in South African literature. Much can be gained from approaching the South African epidemic through creative texts such as novels, photographs, films, cartoons and murals because they produce and circulate meanings of HIV/AIDS and its various facets such as its 'origin', 'transmission routes' and 'physical manifestations'. Other aspects explored are the denial of HIV/AIDS, its stigmatisation, discriminatory practices, modes of disclosure, access to anti-retroviral medication, as well as the role of alternative treatment. Creative texts, which are open to different and possibly contradictory readings, can serve as a starting point to increase the cultural visibility of the virus and to challenge dominant ideas about the epidemic. The cultural constructions of HIV/AIDS should be carefully examined because the meanings are pervasive and have very 'real' consequences: they play a powerful role both in determining which issues receive attention and in shaping public understanding of the virus. Ellen Grünkemeier is a lecturer and researcher in the English Department at Leibniz University of Hanover, Germany. Her publications include two co-edited volumes on postcolonial literatures and cultures, Listening to Africa. Anglophone African Literatures and Cultures (2012), and Postcolonial Studies across the Disciplines (ASNEL Papers 19, forthcoming).

The literature on AIDS has attempted to teach us the "facts" about this new disease or to provide a narrative account of scientific discovery and developing public health policy. But AIDS has precipitated a crisis that is not primarily medical, or even social and political; AIDS has precipitated a crisis of signification the "meaning" of AIDS is hotly contested in all of the discourses that conceptualize it and seek to respond to it. AIDS: Cultural Analysis/Cultural Activism is the first book on the subject that takes this battle over meaning as its premise. Contributors include Leo Bersani, author of The Freudian Body; Simon Watney, who serves on the board of the Health Education Committee of London's Terrence Higgens Trust; Jan Zita Grover, medical editor at San Francisco General Hospital; Suki Ports, former executive director of the New York City Minority Task Force on AIDS; and Sander Gilman, author of Difference and Pathology. Also included are essays by Paula A. Treichler, who teaches in the Medical School and in communications at the University of Illinois; Carol Leigh, a member of COYOTE and contributor to Sex Work; and Max Navarre, editor of the People With AIDS Coalition monthly Newsline. In addition to these essays, the book contains a portfolio of manifestos, articles, letters, and photographs from the publications of the PWA Coalition, an interview with three members of the AIDS discrimination unit of the New York City Commission on Human Rights; and presentations for the independent video documentaries on AIDS, Testing the Limits and Bright Eyes.