"A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard"--

“Another winner....Todd again excels at vivid atmosphere and the effects of war in this specific time and place. Grade: A.” —Cleveland Plain Dealer “Readers who can’t get enough of Maisie Dobbs, the intrepid World War I battlefield nurse in Jacqueline Winspear’s novels…are bound to be caught up in the adventures of Bess Crawford.” —New York Times Book Review Charles Todd, author of the resoundingly acclaimed Ian Rutledge crime novels (“One of the best historical series being written today” —Washington Post Book World) debuts an exceptional new protagonist, World War I nurse Bess Crawford, in A Duty to the Dead. A gripping tale of perilous obligations and dark family secrets in the shadows of a nightmarish time of global conflict, A Duty to the Dead is rich in suspense, surprise, and the impeccable period atmosphere that has become a Charles Todd trademark.

Joseph Epstein takes on that most enchanting (and, alas, increasingly rare) of human gifts, charm. “Almost everyone will recognize when he or she is in the presence of charm,” he writes. “Charm is magic of a kind; it casts a spell. In the presence of charm the world seems lighter and lovelier. A charming person can cause you to forget your problems, at least temporarily, to hold the world’s dreariness at bay. Charm is a reminder that the world is filled with jolly prospects and delightful possibilities. Watching Fred Astaire dance, or listening to Blossom Dearie sing, or reading the poems of C.P. Cavafy, or merely looking at Rita Hayworth or Ava Gardner, one recalls that the world can be a pretty damn fine place.”

Nature, Aesthetics, and Environmentalism: From Beauty to Duty addresses the complex relationships between aesthetic appreciation and environmental issues and emphasizes the valuable contribution that environmental aesthetics can make to environmentalism. Allen Carlson, a pioneer in environmental aesthetics, and Sheila Lintott, who has published widely in aesthetics, combine important historical essays on the appreciation of nature with the best contemporary research in the field. They begin with the scientific, artistic, and aesthetic foundations of current environmental beliefs and attitudes. Then they offer views on the conceptualization of nature and the various debates on how to properly and respectfully appreciate nature. The book introduces positive aesthetics, the belief that everything in nature is essentially beautiful, even the devastation caused by earthquakes or floods, and the essays in the final section explicitly bring together aesthetics, ethics, and environmentalism to explore the ways in which each might affect the others. Book jacket.

When Bob Greene went home to central Ohio to be with his dying father, it set off a chain of events that led him to knowing his dad in a way he never had before—thanks to a quiet man who lived just a few miles away, a man who had changed the history of the world. Greene's father—a soldier with an infantry division in World War II—often spoke of seeing the man around town. All but anonymous even in his own city, carefully maintaining his privacy, this man, Greene's father would point out to him, had "won the war." He was Paul Tibbets. At the age of twenty-nine, at the request of his country, Tibbets assembled a secret team of 1,800 American soldiers to carry out the single most violent act in the history of mankind. In 1945 Tibbets piloted a plane—which he called Enola Gay, after his mother—to the Japanese city of Hiroshima, where he dropped the atomic bomb. On the morning after the last meal he ever ate with his father, Greene went to meet Tibbets. What developed was an unlikely friendship that allowed Greene to discover things about his father, and his father's generation of soldiers, that he never fully understood before. Duty is the story of three lives connected by history, proximity, and blood; indeed, it is many stories, intimate and achingly personal as well as deeply historic. In one soldier's memory of a mission that transformed the world—and in a son's last attempt to grasp his father's ingrained sense of honor and duty—lies a powerful tribute to the ordinary heroes of an extraordinary time in American life. What Greene came away with is found history and found poetry—a profoundly moving work that offers a vividly new perspective on responsibility, empathy, and love. It is an exploration of and response to the concept of duty as it once was and always should be: quiet and from the heart. On every page you can hear the whisper of a generation and its children bidding each other farewell.

Reproduction of the original: The Toilet of Flora by Pierre-Joseph Buc’hoz