Things have a way of falling apart around Ellie Miller. Literally. With a touch that rots, she keeps everyone at a distance -- for others' safety as much as her own comfort. When newcomer Nate MacPherson makes it his mission to get close to Ellie, she does her best to steer clear. But as Nate reveals an unusual ability of his own, Ellie recognizes a kindred spirit who could accept her for who she is . . . if she lets him. As family secrets unravel, Ellie will have to discover the beauty within her reach in order to save the ones she loves.

A teenage girl who makes everything she touches rot learns to find the beautyand power in her life-altering ability.

Urban explorers find the beauty layers of history, multi-hued peeling paint, antique objects, ancient initials in the dust and the other physical manifestations of memory that abandoned, impermanent urban spaces manifest.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Beautiful Decay by IA LONDON. IA LONDON is an avant-garde fashion brand founded in 2016 by Cambridge-based designer and creative director Ira Avezov, who begins her design process by creating a series of hand-painted digital works. This stunning artwork is taken from a collection of beautiful paintings of flowers based on the metaphoric interpretation of gravity as aging and decay, titled The Symptoms of Gravity. These incredible images have been digitally altered to appear as if they are being pulled into the ground, not only by gravity but also by the passage of time.

A poet and author recounts her nine-year struggle with a rare autoimmune disease in this spare and unsparing memoir of illness and recovery. At twenty-one, just as she was starting to comprehend the puzzles of adulthood, Sarah Manguso was faced with another: a wildly unpredictable disease that appeared suddenly and tore through her twenties, paralyzing her for weeks at a time, programming her first to expect nothing from life and then, furiously, to expect everything. In this captivating story, Manguso recalls her struggle: arduous blood cleansings, collapsed veins, multiple chest catheters, the deaths of friends and strangers, addiction, depression, and, worst of all for a writer, the trite metaphors that accompany prolonged illness. A book of tremendous grace and self-awareness, The Two Kinds of Decay transcends the very notion of what an illness story can and should be. Praise for The Two Kinds of Decay A New York Times Book Review Editors’ Choice Best Book of the Year, San Francisco Chronicle and Time Out Chicago “Moving . . . a fiercely truthful memoir.” —The Boston Globe “Hers is not a day-by-day description of this grueling time, but an impressionistic text filled with bright, poetic flashes. . . . Many sick people learn to live in the moment, but the power of Manguso’s writing makes that truism revelatory.” —The Washington Post Book World “Sarah Manguso has miraculously elevated the act of memory. She has found honesty, fear, longing and beauty in every moment of her young life, giving this book an intensity found nowhere else. You put it down panting with wonder and grief, but never with pity. A breakthrough in the memoir, and in writing.” —Andrew Sean Greer

This photography-driven fiction about coming of age in the creep show of south Florida's swamps and strip malls is "unlike any book I've ever read . . . A completely original and clearheaded voice" (Ira Glass, host of This American Life) Out of South Florida's lush and decaying suburban landscape bloom the delinquent magic and chaotic adolescence of And Every Day Was Overcast. Paul Kwiatkowski's arresting photographs amplify a novel of profound vision and vulnerability. Drugs, teenage cruelty, wonder, and the screen-flickering worlds of Predator and Married . . . With Children shape and warp the narrator's developing sense of self as he navigates adventures and misadventures, from an ill-fated LSD trip on an island of castaway rabbits to the devastating specter of HIV and AIDS. This alchemy of photography and fiction gracefully illuminates the travesties and triumphs of the narrator's quest to forge emotional connections and fulfill his brutal longings for love.

Julia Solis's photographs of abandoned theaters from across the United States and Europe conjure the remaining magic of the decaying buildings and rooms, though the screenings and performances ceased long ago -- Back cover.