Prince Kevin Timberline, armed with The Handbook of Practical Heroics, must go up against a buxom, whip-wielding beauty and an army of darkness to retreive the Ancient Artifact Model Seven from the diabolical Lord Voltmeter. Original.

The House of Beauty and Culture (HOBAC) was an avant-garde boutique, design studio, and crafts collective in late 1980s London, with key figures like Judy Blame, John Moore, Cindy Palmano, and duo Fric and Frack. Until recently, HOBAC's influence was widely felt, yet barely documented, part of a subculture rooted in artistic practice, post-punk rebellion, and resistance to mainstream culture and overproduction. Against a dire socio-political and economic backdrop, they were among the first to upcycle found materials and champion androgynous urban style. Through diligent research, interviews, and countless images, Kasia Maciejowska honours the group's legacy.

Jane Austen was not born a global icon. It took years for her to break into print. Her first publication came after almost a decade of ups and downs, and her first novel out was not the first she sent to a publisher. Up to a point, lovers of Jane Austen probably know the publication history of Northanger Abbey—written first, published last. Austen wrote and revised the novel early, tried to get it published, then wrote all her other novels and ended up having Northanger Abbey come out with Persuasion, her last finished work. What we don’t know would fill a book—this book. The objective is to make her early publishing history clear, bringing to light information and original sources not drawn upon before. Beyond her lifetime, clarifying her publishing history also sheds light on an under-regarded novel. The early novel first titled Susan, then Catherine, then Northanger Abbey has sometimes been dismissed by critics, but it was never unimportant to Jane Austen herself. Publishing “Northanger Abbey”: Jane Austen and the Writing Profession is for all lovers of Jane Austen, in and out of universities, libraries, and fan clubs, including readers now staying home with their favorite novelists during the pandemic.

John Moore has focused on the issue ofundocumented immigration to the United Statesfor a decade. His access to immigrants during theirjourney, and to U.S. federal agents tasked withdeterring them, sets his pictures apart. Moore hasphotographed the entire length of the U.S. southernborder, and traveled extensively throughout CentralAmerica and Mexico, as well as to manyimmigrant communities in the United States. Hiswork includes rare imagery of ICE raids, massdeportations, and the resulting widespread fear inthe immigrant community. For its broad scope andrigorous journalism, Undocumented: Immigrationand the Militarization of the United States-MexicoBorder is the essential record on the prevailing U.S.domestic topic of immigration and border security.

NAMED A TOP 10 BOOK OF 2018 BY NPR and THE WASHINGTON POST WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN CURRENT INTEREST FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE NONFICTION AWARD The instant New York Times bestseller, "A must-read for anyone who thinks 'build a wall' is the answer to anything." --Esquire For Francisco Cantú, the border is in the blood: his mother, a park ranger and daughter of a Mexican immigrant, raised him in the scrublands of the Southwest. Driven to understand the hard realities of the landscape he loves, Cantú joins the Border Patrol. He and his partners learn to track other humans under blistering sun and through frigid nights. They haul in the dead and deliver to detention those they find alive. Plagued by a growing awareness of his complicity in a dehumanizing enterprise, he abandons the Patrol for civilian life. But when an immigrant friend travels to Mexico to visit his dying mother and does not return, Cantú discovers that the border has migrated with him, and now he must know the full extent of the violence it wreaks, on both sides of the line.