You think you know these stories, don’t you? You are wrong. You don’t know them at all. Twelve tales, twelve dangerous tales of mystery, magic, and rebellious hearts. Each twists like a spindle to reveal truths full of warning and triumph, truths that free hearts long kept tame, truths that explore life . . . and death. A prince has a surprising awakening . . . A beauty fights like a beast . . . A boy refuses to become prey . . . A path to happiness is lost. . . . then found again. New York Times bestselling author Soman Chainani respins old stories into fresh fairy tales for a new era and creates a world like no other. These stories know you. They understand you. They reflect you. They are tales for our times. So read on, if you dare. THE SCHOOL FOR GOOD AND EVIL is the #1 movie now streaming on Netflix—starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many others!

Step right up, Ladies and Gentlemen! Gasp in awe at an epic pairing of impossibly beautiful ladies and gloriously grotesque monstrosities! Connoisseurs of the unusual are cordially invited to marvel at the spectacle of "Beauties Beasts", a first-of-its-kind melding of the creative talents of Olivia De Berardinis (world's greatest living pinup artist) and Jordu Schell (legendary creature creator). These two world-renowned artists have never been showcased together... until now. This book is a full-color catalog of the wildly popular "Beauties Beasts" exhibition that premiered at the Oceanside Museum of Art. Dare to enter a visually mesmerizing realm of sexy sirens and sinister super-freaks unlike anything you've ever imagined. Behold the spectacle of "Beauties Beasts"!

Looks at how family, religion, history, news and entertainment keep women thinking they are defenseless. Snortland contends that women are capable of defending themselves and their loved ones--if they learn how. She argues that is not the female's size, it is her culturally induced ignorance that makes her think she is helpless. Snortland offers a clarion call to all women to wake up and take charge of their own self-defense--both verbal and physical--and celebrates women (and kids) who fought back. --Adapted from publisher description.

Bewitching can be a beast. . . . Once, I put a curse on a beastly and arrogant high school boy. That one turned out all right. Others didn’t. I go to a new school now—one where no one knows that I should have graduated long ago. I’m not still here because I’m stupid; I just don’t age. You see, I’m immortal. And I pretty much know everything after hundreds of years—except for when to take my powers and butt out. I want to help, but things just go awry in ways I could never predict. Like when I tried to free some children from a gingerbread house and ended up being hanged. After I came back from the dead (immortal, remember?), I tried to play matchmaker for a French prince and ended up banished from France forever. And that little mermaid I found in the Titanic lifeboat? I don’t even want to think about it. Now a girl named Emma needs me. I probably shouldn’t get involved, but her gorgeous stepsister is conniving to the core. I think I have just the thing to fix that girl—and it isn’t an enchanted pumpkin. Although you never know what will happen when I start . . . bewitching.

All societies around the world and through time value beauty highly. Tracing the evolutions of the Colombian standards of beauty since 1845, Michael Edward Stanfield explores their significance to and symbiotic relationship with violence and inequality in the country. Arguing that beauty holds not only social power but also economic and political power, he positions it as a pacific and inclusive influence in a country “ripped apart by violence, private armies, seizures of land, and abuse of governmental authority, one hoping that female beauty could save it from the ravages of the male beast.” One specific means of obscuring those harsh realities is the beauty pageant, of which Colombia has over 300 per year. Stanfield investigates the ways in which these pageants reveal the effects of European modernity and notions of ethnicity on Colombian women, and how beauty for Colombians has become an external representation of order and morality that can counter the pathological effects of violence, inequality, and exclusion in their country.

Beasts and Beauties examines the relationship between domesticity and power by focusing on the contemporaneous development of the invention of the 'pet' and the delineation of the home as a uniquely private enclosure, where the pater familias ruled over his own secluded world of domesticated wife, children, servants, and animals.

Today's consumers are growing increasingly animal-conscious. In recent polls, sixty percent of women said they preferred products that were not tested on animals, while seventy-two percent of Americans said they preferred synthetic fur instead of animal fur. Yet, caring, compassionate people still wonder how they can look and feel great without wearing or consuming animal products. Heather Chase has the answer. In her groundbreaking book, Chase provides information and tools to help consumers choose animal-friendly skin care products, apparel, foods, entertainment, and more. Beauty without the Beasts contains specific product guidelines as well as background information on what products contain animal parts and how you can avoid them. Beautifully illustrated and written, Beauty without the Beasts will inform the mind, please the eye, touch the heart, and inspire the spirit.