Desai's classic novel of the Holocaust era is the story of the profound emotional wounds of war and its exiles. The book follows Hugo Baumgartner as he leaves behind Nazi Germany and his Jewish heritage for Calcutta, only to be imprisoned as a hostile alien and then released to Bombay at war's end.

A perceptive observation about the human race cleverly constructed and told with Desai's opulent vocabulary.

Hugo Baumgartner, The Central Character Of Anita Desai'S Dazzling Novel, Is A Wandering Jew All His Life. From The Agonising Scenes Of His Childhood In Pre-War Berlin, Through His Spell In Business In Calcutta And Then Bombay, He Simply Does Not Belong. Too Dark For Hitler'S Society He Is Too Fair For India; He Remains A Firanghi, A Foreigner, Wherever He Goes' Daily Telegraph 'Anita Desai Writes Beautifully, Employing An Opulent Vocabulary To Great Effect In Her Physical Descriptions.The Achievement Of A Superior Writer' Literary Review'A Book That Puts To Shame All The Little Epithets And Pert Clichés That Praise May Offer' London Review Of Books

Hugo Baumgartner is a firangi wherever he goes—too dark for Hitler’s Germany, too fair for India. Escaping the Nazi regime but losing his parents to it, the wandering Jew builds a life in India only to be interrupted by war, and then partition—and finally finds a home in multitudinous Bombay. We meet him as a kindly, rather hapless old man who spends his days making the rounds of local teashops to scavenge for his many cats. Then, one day at the Café du Paris, one of his regular haunts, he encounters a surly young German of the new order—a drug-crazed hippie who will change his life forever. Set in Berlin, Venice, Calcutta—and of course Bombay—Baumgartner’s Bombay is the story of the twentieth century and a memorable portrait of Baumgartner, survivor, victim, everyman.

In this sensitive portrayal of human nature, Anita Desai, one of India’s foremost writers, paints an intimate portrait of lives impacted by the quest for identity and purpose. Deven, a Hindi lecturer in small-town Mirpore, lives a humdrum existence. A chance to interview Nur—India’s greatest living Urdu poet—offers him an escape from his dreary life. But the Nur he meets is an enfeebled man, surrounded by clashing wives and preying sycophants. Deven’s decision to be the custodian of Nur’s verse gives birth to an unusual alliance between the two. Stimulating and thought provoking, In Custody is a brilliant parable lamenting the gradual corrosion of culture and tradition in the face of modernity, and a dazzling study of the complexity of human relationships.

A young American in Mexico discovers his family’s past—and a present-day danger—in this “elegant, exquisite” novel of suspense (Elle). Eric is a newly minted historian just out of graduate school, plagued by self-doubt over both his past choices and his future options. With no clear direction, he follows his lover, Em, when she travels to the Yucatan for her scientific research, but ends up alone in this foreign place. And so he pursues his own private quest, tracing his family’s history to a Mexican ghost town, where, a hundred years earlier, young Cornish miners—among them Eric’s grandparents—toiled to the death. Now, in place of the Cornish workers, the native Huichol Indians suffer the cruelty of the mines. When he inquires into their lives, Eric provokes the ire of their self-appointed savior, Dona Vera. Known as the “Queen of the Sierra,” Dona Vera is the widow of a mining baron who has dedicated her fortune to preserving the Huichol culture. But her formidable presence belies a dubious past. The zigzag paths of these characters converge on the Day of the Dead, bringing together past and present in a moment of powerful epiphany. Haunting and atmospheric, with splashes of exuberant color and darker violence, The Zigzag Way is “a beautifully rendered combination of history, folklore, and modern fiction” (Entertainment Weekly), from a Booker Prize finalist. “Long before Jhumpa Lahiri . . . long before Monica Ali . . . another novelist was offering us exquisitely detailed portraits of bodies in transit [and] classes in the art of sly and sensuous fiction . . . Anita Desai was a global, migrant writer before such a thing was fashionable.” —Time “Almost unbearably suspenseful.” —The Boston Globe “A hypnotic journey.” —San Jose Mercury News

From the author of Little Broken Things, a “race-to-the-finish family drama” (People) following a mother who must confront the dark summer that changed her life forever in order to reclaim the daughter she left behind. Juniper Baker had just graduated from high school and was deep in the throes of a summer romance when Cal and Beth Murphy, a childless couple who lived on a neighboring farm, were brutally murdered. When her younger brother became the prime suspect, June’s world collapsed and everything she loved that summer fell away. She left, promising never to return to tiny Jericho, Iowa. Until now. Officially, she’s back in town to help an ill friend manage the local library. But really, she’s returned to repair her relationship with her teenage daughter, who’s been raised by Juniper’s mother and stepfather since birth—and to solve the infamous Murphy murders once and for all. She knows the key to both lies in the darkest secret of that long-ago summer night, one that’s haunted her for nearly fifteen years. As history begins to repeat itself and a dogged local true crime podcaster starts delving into the murders, the race to the truth puts past and present on a dangerous collision course. Juniper lands back in an all-too-familiar place with the answers to everything finally in her sights, but this time it’s her daughter’s life that hangs in the balance. Will revealing what really happened mean a fresh start? Or will the truth destroy everything Juniper loves for a second time? Baart once again brilliantly weaves mystery into family drama in this expertly-crafted novel for fans of Lisa Jewell and Megan Miranda.