*SHORTLISTED FOR THE 2024 WRITERS' TRUST ATWOOD GIBSON PRIZE* From Governor General's Award-nominated author Sheung-King comes a novel about a millennial living through the Hong Kong protests, as he struggles to make sense of modern life and the parts of himself that just won’t gel. Glen Wu (aka Glue) couldn’t care less about his job. He’s returned to Hong Kong, the city he grew up in, and he’s teaching ESL, just to placate his parents. But he shows up hungover to class, barely stays awake, and prefers to spend his time smoking up until dawn breaks. As he watches the city he loves fall—the protests, the brutal arrests—life continues around him. So he drinks more, picks more fights with his drug dealer friend, thinks loftier thoughts about the post-colonial condition and Frantz Fanon. The very little he does care about: his sister, who deals with Hong Kong’s demise by getting engaged to a rich immigration consultant; his on-and-off-again relationship with a woman who steals things from him; and memories of someone he once met in Canada.... When the government tightens its grip, language starts to lose all meaning for Glue, and he finds himself pulled into an unsettling venture, ultimately culminating in an act of violence. Inventive and utterly irresistible, with QR codes woven throughout, Sheung-King’s ingenious novel encapsulates the anxieties and apathies of the millennial experience. Batshit Seven is an ode to a beloved city, an indictment of the cycles of imperialism, and a reminder of the beautiful things left under the hype of commodified living.

*SHORTLISTED FOR THE 2024 WRITERS' TRUST ATWOOD GIBSON PRIZE* From Governor General's Award-nominated author Sheung-King comes a novel about a millennial living through the Hong Kong protests, as he struggles to make sense of modern life and the parts of himself that just won’t gel. Glen Wu (aka Glue) couldn’t care less about his job. He’s returned to Hong Kong, the city he grew up in, and he’s teaching ESL, just to placate his parents. But he shows up hungover to class, barely stays awake, and prefers to spend his time smoking up until dawn breaks. As he watches the city he loves fall—the protests, the brutal arrests—life continues around him. So he drinks more, picks more fights with his drug dealer friend, thinks loftier thoughts about the post-colonial condition and Frantz Fanon. The very little he does care about: his sister, who deals with Hong Kong’s demise by getting engaged to a rich immigration consultant; his on-and-off-again relationship with a woman who steals things from him; and memories of someone he once met in Canada.... When the government tightens its grip, language starts to lose all meaning for Glue, and he finds himself pulled into an unsettling venture, ultimately culminating in an act of violence. Inventive and utterly irresistible, with QR codes woven throughout, Sheung-King’s ingenious novel encapsulates the anxieties and apathies of the millennial experience. Batshit Seven is an ode to a beloved city, an indictment of the cycles of imperialism, and a reminder of the beautiful things left under the hype of commodified living.

Fiction. Asian & Asian American Studies. Short Stories. A young translator living in Toronto frequently travels abroad-to Hong Kong, Macau, Prague, Tokyo-often with his unnamed lover. In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman's frequent unexplained disappearances. YOU ARE EATING AN ORANGE. YOU ARE NAKED. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King's debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature. Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.-Kyo Maclear

Award-winning author Lynne Hugo returns with a life-affirming, poignant novel in the spirit of A Man Called Ove—a story brimming with both wit and warmth about how a family gets on . . . and goes on. CarolSue and her sister, Louisa, are best friends, but haven’t had much in common since CarolSue married Charlie, moved to Atlanta, and swapped shoes covered with Indiana farm dust for pedicures and afternoon bridge. Louisa, meanwhile, loves her farm and animals as deeply as she’d loved Harold, her late husband of forty years. Charlie’s sudden death leaves CarolSue so adrift that she surrenders to Louisa’s plan for her to move back home. But canning vegetables and feeding chickens are alien to CarolSue, and she resolves to return to Atlanta—until Louisa’s son, Reverend Gary, arrives with an abandoned infant and a dubious story. He begs the women to look after the baby while he locates the mother—a young immigrant who fears deportation. Keeping his own secrets, Gary enlists the aid of the sheriff, Gus, in the search. But CarolSue’s bond with the baby is undeniable, and she forms an unconventional secret plan of her own. How many mistakes can be redeemed? Praise for the novels of Lynne Hugo “Sparkling prose, wry humor, and timely, relevant themes abound.” —Donna Everhart, USA Today bestselling author of The Moonshiner's Daughter “A tender hymn of hope and rebirth that stays with you long after the last page.” —Kim Michele Richardson, author of The Book Woman of Troublesome Creek “I lost hours of sleep as I raced to finish this extraordinary novel.” —Randy Susan Meyers, bestselling author of Waisted “Delivered with humor and heart.” —Terri-Lynne DeFino, author of The Bar Harbor Retirement Home for Famous Writers (And Their Muses)

A PROFOUNDLY ORIGINAL DEBUT FROM HIGHLY ACCLAIMED EGYPTIAN WRITER Youssef Rakha’s extraordinary The Book of the Sultan’s Seal was published less than two weeks after then Egyptian President Hosni Mubarak stepped down, following mass protests, in February 2011. It’s hard to imagine a debut novel of greater urgency or more thrilling innovation. Modeled on a medieval Arabic manuscript in the form of a letter addressed to the writer’s friend, The Book of the Sultan’s Seal is made up of nine chapters, each centered on a drive our hero, Mustafa Çorbaci, takes around greater Cairo in the spring of 2007. Together these create a portrait of Cairo, city of post-9/11 Islam. In a series of dreams and visions, Mustafa Çorbaci encounters the spirit of the last Ottoman sultan and embarks on a mission the sultan assigns him. Çorbaci’s trials shed light on the contemporary Arab Muslim’s desperation for a sense of identity: Sultan’s Seal is both a suspenseful, erotic, riotous novel and an examination of accounts of Muslim demise. The way to a renaissance, Çorbaci’s journeys lead us to see, may have less to do with dogma and jihad than with love poetry, calligraphy, and the cultural diversity and richness within Islam. With his first novel, Rakha has created a language truly all his own—an achievement that has earned international acclaim. This profoundly original work both retells canonical Arabic classics and offers a new version of “middle Arabic,” in which the formal meets the vernacular. Now finally in English, in Paul Starkey’s masterful translation, The Book of the Sultan’s Seal will astonish new readers around the world.

"A modern parable." —from the foreword by Grace Slick “Jorma Kaukonen is a force in American music, equally adept at fingerpicked acoustic folk and blues as he is at wailing on an electric.” – Acoustic Guitar “Jorma Kaukonen lit a fuse and transformed his electric guitar into a firework.” – Live For Live Music Includes a CD of live music as a companion to the book! From the man who made a name for himself as a founding member and lead guitarist of Jefferson Airplane comes a memoir that offers a rare glimpse into the heart and soul of a musical genius—and a vivid journey through the psychedelic era in America. “Music is the reward for being alive,” writes Jorma Kaukonen in this candid and emotional account of his life and work. “It stirs memory in a singular way that is unmatched.” In a career that has already spanned a half century—one that has earned him induction into the Rock & Roll Hall of Fame and a Grammy Lifetime Achievement Award, among other honors—Jorma is best known for his legendary bands Jefferson Airplane and the still-touring Hot Tuna. But before he won worldwide recognition he was just a young man with a passion and a dream. Been So Long is the story of how Jorma found his place in the world of music and beyond. The grandson of Finnish and Russian-Jewish immigrants whose formative years were spent abroad with his American-born diplomat father, Jorma channeled his life experiences—from his coming-of-age in Pakistan and the Philippines to his early gigs with Jack Casady in D.C. to his jam sessions in San Francisco with Jerry Garcia, Janis Joplin, Bob Dylan, and other contemporaries—into his art in unique and revelatory ways. Been So Long charts not only Jorma’s association with the bands that made him famous but goes into never-before-told details about his addiction and recovery, his troubled first marriage and still-thriving second, and more. Interspersed with diary entries, personal correspondence, and song lyrics, this memoir is as unforgettable and inspiring as Jorma’s music itself.

Set in Cairo between 1997 and 2011, The Crocodiles is narrated in numbered, prose poem-like paragraphs, set against the backdrop of a burning Tahrir Square, by a man looking back on the magical and explosive period of his life when he and two friends started a secret poetry club amid a time of drugs, messy love affairs, violent sex, clumsy but determined intellectual bravado, and retranslations of the Beat poets. Youssef Rakha’s provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.