The all-new anthology series continues with new tales of mystery, mayhem and madness from all levels of Gotham City by some of the finest talents in comics. In this auspicious issue: • Eisner Award-winning collaborators Tom King and Mitch Gerads (Mister Miracle, Strange Adventures) tell a tale of Batman administering a form of last rites to a dying priest. Or is it the other way around? • Eisner-nominated storytellers Gabriel Hardman and Corinna Bechko (Green Lantern: Earth One) find the Dark Knight facing certain death-with The Joker his last lifeline. • Multiple award-winner for his innovative work on Hawkeye, David Aja writes and draws his first DC story, in which Batman is set on the trail of a deadly cult preying on Gotham City-and it’s one you’ll be talking about all year! • The brilliant Sophie Campbell (Jem and the Holograms, Teenage Mutant Ninja Turtles, Wet Moon) returns to DC after a 10-year absence to follow Batman and Catwoman on one of their greatest chases ever. • Celebrated artist of S.H.I.E.L.D. and Avengers and the creator of Paklis, Dustin Weaver makes his DC debut as Batman takes to the sky in a stunning aerial battle against one of the most unsettling foes he’s ever faced.The all-new anthology series continues with new tales of mystery, mayhem and madness from all levels of Gotham City by some of the finest talents in comics. In this auspicious issue: • Eisner Award-winning collaborators Tom King and Mitch Gerads (Mister Miracle, Strange Adventures) tell a tale of Batman administering a form of last rites to a dying priest. Or is it the other way around? • Eisner-nominated storytellers Gabriel Hardman and Corinna Bechko (Green Lantern: Earth One) find the Dark Knight facing certain death-with The Joker his last lifeline. • Multiple award-winner for his innovative work on Hawkeye, David Aja writes and draws his first DC story, in which Batman is set on the trail of a deadly cult preying on Gotham City-and it’s one you’ll be talking about all year! • The brilliant Sophie Campbell (Jem and the Holograms, Teenage Mutant Ninja Turtles, Wet Moon) returns to DC after a 10-year absence to follow Batman and Catwoman on one of their greatest chases ever. • Celebrated artist of S.H.I.E.L.D. and Avengers and the creator of Paklis, Dustin Weaver makes his DC debut as Batman takes to the sky in a stunning aerial battle against one of the most unsettling foes he’s ever faced.

Battling bad guys. High-tech hideouts. The gratitude of the masses. Who at some point in their life hasn't dreamed of being a superhero? Impossible, right? Or is it? Possessing no supernatural powers, Batman is the most realistic of all the superheroes. His feats are achieved through rigorous training and mental discipline, and with the aid of fantastic gadgets. Drawing on his training as a neuroscientist, kinesiologist, and martial artist, E. Paul Zehr explores the question: Could a mortal ever become Batman? Zehr discusses the physical training necessary to maintain bad-guy-fighting readiness while relating the science underlying this process, from strength conditioning to the cognitive changes a person would endure in undertaking such a regimen. In probing what a real-life Batman could achieve, Zehr considers the level of punishment a consummately fit and trained person could handle, how hard and fast such a person could punch and kick, and the number of adversaries that individual could dispatch. He also tells us what it would be like to fight while wearing a batsuit and the amount of food we'd need to consume each day to maintain vigilance as Gotham City's guardian. A fun foray of escapism grounded in sound science, Becoming Batman provides the background for attaining the realizable—though extreme—level of human performance that would allow you to be a superhero.

Superhero Grief uses modern superhero narratives to teach the principles of grief theories and concepts and provide practical ideas for promoting healing. Chapters offer clinical strategies, approaches, and interventions, including strategies based in expressive arts and complementary therapies. Leading researchers, clinicians, and professionals address major topics in death, dying, and bereavement, using superhero narratives to explore loss in the context of bereavement and to promote a contextual view of issues and relationship types that can improve coping skills. This volume provides support and psychoeducation to students, clinicians, educators, researchers, and the bereaved while contributing significantly to the literature on the intersection of death, grief, and trauma.

Over the sixty years of his existence, Batman has encountered an impressive array of cultural icons and has gradually become one himself. This acclaimed book examines what Batman means and has meant to the various audiences, groups and communities who have tried to control and interpret him over the decades. Brooker reveals the struggles over Batman's meaning by shining a light on the cultural issues of the day that impacted on the development of the character. They include: patriotic propaganda of the Second World War; the accusation that Batman was corrupting the youth of America by appearing to promote a homosexual lifestyle to the fans of his comics; Batman becoming a camp, pop culture icon through the ABC TV series of the sixties; fans' interpretation of Batman in response to the comics and the Warner Bros. franchise of films.

The first comic dedicated exclusively to The Dark Knight! This 1940 issue pitted the Dynamic Duo against classic menaces including Professor Hugo Strange. Plus, the first appearances of The Joker and Catwoman (referred to as "the Cat")! Also includes a 2-page retelling of Batman's origin.

Originally published in single magazine form in Detective Comics and Batman.

Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into “high” art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception.