Whether male or female, loyalist or radical, urban or rural, literati or autodidacts, Scottish Lowland poets in the age of Burns adamantly refuse to imagine a single British nation. Instead, they pose the question of "Scotland" as a revolutionary category, always subject to creative destruction and reformation.

Scottish poet William Dunbar is usually considered one of the most important figures of fifteenth-century British literature, and may lay claim to being the finest lyric poet writing in English in the century and half between the death of Chaucer in 1400 and the appearance of Tottel's Miscellany in 1557. Dunbar's poems offer vivid depictions of late medieval Scottish society and serve up a striking pageant of colorful figures at the court of James IV (r. 1488-1513), with which he was associated for much of his adult life. The poems are remarkable both for their diversity and variability and for their multiplicity of voices, styles, and tones. The great variety of poems within Dunbar's canon includes religious hymns of exaltation, moral poems on a wide range of serious themes, comic and parodic poems of extreme salaciousness and scatological coarseness, general satires against the times, and satires with much more specific targets, often a single individual. This edition of eighty-four poems attributed to Dunbar includes extensive background material and explanatory notes that are sure to be of interest to students and Dunbar enthusiasts alike. The edition is rounded out with textual notes, an index of first lines, and a glossary.

As the Editor points out, the Celtic identity is not one of race - the genetic links, if they are there at all, just cannot be proved - but it is of a common linguistic and cultural heritage. The Celtic Connection focuses on the similarities and differences in language across the Celtic nations and contributes to the resurgence of interest in the Celtic identity which is increasingly being supported by official bodies, both national and international.

This collection of essays on early modern Scotland offers 'new perspectives' on aspects of Scottish history from 1560 to 1800. Some essays challenge accepted interpretations; others explore subjects and sources that have previously not attracted the attention of historians; all represent new research on Scottish history from the Reformation to the Enlightenment. They indicate renewed interest in an age crucial to the development of modern Scotland. Contents: Rex Stoicus – George Buchanan, James VI and the Scottish Polity, Scotland, Antichrist and the Invention of Great Britain. Scottish Gaeldom, 1638–1651: The Vernacular Response to the Covenanting Dynamic. The Military and Ministers as Agents of Presbyterian Imperialism in England and Ireland, 1640–1648. Sackcloth for the Sinner or Punishment for the Crime? Church and Secular Courts in Cromwellian Scotland. York in Edinburgh: James VII and the Patronage of Learning in Scotland, 1679–1688. The Polite Academy and the Presbyterians, 1720–1770. Moderates, Managers and Popular Politics in mid-18th century Edinburgh: The Drysdale 'Bustle' of the 1760s. Paradigms and Politics: Manners, Morals and the Rise of Henry Dundas, 1770–1784. Rethinking Das Adam Smith Problem. Childhood and Society in 18th Century Scotland. The Heavenly City of the 18th Century Moderate Divines.

The British Isles is a multi-national arena, but its history has traditionally been studied from a distinctively English -- often, indeed, London -- perspective. Now, however, the interweaving of the distinct but mutually-dependent histories of the four nations is at the heart of some of the liveliest historical research today. In this major contribution to that research, eleven leading scholars consider key aspects of the internal relations of England, Scotland, Ireland and Wales in the early modern period, and the problems of accommodating different -- and resistant -- cultures to a single centralizing polity. The contributors are: Sarah Barber; Toby Barnard; Ciaran Brady; Keith M. Brown; Jane Dawson; Steven G. Ellis; David Hayton; Philip Jenkins; Alan Macinnes; Michael Mac Craith; and John Morrill.