In these personal essays, the hilarious comedian and Chelsea Lately host reflects on family, love life, and the absurdities of adulthood with "cheeky candor" and signature wit (Philadelphia Inquirer). Life doesn't get more hilarious than when Chelsea Handler takes aim with her irreverent wit. Who else would send all-staff emails to smoke out the dumbest people on her show? Now, in this new collection of original essays, the #1 bestselling author of Are You There, Vodka? It's Me, Chelsea delivers one laugh-out-loud moment after another as she sets her sights on the ridiculous side of childhood, adulthood, and daughterhood. Family moments are fair game, whether it's writing a report on Reaganomics to earn a Cabbage Patch doll, or teaching her father social graces by ordering him to stay indoors. It's open season on her love life, from playing a prank on her boyfriend (using a ravioli, a fake autopsy, and the Santa Monica pier) to adopting a dog so she can snuggle with someone who doesn't talk. And everyone better duck for cover when her beach vacation turns into matchmaking gone wild. Outrageously funny and deliciously wicked, Chelsea Chelsea Bang Bang is good good good good! Chelsea Handler on . . . Being unpopular: "My parents couldn't have been more unreasonable when it came to fads or clothes that weren't purchased at a pharmacy." Living with her boyfriend: "He's similar to a large toddler, the only difference being he doesn't cry when he wakes up." Appreciating her brother: "He's a certified public accountant, and I have a real life." Arm-wrestling a maid of honor: "It wasn't her strength that intimidated me. It was the starry way her eyes focused on me, like Mike Tyson getting ready to feed."

When a set-up goes wrong and Six finds herself sleeping with the enemy, who will she choose, the man she loves, or the man she's supposed to hate? Detroit hustlers Free and Six have been together seven years, but their relationship has been nothing but drama. Free hasn't been faithful and Six has taken out her hurt by physically hurting the other women. Free ends up in jail for three years, and when he's sprung, he's not happy to learn that Six has been living the high-life on his dime and blown through $100,000! Then Six gets entangled in one of Free's schemes and finds herself in a role almost too good to be true—posing as the woman of another man who actually treats her with respect. Though you can bet there won't be a "happily ever after" for anyone involved. . ..

Shows a variety of tools, the sounds they make, and what they can build.

Chitty Chitty Bang Bang is a timeless classic: a gripping, fast-paced children's adventure story, written by Ian Fleming to read to his son, Caspar. It was first published in 1964 with illustrations by John Burningham. The car was inspired by the racing cars built by Count Louis Zborowski at Higham Park in Kent. Sadly, Ian Fleming never lived to see the book published: he died in 1964, two months before it came out. Chitty Chitty Bang Bang, the feature-film, loosely based on the book and co-written by Roald Dahl, was released in 1968.

Buckle your seatbelt for the first-ever follow up to Ian Fleming's only children's story. When the Tooting family finds an old engine and fits it to their camper van, they have no idea what kind of adventure lies ahead. The engine used to belong to an extraordinary car . . . and it wants its bodywork back! But as the Tootings hurtle across the world rebuilding the original Chitty, a sinister baddie is on their trail — one who will stop at nothing to get the magnificent car for himself. Fueled by wry humor , this much-anticipated sequel to the children’s classic by Ian Fleming, creator of James Bond — fe aturing a contemporary family and a camper van with a mind of its own — is driven by best-selling, award-winning author Frank Cottrell Boyce and revved up by Joe Berger’s black-and-white illustrations.

"I don't need to know how it goes--you wanted it to be dramatic, and white cops shooting Black kids is so common that it's BORING, and you didn't want a boring play, right?" Lila, a Black cop, has been on leave from the police force ever since she shot an unarmed Black man. She's moved back in with her mother, Karen, and is drinking beer for breakfast. So when Tim, a white playwright, shows up at her door to casually inform her that his play inspired by her experience is being adapted into a movie, Lila's trauma is dragged out for speculation once again. The star of the film, his body guard, and Karen are dragged into the fight, leading to an epic metatheatrical standoff in a living room play about a living room play about gun violence, police, art, and appropriation. This dark, fast-paced comedy by the author of Punch Up and Mustard traces the responsibility we have as artists in storytelling and the impact of what it means to be inspired by true events.

Bang! Guns really sound like that, you know. Bang! And people bleed from everywhere, and blood is redder than you think. And little kids look funny in caskets. That's 'cause they ain't meant to be in one, I guess. Mann is only thirteen, yet he has already had to deal with more than most go through in a lifetime. His family is still reeling from the tragic shooting death of his little brother, Jason, each person coping with grief in his or her own way. Mann's mother has stopped eating and is obsessed with preserving Jason's memory, while his father is certain that presenting a hard edge is the only way to keep his remaining son from becoming a statistic. Mann used to paint and ride horseback, but now he's doing everything he can to escape his emotions: getting involved in fights at school, joyriding at midnight, and much worse. His father, at his wit's end, does the only thing he thinks will teach his son how to be a man: he abandons him and his friend Kee-Lee in the woods, leaving them to navigate their way home, alone. Now Mann, struggling to find his way back to civilization, must also reconcile himself to the realities of a world that has stolen his little brother, and that isn't even sure it still wants Mann in it. One wrong turn and it could all be over for him, too. Bang.