TOO AROUSED TO RESIST When her scheming, jealous stepmother-to-be forced Amethyst Durango to enter a convent, the headstrong heiress swore she'd experience life to the fullest before being shut away. And when her violet eyes gazed upon the handsome Texas drifter at a sleepy stage stopover, Amethyst knew she'd found her mate. His sensual glance made her shiver with anticipation; his big calloused hands would electrify her with ecstasy. But when he galloped off afterwards without any promises to rescue her, the deceived senorita vowed she'd get back at the double-crosser—even if it meant never savoring his lying lips again! TOO LUCIOUS TO BE LAWFUL Rangy, rugged Bandit knew how to hold his cards, his liquor and his women, but when he first met the alluring Mexican maiden, he knew this was one gal he shouldn't touch! She was too young, too innocent, and too rich for a no-good mixed-blood cowboy like himself. Still, he couldn't stop his mouth from crushing hers any more than he could keep a stallion from a mare. And after he'd tasted and teased her, and pleasured and pleased her, it was too late to tell Amethyst he was on the run—and he could never again shelter her in his BANDIT'S EMBRACE.

Dale Bailey's new collection, The End of the End of Everything, is filled with hope. As we rush headlong toward a "Choose Your Own Apocalypse" future, Bailey hangs back, refusing to let go of the indelible ferocity of the human heart. His stories are filled with the vibrant sound of those hearts, always beating. There is the Creature from the Black Lagoon, who is more human than any of those he meets in Hollywood; Eleanor, who works at the End-of-the-World Café, and who sees the depravity and despair of the Pit every day, yet never gives up hope for her ailing child; and young Tom, lost in a world scorched by the sun, who follows the rumor of angels still hanging on the wind. Reminiscent of Ray Bradbury and Richard Matheson, Dale Bailey mixes the macabre in with his melancholy, crafting stories that linger long after their reading. He sees a dark world that is growing darker, but he carries with him a light that refuses to go out.

Bandit's Mountain takes place in the wilderness of Montana, after an earthquake levels a prison and frees twelve convicts. The convicts embark on a killing rampage in their quest to Canada and freedom. Ben Harper is a man who has the world by its tail. He is a man of honor, a man who keeps his promises. As he crosses the Montana state line on his way home on military leave, he reflects back on his troubled youth and on a stranger he attempted to rob. This stranger would change his life and become the man Ben called his father. Tired and hungry, Ben stops at motel and meets Wanda Jenkins, a lonely waitress. This chance meeting soon develops into a passionate love affair. Ben continues on his way home, promising to return for Wanda. After suffering car trouble, Ben finally reaches his destination only to find his parents murdered and his world shattered. A bloody note, found in his father's lifeless hand, sends Ben off on a trail of vigilante justice to a place called Bandit's Mountain.

More information to be announced soon on this forthcoming title from Penguin USA

Badmen, Bandits, and Folk Heroes is a comparative study of the literary and cinematic representation of Mexican American masculine identity from early twentieth-century adventure stories and movie Westerns through contemporary self-representations by Chicano/a writers and filmmakers. In this deeply compelling book, Juan J. Alonzo proposes a reconsideration of the early stereotypical depictions of Mexicans in fiction and film: rather than viewing stereotypes as unrelentingly negative, Alonzo presents them as part of a complex apparatus of identification and disavowal. Furthermore, Alonzo reassesses Chicano/a self-representation in literature and film, and argues that the Chicano/a expression of identity is characterized less by essentialism than by an acknowldgement of the contingent status of present-day identity formations. Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of Américo Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil. Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.

Many truths lie hidden beneath the desert sands... You are an orphan with a strange gift for magic. Do you have what it takes to survive on the cut-throat tides of the Dune Sea? You decide in this epic fantasy adventure – one where you make the decisions.

'Raw, poetic and compulsively readable ... I can't wait to buy a copy for everyone I know.' Kathryn Stockett, author of The Help The summer she turned thirteen, Molly Brodak's father was arrested for robbing eleven banks. In time, the image she held of him would unravel further, as more and more unexpected facets of his personality came to light. Bandit is her attempt to discover what, exactly, is left, when the most fundamental relationship of your life turns out to have been built on falsehoods. It is also a scrupulously honest account of learning how to trust again, and to rebuild the very idea of family from scratch. Refusing to fence off the trickier sides of her father's character, Brodak tries to find, through crystalline, spellbinding prose, a version of him that does not rely on the easy answers but allows him to be: an unknowable and incomprehensible whole – who is also her father. Unforgettable, moving, and utterly relatable, Bandit is a story of the unpredictable complexity of family.