First published in 1983. Balzac’s novels are one of the largest and most important sources for the history of post-revolutionary France, but they have scarcely been tapped as they should be. Approaching the subject from the perspective of a literary, the author shows in detail how specific historical circumstances and movement are reflected in t

This collection of short stories by French novelist Honoré de Balzac explores the darker side of human nature through tales of greed, corruption, and betrayal. Set during the tumultuous years of the French Revolution and the Napoleonic Wars, these stories offer a vivid portrait of life in 19th-century France, as well as insights into the timeless human struggles of love, power, and morality. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Wrong Side of Paris, the final novel in Balzac’s The Human Comedy, is the compelling story of Godefroid, an abject failure at thirty, who seeks refuge from materialism by moving into a monastery-like lodging house in the shadows of Notre-Dame. Presided over by Madame de La Chanterie, a noblewoman with a tragic past, the house is inhabited by a remarkable band of men—all scarred by the tumultuous aftermath of the French Revolution—who have devoted their lives to performing anonymous acts of charity. Intrigued by the Order of the Brotherhood of Consolation and their uplifting dedication to virtuous living, Godefroid strives to follow their example. He agrees to travel—incognito—to a Parisian slum to save a noble family from ruin. There he meets a beautiful, ailing Polish woman who lives in great luxury, unaware that just outside her bedroom door her own father and son are suffering in dire poverty. By proving himself worthy of the Brotherhood, Godefroid finds his own spiritual redemption. This vivid portrait of the underbelly of nineteenth-century Paris, exuberantly rendered by Jordan Stump, is the first major translation in more than a century of Balzac’s forgotten masterpiece L’Envers de l’histoire contemporaine. Featuring an illuminating Introduction by Adam Gopnik, this original Modern Library edition also includes explanatory notes.

Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.

A Study Guide for Honore de Balzac's "Pere Goriot," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

A short story ushering the reader into the violent and horrifying events that took place during the Reign of Terror following the French Revolution. The tale follows an old ex-Carmelite nun who is hiding from Robespierre with abject fear of what tomorrow may bring. Oozing with mystery and suspense, Balzac's allegorical prose is at its very finest here. The French author who, along with Flaubert, is widely regarded to be one of the founding fathers of realism in European fiction. Honoré de Balzac (1799-1850) was a French novelist and playwright, most famous for his collection of novels and plays, collectively called 'The Human Comedy'. His detailed observation of humanity and realistic depiction of society makes him one of the earliest representatives of realism in Europe. He was a master-creator of complex characters that often found themselves in ambiguous moral dilemmas.

Reproduction of the original: The Chouans by Honore de Balzac