In 1949, a twenty-six-year-old Iowa farm girl named Nita Farrier accepts a position as secretary to the Allied Occupation Force in Vienna, Austria. During her time off , she travels extensively throughout Europe, experiencing and recording in her journals the sights and sounds of Europe's most exciting cities. From the Viennese opera where she observes audience members enjoying wine, sausage, and bread during the performance (all the while the performers' shoes are squeaking with every movement) to the homesickness that she felt acutely during holidays abroad, her journals describe her experiences in wonderful emotional and sensory detail. She was also a direct witness to many important historical events of the day, keeping minutes at many of the fourpower conferences. The Grande Tour offers a glimpse into the daily life of post World War II Europe through the eyes of a young civilian woman. Her keen observations provide firsthand insight into the events that followed World War II and European culture of that era.

Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.

Paris was the artistic capital of the world in the 1920s and '30s, providing a home and community for the French and international avant-garde. Latin American artists contributed to and reinterpreted nearly every major modernist movement that took place in the creative center of Paris between World War I and World War II, including Cubism (Diego Rivera), Surrealism (Antonio Berni and Roberto Matta), and Constructivism (Joaquin Torres-Garcia). Yet their participation in the Paris art scene has remained largely overlooked until now. This book examines their collective role, surveying the work of both household names and an extraordinary array of lesser-known artists. Michele Greet illuminates the significant ways in which Latin American expatriates helped establish modernism and, conversely, how a Parisian environment influenced the development of Latin American artistic identity.