Beyond the formidable combination of tulle and lycra, how much can an audience ever truly understand about the demands of being a ballet dancer? What really is the pain and pleasure of pointe shoes and jockstraps? Can a wardrobe malfunction derail a scene? What happens when injury sidelines a principal dancer mid-show? Here is your tell-all guide, an all-access pass for ballet lovers and the ballet-curious by internationally acclaimed dancer and former artistic director of The Australian Ballet, David McAllister. From toe acting, to the perils of partnering and onstage/offstage romances, David answers in intimate detail everything you have ever wanted to know about ballet but were too afraid to ask. 'One of the most celebrated artists of our time lifts the curtain on ballet's intoxicating pursuit of perfection. What a brilliant book! Filled with insider knowledge for the ballet lover or the newcomer, you will be whipping through the pages wanting to hear more of David's wisdom and humour behind bringing the art of ballet to life.' - Sarah Murdoch 'Nijinsky did WHAT with a scarf? Who dared call Anna Pavlova 'the broom'? Dancers stuff Chux Superwipes WHERE? For those of us who love the ballet but are too scared to ask the silly questions - David is our friend. Let him take you behind the velvet scrim for a pas de deus into ballet paradise.' - Catriona Rowntree

In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.

Follow four young dancers in their first semester at the Vancouver International Ballet Academy while they work toward careers as professional ballet dancers. Kaitlyn, Taylor, Alexandra, and Julian are all students at the Vancouver International Ballet Academy where ballet and drama dominate everyone’s lives. Kaitlyn was the star at her old school, but the competition at VIBA is fierce and her reputation as a prodigy is threatened. About to turn fifteen years old, Taylor is a bit of a scatterbrain. She’s got a lot of potential, but the teachers are frustrated with her lack of confidence, and her troubles at school aren’t helping. Alexandra has done everything right, and she’s determined to become a dancer, but the teachers at VIBA seem to be against helping her. Julian, at fifteen, loves dance, so going to a professional ballet school seems fun — even if it does take over every aspect of his life. It’s only their first semester, but these four students will have to push themselves to their limits to make it through their first major performance, The Nutcracker, and continue on the path to becoming professional dancers.

Presenting the three titles in the Ballet School Confidential series, which follows a group of friends (and sometimes adversaries) during their time attending the Vancouver International Ballet Academy. Kaitlyn was the star at her old school, but the competition at VIBA is fierce and her reputation as a prodigy is threatened. About to turn 15 years old, Taylor is a bit of a scatterbrain. She’s got a lot of potential, but the teachers are frustrated with her lack of confidence, and her troubles at school aren’t helping. Alexandra has done everything right, and she’s determined to become a dancer, but the teachers at VIBA seem to be against helping her. Julian, at 15, loves dance, so going to a professional ballet school seems fun even if it does take over every aspect of his life. Their time at the school will test them physically and mentally, and also teach them about the values of friendship and loyalty – and watching your own back in a fiercely competitive environment. Includes Love You, Hate You I Forgot to Tell You You’re So Sweet

"Don't expect just tulle and toe shoes. In this fascinating insider's tale, NYCB dancer Pazcoguin reveals her world. . . . A striking debut." —People Award-winning New York City Ballet soloist Georgina Pazcoguin, aka the Rogue Ballerina, gives readers a backstage tour of the real world of elite ballet—the gritty, hilarious, sometimes shocking truth you don’t see from the orchestra circle. In this love letter to the art of dance and the sport that has been her livelihood, NYCB’s first Asian American female soloist Georgina Pazcoguin lays bare her unfiltered story of leaving small-town Pennsylvania for New York City and training amid the unique demands of being a hybrid professional athlete/artist, all before finishing high school. She pitches us into the fascinating, whirling shoes of dancers in one of the most revered ballet companies in the world with an unapologetic sense of humor about the cutthroat, survival-of-the-fittest mentality at NYCB. Some swan dives are literal: even in the ballet, there are plenty of face-plants, backstage fights, late-night parties, and raucous company bonding sessions. Rocked by scandal in the wake of the #MeToo movement, NYCB sits at an inflection point, inching toward progress in a strictly traditional culture, and Pazcoguin doesn’t shy away from ballet’s dark side. She continues to be one of the few dancers openly speaking up against the sexual harassment, mental abuse, and racism that in the past went unrecognized or was tacitly accepted as par for the course—all of which she has painfully experienced firsthand. Tying together Pazcoguin’s fight for equality in the ballet with her infectious and deeply moving passion for her craft, Swan Dive is a page-turning, one-of-a-kind account that guarantees you'll never view a ballerina or a ballet the same way again.

A vibrant and absorbing novel about the competitive world of professional ballet, written by a former New York City Ballet dancer. As a dancer with the ultra-prestigious Manhattan Ballet company, nineteen-year-old Hannah Ward juggles intense rehearsals, dazzling performances, and complicated backstage relationships. But when she meets a spontaneous and irresistibly cute musician named Jacob, her universe begins to change. Until now, Hannah has happily followed the company's unofficial mantra, "Don't think, just dance." But as Jacob opens her eyes to the world beyond the theater, Hannah must decide whether to compete against the other "bunheads" for a star soloist spot or to strike out on her own. Don't miss this behind-the-scenes look at the life of a young professional ballet dancer, written by an insider who lived it all.

"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--