Eskrima stick fighting is indigenous to the Philippines and in the 1950s one of the most popular styles emerged: Balintawak. To appreciate Anciong Bacon's Balintawak Eskrima, you have to understand set-ups, anticipation, the art of outwitting through ruses and lures; economy and simplification of motion, sans lavish and squandered movements; effective strikes fused and bonded with speed, power, elegance and grace. That is the essence of Anciong's Balintawak and these are the methods Sam Buot explains and demonstrates in this book. Written from the author's half-century of personal experience and hard-earned knowledge, Balintawak Eskrima presents the art from origin to modern times, as a fighting art, as cultural tradition and a means of personal development. Illustrated with nearly 700 historical and instructional photographs, this book is a must-have for all martial artists and those interested in the history of a people and their fight art.

The most popular form of indigenous self-defense in the Philippines continues to be Balintawak eskrimaand for good reason. The martial art was created by Anciong Bacon, and he taught the fighting technique to Ted Buot. In this guidebook, author Rad Maningas shares what he learned while training with Buot from 1979 to 2006. During those sessions, no other students were present, and the author learned the tradition, techniques, and history of Balintawak. Now he passes down those teachings to other students and aspiring students so that they can appreciate and use this simple-looking, beautiful, and effective form of self-defense. Buot taught the technique just as it was taught to him by Anciong, which is believed by many to be the purist line of Balintawak. The style differs from other forms of eskrima in key ways, including relying on the left hand to lead. Whether you are a beginner or advanced eskrimador, this guidebook will help improve your eskrima and take it to another level.

ATILLO BALINTAWAK ESKRIMA presents an in-depth historical account of the Atillo Balintawak Eskrima style of Crispulo "Ising" Atillo. As the last living member of the famed Balintawak Self Defense Club founded in Cebu City, Philippines, in 1952 by the renowned Venancio "Anciong" Bacon, Atillo has consolidated his astonishing depth of knowledge and decades of experience into a single style of eskrima. The Atillo Balintawak Eskrima-Original Saavedra Style developed by Crispulo "Ising" Atillo pays homage to the hard-hitting fighting style of the legendary eskrimador, Teodoro "Doring" Saavedra, and upholds the fighting traditions of Balintawak and the legendary eskrimadors who created it.ATILLO BALINTAWAK ESKRIMA is the first book in history to accurately document the true history of Balintawak eskrima and chronicle the life of Crispulo "Ising" Atillo, one of the most celebrated and respected icons and masters of the Filipino Martial Arts.

This book, the first volume in a trilogy, presents to you the Balintawak Arnis System as founded by Supreme Grandmaster Venancio "Anciong" Bacon in Cebu, in the 1950s. It differs from the other Filipino Stick Fighting system, as cited below, among others: 1. It employs a single stick throughout its training, 2. The stick, as a weapon, is treated as the extension of the arm,3. It employs stemless strikes,4. It uses hinge block,5. It applies the science of ergonomics,6. It emphasizes on economy of movement, making it simple and practical.7. It employs short and shallow footworkThe content of this book touches on the basic levels 1 and 2, under the training curriculum of the APO-Balintawak System, as follows, among others:Level 1a. History of Arnis and Balintawak Eskrima,b. Knowledge of the weapon and its potential,c. Basic stances, posture and footwork,d. Basic strike angles,e. Follow-through strikes,f. Shadow fighting with use of strikes only,g. Value System,h. Principles on shoulder width index, torque, stemless strikes,i. Vital target pointsLevel 2a. Basic blocks, b. Basic counter-attack, c. Randomization of defense and counter-attack, d. Shadow fighting applying attack, defense and counter-attack stratagem, e. Attack, clock-footwork and free hand control, f. Principles of hinged block, counter-attack, clock-footwork and free hand control.The basic levels are considered the most important phase in the training of Balintawak Arnis, as in any other martial arts and sports. It is here that you develop and strengthen your foundation in the art. Read on to discover, understand, appreciate and learn.

"Grandmaster Sam Buot's techniques and knowledge are direct from the masters. If there is anyone who can teach them to the world, it is Atty. Sam Buot." -GM Bobby Taboada "Sam Buot takes the reader on a journey into the belly of Balintawak. His narrative style is honest and compelling. This is one of my favorite FMA books " -Mark V. Wiley "This book is a treasure trove of knowledge and a book which will be considered one of the best, if not the best, book on Balintawak." -FMA Informative Eskrima stick fighting is indigenous to the Philippines and in the 1950s one of the most popular styles emerged: Balintawak. To appreciate Anciong Bacon's Balintawak Eskrima, you have to understand set-ups, anticipation, the art of outwitting through ruses and lures; economy and simplification of motion, sans lavish and squandered movements; effective strikes fused and bonded with speed, power, elegance and grace. That is the essence of Anciong's Balintawak and these are the methods Sam Buot explains and demonstrates in this book. Written from the author's half-century of personal experience and hard-earned knowledge, Balintawak Eskrima presents the art from origin to modern times, as a fighting art, as cultural tradition and a means of personal development. Illustrated with nearly 700 historical and instructional photographs, this book is a must-have for all martial artists and those interested in the history of a people and their fight art. Guro Sam Buot is the eldest surviving student of Anciong Bacon's original Balintawak Eskrima group from Cebu, Philippines. He is a true enthusiast of Filipino martial arts and has served as unofficial historian of the Balintawak style, having studied under the tutelage of Grandmaster Venancio Bacon, Jose Villasin, Teofilo Velez and Teddy Buot since the late 1950s. At 78, Sam is now retired and teaches eskrima in his backyard in Phoenix, Arizona.

Arnis: Reflections on the History and Development of the Filipino Martial Arts is an intriguing collection of essays on Filipino martial arts. Featured are insightful essays by Filipino martial artists: Krishna K. Godhania Antonio E. Somera Abner G. Pasa Dr. Jopet Laraya Felipe P. beano, Jr. Rene J. Navarro For centuries, Filipino martial arts have played integral and often momentous roles in the history of the Philippines and in the survival of the Filipino people. But what are these arts? Where do they come from? How have they developed? Where are they headed? And what inner dimensions do they offer their practitioners? These questions, among others, form the basis of Arnis: Reflections on the History and Development of the Filipino Martial Arts.

A seldom seen view of Arnis/Modern Arnis the Filipino fighting art of Professor Remy Pesas as seen by 1st Generation student / Senior Master Instructor, Grandmaster of Arnis: Bram Frank. Modern Arnis is seen through the perspective of the family art of the Bolo and knife, (edged tools) rather than a stick. The art of the blade as hidden in Modern Arnis based on the family style of Bolo is shown. The Presas family was known for teaching bolo to the brigades during WWII. Bram was named by the last of the Presas family GM Roberto Presas and The Worldwide Family of Modern Arnis and Filipino Martial Arts Council as the Guardian of the Legacy of Presas bolo. Bram's innovations and translations are shown: the same as he teaches at the FMA festivals in the Philippines.Some history of Modern Arnis in the USA is told