The first-ever adult coloring book from India brings the romance of Mughal gardens alive, through the classic patterns created by India s best-known design company, Good Earth. Using lush details from its eclectic design directory, Good Earth takes you on a journey of discovery in Bagh-e-Bahar: A Mughal Garden. With its trademark combination of Persian, Central Asian and indigenous Indian styles, it narrates the story of these beautiful gardens, full of immortal quotes from the mystical Sufi poet, Rumi. Sumptuously designed, this delightful book is a design classic and the perfect gift, both to yourself as well as to others seeking to de-stress and explore their creative self.

In despair at having no son to succeed him, the King of Turkey leaves his palace to live in seclusion. Soon after, however, he encounters four wandering dervishes - three princes and a rich merchant from Persia, Yemen and China - who have been guided to Turkey by a supernatural force that prophesied their meeting. The five men sit together in the dead of night, each in turn telling the tale of lost love that led him to renounce the world. As their stories within stories unfold, a magnificent world is revealed of courtly intrigue and romance, fairies and djinn, oriental gardens and lavish feasts, adventures and mishaps. A Tale of Four Dervishes (1803) is an exquisite example of Urdu fiction that provides a fascinating glimpse into the customs, beliefs and people of the time.

Dozakhnama: Conversations in Hell is an extraordinary novel, a biography of Manto and Ghalib and a history of Indian culture rolled into one. Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.

This Volume, The First To Appear In The Ten Volume Series Published By The Sahitya Akademi, Deals With A Fascinating Period, Conspicuous By The Growing Complexities Of Multilingualism, Changes In The Modes Of Literary Transmission And In The Readership And Also By The Dominance Of The English Language As An Instrument Of Power In Indian Society.