The book treats three primary themes. The first covers the Baden, Kostolac/Bošáca and Vučedol cultures, demonstrating their genetic relationship and indigenous development. This development is marked by changes in distribution (the global horizontal stratigraphy) caused by the penetration of the Pit Grave Culture, our second theme. The third theme analyses the emergence of the EBA. Particular attention is afforded to the absolute chronology. Two excursuses discuss finds outside the Carpathian Basin, but part of its cultural sphere. The archaeological analysis of the cultures underpins a novel cultural and historical interpretation.

Volume IV deals with the 'Middle Ages'. It starts with the expansion of Islam and closes with the discovery of the New World. Various events during this period led to a significant expansion in communications: the rapid spread of Islam and of Gengis Khan's Mongol Empire, as well as the Crusades and the development of trans-Saharan and maritime routes around Africa to the Indian Ocean, leading to multiplied exchanges between the peoples and cultures of Africa, Asia and Europe.

Trinidad is known for its vibrant musical traditions, which reflect the island’s ethnic diversity. The annual Carnival, far and away the biggest event in Trinidad, is filled with soca and calypso music. Soca is a dance music derived from calypso, a music with African antecedents. In parang, a Venezuelan and Spanish derived folk music that dominates Trinidadian Christmas festivities, groups of singers and musicians progress from house to house, performing for their neighbors. Chutney is also an Indo-Caribbean music. In Bacchanalian Sentiments, Kevin K. Birth argues that these and other Trinidadian musical genres and traditions not only provide a soundtrack to daily life on the southern Caribbean island; they are central to the ways that Trinidadians experience and navigate their social lives and interpret political events. Birth draws on fieldwork he conducted in one of Trinidad’s ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d’état in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.

A rich picture of village life in the 7th and 6th millennia BC, as seen through the excavations of an important site in Greece. Especially noteworthy is the extensive corpus ofmaterials relating to domestic cult practice (figurines and vessels). Also included are specialist studies of faunal and floral remains, lithics, and radiocarbon dates.

During HaA-HaB, many settlements were established in Silesia and in the central part of Poland, and their stability seems to be confirmed by the existence of regional groups and subgroups, by long-lasting colonies, and by long-used burial grounds, located at large settlements. At the end of HaB, many pre-Scythian elements occurred in this area, only partly influenced by the Cimmerians . During that period the peoples living north of the Carpathian and Sudeten Mountains remained very dependent on the productive and cultural circle south of the Carpathians, with which they maintained strong connections . The Lusatian settlement zone , apart from its increasing internal stability, also tended to extend its range . A partition of the Lusatian Culture, which had appeared earlier , became more pronounced under the strong influence of the East Hallstatt cultural and productive center in the eastern Alpine region , and the so-called amber route . The eastern zone of the Lusatian Culture remained under the influence of the Carpathian center, while the western zone was strongly influenced by the pre-Celtic (Bylanska or Horakowska) and northern Illyrian (Calon denberian) cultures. In HaD2' ca. 520-500 B.C., this latter area was the site of an armed incursion of Scythian groups coming from the east through the Karpacka Valley. The most characteristic features of the western zone include its own varieties of more general Hallstatt traits , such as fortified settlements (which date from HaA in the Lusatian Culture) , production of iron (done domestically since HaD), and decorated pottery.