Dark forces are afoot in Vinewood, Georgia, a deceptively sleepy town where the dead don’t stay dead and a sinkhole is as sinister as it is deadly. Violent events both natural and supernatural build to a chaotic crescendo of horrors that will threaten the entire town and everyone in it. An odd handful of townsfolk put their lives on the line to save the town, but the darkness may swallow them up before they have a chance. EDITORIAL REVIEWS “Reading Bad Juju is like being bitten by scorpions again and again and again, then asking for more because it felt so damned good.” --T. M. Wright, author of Bone Soup "This is a brilliant book, and ranks right up there with James A Moore's Serenity Falls as my favourite town under siege by evil novels of all time." --Ginger Nuts of Horror “A high octane read … scary as hell.” --Walt Hicks, author of The Deathgrip Collection “Outstanding! Randy Chandler is horror's best kept secret! Buy it immediately, and discover the genre as it should be.” --Kelly Tomblin, Horror-Web “I climbed into that sucker and couldn't get out. It was a real Venus Flytrap of a novel, absolutely compelling. I’d recommend Bad Juju without a single reservation [to] folks who dig old-time horror.” --Steve Vernon, author of Devil Tree “A full-bore, take-no-prisoners, one-man mission to once and forever completely upend & recontextualize the hallowed traditions of the Southern Gothic." --t. Winter-Damon, co-author of Duet for the Devil

Running a scam in a two-bit Caribbean republic, a tough-as-nails gun moll has to outrun both a murder rap and the local neo-Nazi commandant. A jealous archaeologist uses a Mayan stone dildo to bludgeon to death the chairman of the Archaeology Department. An accountant goes on a tropical vacation to a place where everything is falling apart, including his own sketchy soul. Seduced by an escaped psychopath named Dandelion, a frat boy has no choice but to commit murder. The nineteen opium dreams that make up Bad Juju provide the most outrageous, entertaining and over-the-top crime spree since Quentin Tarantino appeared on the scene.

Drugs....murder....voodoo! Four men are found brutally slain in an abandoned house on Cleveland's east side, one with ties to City Hall and all marked with a mysterious symbol. When Detective Nicholas Silvano is called to the case, he finds this drug-deal-gone-wrong is anything but ordinary and the search for an elusive killer is on. With FBI Agent James Reis creating roadblocks at every turn, Silvano teams up with DEA Agent Charley Goetz on a manhunt that takes them from Cleveland to the shady side of Florida, where anything can be had for a price. The stakes become higher when the killer makes it personal, forcing Nick to face feelings he'd been denying for so long.

Born in September 1942, Joseph A. Stokes began writing short stories after he retired. There was one story (Henyas’ Tree) that mostly developed on its own. It is a story about the interactions between various aggressive, strong willed characters. The author developed an interest in human interaction while attending school. It affected the remainder of his course selections and later gave direction to a career. In 1970 he was working at a large plant. Within his first months of work, he jumped at the chance to join the Equal Employment Opportunity (EEO) Committee. His duties involved visits to local minority organizations and meeting with employees of all ages, races, etc., on matters that might affect their work performance. The author worked 28 years as a problem-solving counselor, investigator, specialist and unit manager. It helped him understand people and the directions a person might take under stress. A strong-willed, multi-raced woman was born into a life she would not accept; a world of servitude that demanded she be dutiful to others. At an early age she was separated from her family and, therefore, was required to grow up quickly. This was done with the assistance of a surrogate mother, Haddie. It was Haddie that gave her the confidence and courage to adjust to and accept her lot in life. She was able to allow herself to commit to her affections and a life with a man who was well outside of her social status.

Miami is widely considered the center of Cuban-American culture. However vital to the diasporic communities’ identity, Miami is not the only—or necessarily the most profound—site of cultural production. Looking beyond South Florida, Ricardo L. Ortíz addresses the question of Cuban-American diaspora and cultural identity by exploring the histories and self-sustaining practices of smaller communities in such U.S. cities as Los Angeles, Chicago, and New York. In this wide-ranging work Ortíz argues for the authentically diasporic quality of postrevolutionary, off-island Cuban experience. Highlighting various forms of cultural expression, Cultural Erotics in Cuban America traces underrepresented communities’ responses to the threat of cultural disappearance in an overwhelming and hegemonic U.S. culture. Ortíz shows how the work of Cuban-American writers and artists challenges the heteronormativity of both home and host culture. Focusing on artists who have had an ambivalent, indirect, or nonexistent connection to Miami, he presents close readings of such novelists as Reinaldo Arenas, Roberto G. Fernández, Achy Obejas, and Cristina García, the playwright Eduardo Machado, the poet Rafael Campo, and musical performers Albita Rodríguez and Celia Cruz. Ortíz charts the legacies of sexism and homophobia in patriarchal Cuban culture, as well as their influence on Cuban-revolutionary and Cuban-exile ideologies. Moving beyond the outdated cultural terms of the Cold War, he looks forward to envision queer futures for Cuban-American culture free from the ties to restrictive—indeed, oppressive—constructions of nation, place, language, and desire. Ricardo L. Ortíz is associate professor of English at Georgetown University.

Writers like Donald and Mike work at the grassroots level to promote and support our sport. Their love of running shines through every page of what they write. They have a unique perspective on The Running Life and make us smile and gain insight at the same time. Whether you are an experienced runner, a novice, or even a non-runner this compilation of articles will inspire. --Amby Burfoot, Editor at Large, Runners World Magazine and 1968 Boston Marathon winner As a resident of Pacific Grove, Im just like all the other runners on the Central Coast. We eagerly await the Thursday edition of the Monterey Herald so we can see what Donald and Mike are thinking and saying about The Running Life. Its great that this book will allow a wider audience the opportunity of reading these great columns.--Blake Russell, 2008 Womens Olympic Marathon Im out in Buraglio and Dove territory every year for the Big Sur Marathon. Its great to swap stories with Donald and Mike, run, and enjoy the magnificent Central Coast. They are both very knowledgeable and their articles cover every aspect of our sport. A fun read for sure.--Bart Yasso, Chief Runner, Runners World Magazine Ive always been an instinctive runner. I love to run and feel the flow. Donald and Mike capture all I love about running in their articles. They know the spirit as well as the technical side of running. I recommend this series of articles for anyone. You will really capture and understand why we love The Running Life. --Nelly Wright, Pacific Grove, California, 1984 Womens Olympic Marathon