From award-winning journalist Mike McAlary comes an unforgettable account of the worst case of police corruption to rock New York since Frank Serpico testified before the Knapp Commission in 1972. McAlary tells the compelling story of a rare, untainted police officer named Det. Sgt. Joseph Trimboli--a man willing to sacrifice everything to put a rogue cop away. Photo insert.

A probing look at a multiple murder case in Ithaca, New York, and the perhaps specious justice that resulted reveals how an ambitious police investigator falsified testimony and tampered with evidence to bring about a quick conviction.

Presents an account of police corruption involving a system of bribery and drug dealing

BRAVE HERO OR CRIMINAL MASTERMIND? TONIGHT WE FIND OUT 'Simon Kernick writes with his foot pressed hard on the pedal. Hang on tight!' HARLAN COBEN 'Great plots, great characters, great action' LEE CHILD 'Heaven for readers who love ruthless, full-throttle thrillers' SUNDAY TIMES Undercover cop Chris Sketty became a hero when he almost died trying to stop the most brutal terror attack in UK history. With the suspects either dead or missing, the real motive remains a mystery. But someone is convinced Sketty is a liar. A criminal mastermind. A murderer. Blackmailed into revealing the truth, Sketty will share a twisting tale of betrayal, deception and murder...with a revelation so shocking that nothing will be the same again. 'That thud you hear is Kernick whipping the rug from under your feet again.' THE TIMES 'An absolute master of the adrenaline-fuelled ride' PETER JAMES 'One of Britain's top thriller writers' THE SUN 'Simon Kernick is one of the most reliable purveyors of the edge-of-your-seat thriller... gives a more powerful adrenaline rush than an EpiPen' SUNDAY EXPRESS 'Pace, pace, pace is what Simon Kernick does best' DAILY MIRROR

'Undercover, you're never just acting; you're only ever a different version of yourself.' Neil Woods spent fourteen years (1993-2007) infiltrating drug gangs as an undercover policeman, befriending and gaining the trust of some of the most violent, unpredictable criminals in Britain. But Neil was never your stereotypical gung-ho, tough-guy copper. This is the story of how a thoughtful, idealistic character learned to use his empathetic nature to master some of the roughest, most dangerous work in law enforcement. There was no training, no manual and no plan for when things went wrong; he was just dropped at a corner and told to make connections. But, inevitably, having swords thrust against his jugular, witnessing beatings, stabbings, and gangsters burning suspected rats with acid took its toll. Drawing on Neil’s experiences, with the insight that can only come from having fought on the front lines, GOOD COP, BAD WAR is at once a narrative-driven true crime read and a fascinating story of a character under pressure.

From the Keystones Kops of early cinema to brodcast news coverage of the beating of Rodney King, the media's capacity to amplify police misconduct contributes to police reform. Good Cop/Bad Cop offers the first extended review of the influence of the mass media on local and federal law enforcement. Adopting an interdisciplinary approach and drawing upon popular characterizations of law enforcement from movies, the press, television, and literature, this book argues that police reform is inextricably linked to the rise and technological development of the mass media. It illustrates how new forms of media communication generate new forms of information about police practices while revealing this information to the public for the first time. Periodically, this new information portrays law enforcement in a less-than-favorable light, ushering in public demands for police reform.But while the mass media exert an influence upon police practices, law enforcement officials also exert a powerful influence upon media coverage of crime and justice policies and practices. This book documents law enforcement's close monitoring of the police image as well as attempts by government officials to utilize mass media to further their crime control objectives. It also uses data garnered from a national study on police-media relations to provide a comprehensive discussion of the public relations skills performed daily by police media spokespersons. Unique in its coverage of the history of policing, Good Cop/Bad Cop casts the mass media as central to police reform and argues that a free and independent press is a prerequisite to innovations and improvements in policing.

First Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.