Rather than simply demonizing or directing outrage at Patriot and militia organizations, as some recent high-visibility publications have done, David Neiwert takes the approach of allowing Patriot extremists to speak for themselves and largely on their own terms. His critical journalistic dialogue allows us to better understand the social, economic, philosophical, and religious complexities of how and why these people have come to think the way they do. There is no question that strains of racism, paranoia, ill-will, and even evilness can characterize many of these people, but it is equally true that they--often minimally educated, and economically and socially challenged by the changing times--are desperately responding to feelings of having been marginalized, and even disenfranchised, from the American dream. Neiwert’s comprehensive manuscript presents an overview of the multitude of Patriot organizations and beliefs found in the Northwest today. Neiwert feels it is essential to maintain some kind of dialogue with Patriots because, after all, these people are our neighbors and relatives, and they are here to stay.

Details the adventures in the old West of Marder, a coward and racist, and of Bubba, a Black tracker, as they try to find Marder's kidnapped wife

Armatage reintroduces film studies scholars to Nell Shipman, a pioneer in both Canadian and American film, and one of proportionately numerous women from Hollywood's silent era who wrote, directed, produced, and acted in motion pictures.

George Theriault has been flying in northern Canada since the summer of 1934. When he established his own air service in in 1954, his skills as a bush pilot and sportsman made him one of the most popular outfitters in northern Ontario. This series of stories chronicles his many adventures from Alaska to Labrador, including seal and whale hunting with native people. .

This exciting, highly theatrical docu-drama is about the growing white supremacist movement in America, those dedicated to violent revolution and the expulsion from "God's Country" of non Aryans. The play covers all of the right wing lunatic fringe while focusing on three narrative spines: the trial in Seattle of a paramilitary group which calls itself The Order; the career and death of Denver's Allan Berg, the outspoken, controversial, Jewish talk radio personality "assassinated" by The Order; and, finally, the hate filled career and death of The Order's founder, Robert Matthews. These narratives are skillfully interwoven, sometimes non chronologically, with statistics and facts into a kaleidoscopic and highly theatrical vision.

An epic story of the American wheat harvest, the politics of food, and the culture of the Great Plains For over one hundred years, the Mockett family has owned a seven-thousand-acre wheat farm in the panhandle of Nebraska, where Marie Mutsuki Mockett’s father was raised. Mockett, who grew up in bohemian Carmel, California, with her father and her Japanese mother, knew little about farming when she inherited this land. Her father had all but forsworn it. In American Harvest, Mockett accompanies a group of evangelical Christian wheat harvesters through the heartland at the invitation of Eric Wolgemuth, the conservative farmer who has cut her family’s fields for decades. As Mockett follows Wolgemuth’s crew on the trail of ripening wheat from Texas to Idaho, they contemplate what Wolgemuth refers to as “the divide,” inadvertently peeling back layers of the American story to expose its contradictions and unhealed wounds. She joins the crew in the fields, attends church, and struggles to adapt to the rhythms of rural life, all the while continually reminded of her own status as a person who signals “not white,” but who people she encounters can’t quite categorize. American Harvest is an extraordinary evocation of the land and a thoughtful exploration of ingrained beliefs, from evangelical skepticism of evolution to cosmopolitan assumptions about food production and farming. With exquisite lyricism and humanity, this astonishing book attempts to reconcile competing versions of our national story.