For two days each year Trinidad's capital, Port of Spain, hosts 'the greatest show on earth' - a raucous mix of music, costume and revelry known as Carnival. The festival has become more or less synonymous with the Caribbean island and is an intrinsic part of its identity and popular culture. Making extensive use of interviews with artists and other participants, BACCHANAL! explores the place of Carnival in Trinidadian society and the people who take part in it: -- How the festival reflects and affects attitudes towards religion, language, humour, politics, male-female relations and folk traditions. -- The historical role of Carnival, its roots in colonial society and slavery, and its traditional function as an expression of subversion and revolt. -- The effect of contemporary social and cultural influences on the dynamic, evolving phenomenon of Carnival. -- The increasing involvement of Indo-Trinidadians and women, the competing musical forms of reggae and soca, and the impact of tourism and commercialism.

Evil lives in a traveling carnival roaming the Depression-era South. But the carnival's newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come. Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It's a gift for communicating with animals. To some, she's a magical tender. To others, a she-devil. To a talent prospector, she's a crowd-drawing oddity. And the Bacchanal Carnival is Eliza's ticket out of the swamp trap of Baton Rouge. Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she's met her match in Eliza, who's only beginning to understand the purpose of her own burgeoning powers. Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.

The Caribbean has been in turmoil since humans first arrived. All of the islands have been shaped by the different cultures, prejudices and lust for power and money. Colour has nothing to do with this worst of corruption, but is used as a tool by locals and foreign powers to achieve their goals of power.