Originally published: New York: Doubleday, a division of Random House, 2007.

‘Immaculate footballer. Imperial defender. Immortal hero of 1966. Master of Wembley. Captain extraordinary. Gentleman of all time.’ These are some of the words inscribed beneath the statue of England’s World Cup-winning captain, Bobby Moore, at Wembley stadium. Since Moore’s death, of bowel cancer at just 51, these accolades represent the accepted view of this national treasure. But what do we actually know about Bobby Moore as a person? What about the grit alongside the glory? Moore was undeniably an extraordinary captain and player. Pelé called him the greatest – and fairest – defender he ever played against. His feats for West Ham United and England are legendary and his technical mastery of the game ahead of its time. Few footballers since have come close to his winning combination of intelligence, skill, temperament and class. Yet off the pitch, Moore knew scandal, bankruptcy, divorce and drink. What about the string of failed businesses, whispers of bad behaviour, links to the East End underworld and turbulent private life? Ignored by the football world post-retirement, this great of the game drifted into obscurity and, famously, there was no knighthood. Acclaimed football writer Matt Dickinson traces the journey of this Essex boy who became the patron saint of English football, peeling away the layers of legend and looking at Moore’s life from all sides – in triumph, in failure, in full.

Ethics and Media Culture straddles the practical and ethical issues of contention encountered by journalists. The book's various contributors cover a diversity of issues and viewpoints, attempting to broaden out the debates particularly in relation to Journalism Studies, Cultural Studies, Sociology of Culture and Communications, Philosophy and History. The debate concerning media ethics has intensified in recent years, fuelled mainly by the standards of journalist and media practices. The role of practitioners has taken centre-stage as concerns over what constitutes ethical, and therefore socially acceptable practice and behaviour, by the public, practitioners and intellectuals alike. The discursive relationship between the production and consumption of information is central to the debate regarding moral conduct, particularly in light of the commercialisation of the media. Considering that media institutions operate in a climate of intense competition, the value of information and its corresponding quality have begun to be critically assessed in terms of ethical understanding. A degree of open-endedness is maintained in discussions throughout this book, which is intended to engage the reader with the issues raised and determine their own conclusions.

Written by the editor-in-chief of Sport Newspapers, this expose reveals the dark secrets and hidden truths behind the organization. The story behind the stories, this book includes some of the scoops that didn't make it into print.

For eight years London-based award-winning photographer Amelia Trourbridge has been shooting men who walk theline - from Bill Clinton to Howard Marks, Fidel Castro to Hugh Hefner. Here is her sharp take on their world.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.