Some people call me crazy. Some think Im weird, and others believe I am out downright out of this world. Sometimes to others I make no sense, but in my heart and mind it all comes together. I am made up of a mixture of different things; some that may not necessarily mix, but live flamboyantly in me. Ive had a crazy life and that should be no secret to anyone anymore. I have experienced things beyond the belief of sorrow and agony. Only I know what it is like to feel what I feel. Only I know the gravity of the experiences I have overcome. I guess it really is just how it is stated in the Bible. God will never allow more to come to us than what we can bear, and I know I can do whatever I need to do, through Jesus Christ, whom strengthens me. So, before you judge this book by its cover or dare to belittle my journey, walk a mile in my shoes. I hope my story inspires you with love, life and courage.

Some people call me crazy. Some think I'm weird, and others believe I am out downright out of this world. Sometimes to others I make no sense, but in my heart and mind it all comes together. I am made up of a mixture of different things; some that may not necessarily mix, but live flamboyantly in me. I've had a crazy life and that should be no secret to anyone anymore. I have experienced things beyond the belief of sorrow and agony. Only I know what it is like to feel what I feel. Only I know the gravity of the experiences I have overcome. I guess it really is just how it is stated in the Bible. "God will never allow more to come to us than what we can bear," and I know I can do whatever I need to do, "through Jesus Christ, whom strengthens me." So, before you judge this book by its cover or dare to belittle my journey, walk a mile in my shoes. I hope my story inspires you with love, life and courage.

Even within anthropology, a discipline that strives to overcome misrepresentations of peoples and cultures, colonialist depictions of the so-called Dark Continent run deep. The grand narratives, tribal tropes, distorted images, and “natural” histories that forged the foundations of discourse about Africa remain firmly entrenched. In Beyond Words, Andrew Apter explores how anthropology can come to terms with the “colonial library” and begin to develop an ethnographic practice that transcends the politics of Africa’s imperial past. The way out of the colonial library, Apter argues, is by listening to critical discourses in Africa that reframe the social and political contexts in which they are embedded. Apter develops a model of critical agency, focusing on a variety of language genres in Africa situated in rituals that transform sociopolitical relations by self-consciously deploying the power of language itself. To break the cycle of Western illusions in discursive constructions of Africa, he shows, we must listen to African voices in ways that are culturally and locally informed. In doing so, Apter brings forth what promises to be a powerful and influential theory in contemporary anthropology.

Music therapy is recognised as being applicable to a wide range of healthcare and social contexts. Since the first edition of Music Therapy: An art beyond words, it has extended into areas of general medicine, mainstream education and community practice. This new edition revises the historical and theoretical perspectives and recognises the growing evidence and research base in contemporary music therapy. Leslie Bunt and Brynjulf Stige document the historical evolution of music therapy and place the practice within seven current perspectives: medical, behavioural, psychoanalytical, humanistic, transpersonal, culture-centred and music-centred. No single perspective, individual or group approach is privileged, although the focus on the use of sounds and music within therapeutic relationships remains central. Four chapters relate to areas of contemporary practice across different stages of the lifespan: child health, adolescent health, adult health and older adult health. All include case narratives and detailed examples underpinned by selected theoretical and research perspectives. The final two chapters of the book reflect on the evolution of the profession as a community resource and the emergence of music therapy as an academic discipline in its own right. A concise introduction to the current practice of music therapy around the world, Music Therapy: An art beyond words is an invaluable resource for professionals in music therapy and music education, those working in the psychological therapies, social work and other caring professions, and students at all levels.

Hailed conservationist Carl Safina examines animal personhood as told through the inspired narrative portraits of elephants, wolves, and dolphins

"You are loved beyond words. Do you yet realize this? The sun rises in your honor. The moon beams its smile upon you each night. The earth revolves around you. You are the center of the universe, the heart of the world. You are the love that you seek." So begins the first of 365 messages from Sanaya, a spirit-teacher in the tradition of White Eagle and Silver Birch. "You are loved beyond words," she says, and reading this collection, you will feel love beyond words, for the messages contained here carry an energy that is felt intuitively and intimately, coming as they do from a dimension beyond the physical world. Those who know and love Sanaya believe that she is speaking directly to them. She is, for, as Sanaya says, there is only One Mind. Reading Sanaya's words, you will feel as if you are being consoled and counseled by a concerned and loving friend, connected with the essence of your true self. Love Beyond Words will answer your most basic questions about life and give you reason for reflection. In this collection of spiritual wisdom, Sanaya addresses universal concerns while speaking directly to your heart.

Featuring illuminated manuscripts from nineteen Boston-area institutions, Beyond Words provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership. With over 150 manuscripts on display, Manuscripts for Pleasure & Piety at the McMullen Museum focuses on lay readership and the place of books in medieval society. The High Middle Ages witnessed an affirmation of the visual and, with it, empirical experience. There was an explosion of illumination. Various types of images, whether in prayer or professional books, attest to the newfound importance of visual demonstration in matters of faith and science alike."--