This fast paced book tells the comically raw and honest story of Mario, a vivacious fashionista, who transform into the fabulous "awkward hitch" right before the eyes of everyone she knows. Marlo moved from New York to London to make it in the music business, aided by the money made at her day job as a luxury retail manager. Her plans are bamoozled when she starts to lose her eyesight after only a month of living in her dream city! Through a series of roller coaster events taking her to Paris, Miami, London, and New York, she is diagnosed with multiple sclerosis, the most common disabling neurogical disease affecting young adults today.

Washington Post columnist Alexandra Petri turns her satirical eye on her own life in this hilarious new memoir... Most twentysomethings spend a lot of time avoiding awkwardness. Not Alexandra Petri. Afraid of rejection? Alexandra Petri has auditioned for America’s Next Top Model. Afraid of looking like an idiot? Alexandra Petri lost Jeopardy! by answering “Who is that dude?” on national TV. Afraid of bad jokes? Alexandra Petri won an international pun championship. Petri has been a debutante, reenacted the Civil War, and fended off suitors at a Star Wars convention while wearing a Jabba the Hutt suit. One time, she let some cult members she met on the street baptize her, just to be polite. She’s a connoisseur of the kind of awkwardness that most people spend whole lifetimes trying to avoid. If John Hodgman and Amy Sedaris had a baby…they would never let Petri babysit it. But Petri is here to tell you: Everything you fear is not so bad. Trust her. She’s tried it. And in the course of her misadventures, she’s learned that there are worse things out there than awkwardness—and that interesting things start to happen when you stop caring what people think.

New York Times bestselling author Nicole Lapin is back with a sassy and actionable guide empowering women to be the boss of their own lives and careers. You don’t need dozens or hundreds of employees to be a boss, says financial expert and serial entrepreneur Nicole Lapin. Hell, you don’t even need one. You just need to be confident, savvy, and ready to get out there and make your success happen. You need to find your inner Boss Bitch — your most confident, savvy, ambitious self—and own it. A Boss Bitch is the she-ro of her own story. She is someone who takes charge of herself and her future and embraces being a “boss” in all senses of the word: whether as the boss of her own life, a boss at work, or the literal boss of her own company (or all three). Whichever she chooses, being a Boss Bitch isn’t something to apologize for—it’s something to be proud of! We all have what it takes to be a boss bitch, says Lapin. The problem is: we don’t learn how to do it in school. Even if we study business, we’re not getting enough real-deal business education. Until now. Here, Lapin draws on raw and often hilariously real stories from her own career and experiences starting businesses—the good, the bad, and the ugly—to show what it means to be a "boss" in twelve easy steps. In her refreshingly honest and relatable style, she first shows how to embrace the boss-of-you mentality by seizing the power that comes from believing in yourself and expanding your personal skillset. Then she offers candid no-nonsense advice on how to kill it as the boss at work whether you have a high-up role or not. And finally, for those who want to take the plunge as an entrepreneur, she lays out the nuts and bolts of how to be the boss of your own business—from raising money and getting it off the ground to hiring a kickass staff and dealing office drama to turning a profit. Being a rock star in your career is something that should be worn as a badge of honor. Here Lapin shows how to crush it in our careers like like a Boss Bitch!

Confessions of a Prairie Bitch is Alison Arngrim’s comic memoir of growing up as one of television’s most memorable characters—the devious Nellie Oleson on the hit television show Little House on the Prairie. With behind-the-scenes stories from the set, as well as tales from her bohemian upbringing in West Hollywood and her headline-making advocacy work on behalf of HIV awareness and abused children, Confessions of a Prairie Bitch is a must for fans of everything Little House: the classic television series and its many stars like Michael Landon and Melissa Gilbert; Gilbert’s bestselling memoir Prairie Tale... and, of course, the beloved series of books by Laura Ingalls Wilder that started it all.

On a miserable January morning Sarah is sitting on a plane to Tenerife - dickheads' destination of choice - for a week-long getaway. She's just realised that she's very angry and becoming a bitter bitch, despite being just thirty years old. With her on the plane she has a copy of Erica Jong's Fear of Flying and wishes it were 1975 instead of 2005. Sarah never intended for things to turn out the way they have: she just dreamed of love like everyone else. But now she's sitting here, thinking about all the injustices she's suffered. Thinking about how thoroughly fooled she was by the promise of love - the one that makes us want to start a family. Thinking about all the women she knows who, like her, were drained of all their energy by family hell - an inheritance passed down directly from generation to generation, from her restless mother's eczema-covered dishpan hands to her own nervous over-achiever complex. Angry and candid, Bitter Bitch is an uncompromising novel, at the heart of which is one of the most important women's issues: how can we ever have an egalitarian society when we can't even live in equality with those we love?

A young couple's toxic Instagram crush spins out of control and unleashes a sinister creature in this twisted, viciously funny, "bananas good" story (Carmen Maria Machado). "Um, holy shit...This novel will be the most fun you'll have this summer." —Emily Temple, Literary Hub Remy and Alicia, a couple of insecure service workers, are not particularly happy together. But they are bound by a shared obsession with Jen, a beautiful former co-worker of Remy’s who now seems to be following her bliss as a globe-trotting jewelry designer. In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and new age mantra they know by heart. Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beachside paradise, threatening to erupt. As small disturbances escalate into outright horror, we find ourselves tumbling with Remy and Alicia into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what “self-actualization” looks like? Part millennial social comedy, part psychedelic horror, and all wildly entertaining, A Touch of Jen is a sly, unflinching examination of the hidden drives that lurk just outside the frame of our carefully curated selves.

Step into a world filled with racist teenagers, masked assassins, cannibals, a telekinetic hitman, 100 warped Uncle Sams, automobiles with razor-sharp teeth, living graffiti, cartoons that walk and talk, a steroid-addicted pro-athlete, an angry black chic, a washed-up Barbara Walters clone, the threat of a war to end all wars, and a pissed-off zombie bitch out for revenge. When the police finally capture the number one suspect in the Bloody Mary Murders, a single-mother named Natasha Armstrong, nobody believes her story about her twelve-year search for the real killer, a murderous walking corpse who has no eyes but can still see, who moves like a bad stop-motion incarnation, but does so with ethereal grace. Nobody believes her when she tells them about all the bodies, or the people they used as game for the military-style obstacle courses that Bloody Mary and her soldiers, a ragtag group made up mostly of runaways, would build wherever they'd settle in any given town to recruit more soldiers and prepare for the end of civilization as we know it.