The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.

VOLKHAVAAR is a novel of witchcraft and wonders on a world far removed from those we know. Here the gods contend for power - the Dark forces against the Light - and here an entire city and its land is plunged into the shadow of an eil beyond anything conceivable. It is the story of Shaina the slave girl and of Volk the outcast who enslaved himself to cosmic forces to gain total power - and of how they were finally to meet and flash - with an entire world as their prize.

Kazuma Sato is a video game-loving shut-in-or at least he was, until a humiliating traffic accident brings his young life to an untimely end. But after his death, a beautiful girl claiming to be a goddess invites him to enter another world and gain some respectable perks in the process. But Kazuma's choice is going to have serious consequences for the goddess and the dead man alike...

It's jang to be wild and sexy and reckless and teen-age. It's jang to do daredevil tricks and even get killed a few times...you could always come alive again. It's jang to change your body, to switch your sex, to do anything you want to keep up with the crowd. But there comes a time when you begin to think about serious things, to want to do something valid. And that's when you find out there are rules beyond the rules and that the world is something else than all they'd taught you.

When a breach birth leaves Paulo severely disabled, his father, the articulate, unsentimental Professor Frigerio, struggles to come to terms with his son’s condition. Face to face with his own limitations, Frigerio confronts the strange way society around him handles Paolo’s handicaps and observes his surprising gifts. In spare, deeply affecting episodes, the professor of language explores the nuanced boundaries between “normal” and “disabled” worlds. A remarkable memoir of fathering, winner of the 2001 Strega Prize, Italy’s most prestigious literary honor, Born Twice is noted Italian author Guiseppe Pontiggia’s American debut. Sometimes meditative, often humorous, and always probing, Pontiggia’s haunting characters linger and resound long after the book is done.

There are four distinct types of managers. One performs much worse than the rest, and one performs far better. Which type are you? Based on a first-of-its-kind, wide-ranging global study of over 9,000 people, analysts at the global research and advisory firm Gartner were able to classify all managers into one of four types: Teacher managers, who develop employees' skills based on their own expertise and direct their development along a similar track to their own. Cheerleader managers, who give positive feedback while taking a general hands-off approach to employee development. Always-on managers, who provide constant, frequent feedback and coaching on all aspects of the employee's performance. Connector managers, who provide feedback in their area of expertise while connecting employees to others in the team or organization who are better suited to address specific needs. Although the four types of managers are more or less evenly distributed, the Connector manager consistently outperforms the others by a significant margin. Meanwhile, Always-on managers tend to see their employees struggle to grow within the organization. Why is that? Drawing on their groundbreaking data-driven research, as well as in-depth case studies and extensive interviews with managers and employees at companies like IBM, Accenture, and eBay, the authors show what behaviors define a Connector manager, and why they are able to build powerhouse teams. They also show why other types of managers fail to be equally effective, and how they can incorporate behaviors of Connector managers in order to be more effective at building teams.

New York Times bestselling author Jennifer L. Armentrout delivers the unforgettable story of a woman whose new life has just begun—but may end in murder . . . Julia Hughes has always played it safe until she learned a very painful lesson. Now Julia’s starting over with a job in the Louisiana bayou—and a scorching encounter with a stranger, only to discover he’s Lucian de Vincent . . . her new employer. The de Vincent brothers share a massive fortune and a dark reputation. Julia cares for their troubled sister, but a menacing presence in the mansion—and the ever-present temptation of Lucian—prove dangerously distracting. Lucian’s grandmother claimed de Vincent men fall in love once—and hard. Apparently, it’s Lucian’s turn. Julia’s compassionate care of his twin makes Lucian want to lay himself bare. But some secrets are better for Julia not to know. The recent “suicide” of Lucian’s father is the latest in a string of deaths on the estate. Someone is eliminating the de Vincents. And the best way to get to Lucian may be through Julia. . . .