AUTUMN is a self-publishing phenomenon which has been downloaded more than half a million times since publication in 2001 and has spawned a series of sequels and a movie starring Dexter Fletcher and David Carradine. Film rights to HATER, another book by Moody, have been bought by Guillermo del Toro (HELLBOY, PAN'S LABYRINTH) and Mark Johnson (producer of the CHRONICLES OF NARNIA films). A disease of unimaginable ferocity has torn across the face of the planet leaving billions dead. A small group of survivors shelter in the remains of a devastated city, hiding in terror as the full effects of the horrific infection start to become clear. The sudden appearance of a company of soldiers again threatens the survivors' fragile existence. Do they bring with them hope, help and answers, or more pain, fear and suffering?

The epic story of Autumn Winters and Grey Alexander concludes as an unexpected message comes from Paris, France that forces them to do something neither ever thought they could, cooperate with Karl and The Reconstruction Front. But when things overseas don't go as planned, they're once again faced with life and death decisions that will affect the course of mankind.

The City In The Autumn Stars: Being A Continuation Of The Story Of The Von Bek Family And Its Association With Lucifer, Prince Of Darkness, And The Cure For The World's Pain. Disillusioned by the excesses of the French Revolution, Manfred von Bek flees to the city of Mirenburg, where a Scottish balloonist, an elusive duchess, and a fallen angel become his companions on a journey to the mystical Mittelmarch - the land between lands- in search of the Holy Grail.

A bastard hybrid of War of the Worlds and Night of the Living Dead, the Autumn series chronicles the struggle of a small group of survivors forced to contend with a world torn apart by a deadly disease. After 99% of the population of the planet is killed in less than 24 hours, for the very few who have managed to stay alive, things are about to get much worse. Animated by "phase two" of some unknown contagion, the dead begin to rise. At first slow, blind, dumb and lumbering, quickly the bodies regain their most basic senses and abilities... sight, hearing, locomotion... As well as the instinct toward aggression and violence. Held back only by the restraints of their rapidly decomposing flesh, the dead seem to have only one single goal - to lumber forth and destroy the sole remaining attraction in the silent, lifeless world: those who have survived the plague, who now find themselves outnumbered 1,000,000 to 1... While the first Autumn novel focused on those who escaped the city, Autumn: The City focuses on those who didn't. Without ever using the 'Z' word, the Autumn series offers a new perspective on the traditional zombie story. There's no flesh eating, no fast-moving corpses, no gore for gore's sake. Combining the atmosphere and tone of George Romero's classic living dead films with the attitude and awareness of 28 Days (and Weeks) later, this horrifying and suspenseful novel is filled with relentless cold, dark fear.

Chinese prose poetry today is engaged with a series of questions that are fundamental to the modern Chinese language: What is prose? What is it good for? How should it look and sound? Millions of Chinese readers encounter prose poetry every year, both in the most official of state-sponsored magazines and in the unorthodox, experimental work of the avant-garde. Recite and Refuse makes the answers to our questions about prose legible by translating, surveying, and interpreting prose poems, and by studying the people, politics, and contexts that surround the writing of prose poetry. Author Nick Admussen argues that unlike most genres, Chinese prose poems lack a distinct size or shape. Their similarity to other prose is the result of a distinct process in which a prose form is recited with some kind of meaningful difference—an imitation that refuses to fully resemble its source. This makes prose poetry a protean, ever-changing group of works, channeling the language of science, journalism, Communist Party politics, advertisements, and much more. The poems look vastly different as products, but are made with a similar process. Focusing on the composition process allows Admussen to rewrite the standard history of prose poetry, finding its origins not in 1918 but in the obedient socialist prose poetry of the 1950s. Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to experimental artists such as Ouyang Jianghe and Xi Chuan. The volume features never-before seen English translations that range from the representative to the exceptional, culminating with Ouyang Jianghe’s masterpiece “Hanging Coffin.” Reading across the spectrum enables us to see the way that artists interact with each other, how they compete and cooperate, and how their interactions, as well as their creations, continuously reinvent both poetry and prose.