This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.

The biography of an enigmatic Victorian pioneer. The first critical appraisal of this sporting legend and antiquary, using his own archives and writings. Important glimpses of everyday Victorian life. Suitable for those with interests in sport, local history, genealogy and record editing. Walter Rye was a London solicitor until he retired to Norwich, but it was three spare-time passions that earned him his place in the Dictionary of National Biography: physical exercise, record-searching, and a devotion to his ancestral county of Norfolk. His love of the outdoors was unbounded: athlete, cyclist, sailor and archer, keen amateur gardener and naturalist. Despite this, mortal illness seemed to stalk him, and yet he lived well into his eighties. In A Passion for Records, Rye’s prolific writings as author, columnist and correspondent, replete with witty put-downs, offer many laugh-out-loud moments. His antiquarian writings invite more serious attention, after cautionary tales about his editorial techniques.

John McFall was born in 1878-the year after the disputed South Carolina gubernatorial election that marked the end of Reconstruction in South Carolina. He died in 1954-two months after the Supreme Court's landmark Brown v. Board of Education school desegregation case handed down on May 17, 1954. This volume contains Dr. McFall's complete and never before published manuscript, in which he eloquently reports on events between those milestones.

Jimmy Case is best remembered for a spectacular FA Cup final goal and a deserved reputation as one of football's genuine hard men. But that does scant justice to a career that covered more than 700 appearances for 7 league clubs and did not end until he retired, through injury, at the age of 41. Raised on Merseyside, Jimmy began at his beloved Liverpool, becoming a key player in the all-conquering team of the late 1970s alongside stars like Kevin Keegan, John Toshack, Ray Clemence, Phil Thompson, Kenny Dalglish and his two great mates, Tommy Smith and Ray Kennedy. At Anfield, where he was signed by Bill Shankly and guided by Bob Paisley, Jimmy won a boxful of medals: four league titles, three European cups plus a host of other domestic honours which tell the truth about Jimmy Case - that he had much more than a tough tackle and a ferocious shot. As the man himself says, you couldn't get in that Liverpool team if you couldn't play.His ambition was to play his entire career at Liverpool but fate sent him on a different route: to Brighton, where he almost won the FA Cup; to Southampton, where he played more than 200 games; to Bournemouth; Halifax; Wrexham; and a single outing for Darlington. Along the way he came up against players like Andy Gray, Graeme Souness, David Speedie, Graeme Sharp and Norman Whiteside, often with painful results. Packed with incident and anecdotes, usually funny - but occasionally sad - this is the story of Jimmy Case, a true football legend.

An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century. As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped into oblivion. Late Victorian Literary Collaboration investigates the factors that made the period so conducive to collaboration, tracing the reasons for its success and subsequent decline. Drawing on a vast range of original sources, the book discusses and compares different models of collaboration, from life-long, exclusive partnerships to one-time, widely-advertised collaborative ventures between best-selling novelists. It deals with authors such as Walter Besant, Somerville and Ross, Andrew Lang, H.R. Haggard and Rhoda Broughton, all favourites of the Victorian public but subsequently neglected and only recently reevaluated. By unpacking the debate that developed around co-authorship in the periodical press of the time, the book also sheds light on how collaborative authorship was imagined by the general public, and illustrates how the trend effectively – if temporarily – challenged Victorian assumptions about the author as a solitary genius.