Theories of authorship and material culture provide the framework for this study. It maps Anglo-American authorship as it shifts from a theoretical to a more material approach to its study in contexts recognized as key to its development: the nineteenth-century literary market-place, twentieth-century experimentalism and postmodern culture.

"Ezell's interdisciplinary approach draws together the history of the book and cultural history. The result allows the reader a glimpse of literary life as practiced by "social" authors in the context of the development of commercial publishing and the formalization of copyright laws defining texts and authors."--BOOK JACKET.

Privacy is one of the most urgent issues associated with information technology and digital media. This book claims that what people really care about when they complain and protest that privacy has been violated is not the act of sharing information itself—most people understand that this is crucial to social life —but the inappropriate, improper sharing of information. Arguing that privacy concerns should not be limited solely to concern about control over personal information, Helen Nissenbaum counters that information ought to be distributed and protected according to norms governing distinct social contexts—whether it be workplace, health care, schools, or among family and friends. She warns that basic distinctions between public and private, informing many current privacy policies, in fact obscure more than they clarify. In truth, contemporary information systems should alarm us only when they function without regard for social norms and values, and thereby weaken the fabric of social life.

A new commentary for today’s world, The Story of God Bible Commentary explains and illuminates each passage of Scripture in light of the Bible’s grand story. The first commentary series to do so, SGBC offers a clear and compelling exposition of biblical texts, guiding readers in how to creatively and faithfully live out the Bible in their own contexts. Its story-centric approach is idea for pastors, students, Sunday school teachers, and all who want to understand the Bible in today’s world. SGBC is organized into three easy-to-use sections, designed to help readers live out God’s story: Listen to the Story; Explain the Story; and Live the Story. Praise for SGBC: “The easy-to-use format and practical guidance brings God’s grand story to modern-day life so anyone can understand how it applies today.”—Andy Stanley “Opens up the biblical story in ways that move us to act.”—Darrell L. Bock “It makes the text sing and helps us hear the story afresh.”—John Ortberg “This commentary breaks new ground.”—Craig L. Blomberg

What is an author? What is a text? At a time when the definition of "text" is expanding and the technology whereby texts are produced and disseminated is changing at an explosive rate, the ways "authorship" is defined and rights conferred upon authors must also be reconsidered. This volume argues that contemporary copyright law, rooted as it is in a nineteenth-century Romantic understanding of the author as a solitary creative genius, may be inapposite to the realities of cultural production. Drawing together distinguished scholars from literature, law, and the social sciences, the volume explores the social and cultural construction of authorship as a step toward redefining notions of authorship and copyright for today's world. These essays, illustrating cultural studies in action, are aggressively interdisciplinary and wide-ranging in topic and approach. Questions of collective and collaborative authorship in both contemporary and early modern contexts are addressed. Other topics include moral theory and authorship; copyright and the balance between competing interests of authors and the public; problems of international copyright; musical sampling and its impact on "fair use" doctrine; cinematic authorship; quotation and libel; alternative views of authorship as exemplified by nineteenth-century women's clubs and by the Renaissance commonplace book; authorship in relation to broadcast media and to the teaching of writing; and the material dimension of authorship as demonstrated by Milton's publishing contract. Contributors. Rosemary J. Coombe, Margreta de Grazia, Marvin D'Lugo, John Feather, N. N. Feltes, Ann Ruggles Gere, Peter Jaszi, Gerhard Joseph, Peter Lindenbaum, Andrea A. Lunsford and Lisa Ede, Jeffrey A. Masten, Thomas Pfau, Monroe E. Price and Malla Pollack, Mark Rose, Marlon B. Ross, David Sanjek, Thomas Streeter, Jim Swan, Max W. Thomas, Martha Woodmansee, Alfred C. Yen

“Much more than a brilliant debut thriller. Dolan’s mile-a-minute story also gets at one of our species’ most important issues―can we choose how to die?” (Dylan Schaffer, author of I Right the Wrongs) In this auspicious debut, Alex Dolan announces himself as a virtuoso of psychological suspense and a rightful heir to masters of the genre like Gillian Flynn and Megan Abbott. Kali helps to end the lives of people with terminal diseases, her reasons her own. But she just helped the wrong person. Leland Moon is an FBI agent who couldn’t stop the abduction of his own son. He ropes Kali into a plot to avenge his son and help other victims, putting into a motion a mesmerizing cat-and-mouse game with two ruthless predators. Their mission will make Kali question everything she ever thought she know about herself. And the last life she ends may be her own . . . “Grabbed me from the first page and showed no signs of letting go. Dark and sinewy, topical and timeless, laced with rich characterization and gallows humor, it showcases Dolan as a thriller writer to watch and follow.” —Louis Bayard, bestselling author of Courting Mr. Lincoln “Alex Dolan makes an engrossing debut with The Euthanist . . . Dolan hooks readers from the very start, ratcheting up the tension and suspense until the shocking ending. As a thriller writer, Alex Dolan is set to be one of the best.” —Fresh Fiction “[An] action-packed story . . . Arriving with eerily uncanny timing, Alex Dolan’s debut novel, The Euthanist, tackles the prickly topic of death with dignity.” —San Jose Mercury News