Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.

This book presents a long-ranging and in-depth study of South African writing set in London during the apartheid years and beyond. Since London served as an important site of South African exile and emigration, particularly during the second half of the twentieth-century, the city shaped the history of South African letters in meaningful and material ways. Being in London allowed South African writers to engage with their own expectations of Englishness, and to rethink their South African identities. The book presents a range of diverse and fascinating responses by South African writers that provide nuanced perspectives on exile, global racisms and modernity. Writers studied include Peter Abrahams, Dan Jacobson, Noni Jabavu, Todd Matshikiza, Arthur Nortje, Lauretta Ngcobo, J.M.Coetzee, Justin Cartwright, and Ishtiyaq Shukri. South African London offers an original and multi-faceted take on both London writing and South African twentieth-century literature.

This wide-ranging volume presents the most complete appraisal of modern African history to date. It assembles dozens of new and established scholars to tackle the questions and subjects that define the field, ranging from the economy, the two world wars, nationalism, decolonization, and postcolonial politics to religion, development, sexuality, and the African youth experience. Contributors are drawn from numerous fields in African studies, including art, music, literature, education, and anthropology. The themes they cover illustrate the depth of modern African history and the diversity and originality of lenses available for examining it. Older themes in the field have been treated to an engaging re-assessment, while new and emerging themes are situated as the book’s core strength. The result is a comprehensive, vital picture of where the field of modern African history stands today.

The first comprehensive empirical account of how religion affects the interpretation, prevention, and mitigation of AIDS in Africa, the world's most religious continent.

This book deals with substantive issues that have the potential to enhance our understanding regarding how Marxist theory can be quite useful in interpreting Black specificities and the race paradigm. So far, Marxist theory has been excluded because it is supposedly class and economy reductionist, but the essence of this theory-dialectic-not only proves that it is a meaningful way of seeing racism for what it truly is, but also a way of filtering through the plethora of interpretations of what constitutes race. The timeliness of the approach should help revive discussion on ethnophilosophy as an ideology. So much academic consideration has led scholars to seriously underestimate ideology's extraordinary efficiency in blending into lived experience to the point where much of its most telling effects have become undetectable. This work suggests that critical theory must reorient itself and offers an important discussion on the dominant discourse of poststructuralism, postmodernism, postcolonialism, Marxism, African socialism, NZgritude, and Afrocentricity. The book's approach sheds a radical light on the claim for Black specificities and racism. It shows that racial and ethnological discourses are ideological and political mystifications, masking exploitation. Under such circumstances, racial and racist ideologies become cards to be played by the perpetrators or the victims, as the case studies of Haiti and South Africa illustrate. As can be seen, then, the intelligibility of racism and its various forms can only stem from an analysis of the social structures upon which they rest. Just to show how inextricably linked ideology, race, racism, political expansion, and economic domination are, the book looks at Africa and its Diaspora, revealing how Africans remain the scapegoat for racial 'othering' in the global economy's ideological praxis. In so doing, the book is also able to include African intellectuals' perspectives that have often been omitted from the dialogue on critical theory, race, racism, and Black specificities.

Bioethics urges us to question and debate fundamental moral issues that arise in health-related sciences. However, as a result of Western dominance and globalization, bioethical thinking and practice has inevitably been shaped and defined by Western theories. With recent discussions centering on the relationship between culture and bioethics, it is important to consider how and to what extent can bioethics reflect and accommodate non-Western values and beliefs? Debatably, many scholars working in the field of ‘African bioethics’ seek to construct a bioethical practice that is grounded in indigenous African values. Yet, how relevant are ancient African cultural norms to the lives and realities of the 21st century Sub-Saharan-Africans? This edited volume explores bioethics in Africa from pluralistic and inter-cultural perspectives. The selected papers offer diverse theoretical and practical perspectives on the bioethical challenges that are common and specific to the lives of Sub-Sahara Africans. The contributors define bioethics broadly (beyond ethical issues relating to biomedical and biotechnological science) to include applied ethics that concern all aspects of life. Multidisciplinary in approach, the contributions to this book consider bioethics in relation to philosophy, social work, psychiatry, African studies, religious studies, psychology, and medicine. The broad scope of this volume means it will be of interest to those studying and working in bioethics as well as the fields mentioned above.

The Origins and Development of African theology is a very informative survey of African theology over approximately the last twenty years. The author is widely read on the subject, as far as English publications go, and highlights the salient issues with balanced objectivity. The literature, both as discussed in the substance of the book and in the bibliography, is also a valuable source for further study of African theology. John Mbiti, author of Prayers of African Religion