In Queensland, in northeast Australia, lies one of the most significant fossil deposits in the world—Riversleigh. Here, the remains of many thousands of weird and wonderful prehistoric animals have been superbly preserved in the limestone outcrops. There are marsupial lions, carnivorous kangaroos, 23-foot long pythons, primitive platypuses, and early ancestors of the now extinct Tasmanian tiger. So important is this site to our understanding of what has happened to Australia and its living cargo over the last 25 million years that Riversleigh has been inscribed on the World Heritage List. Michael Archer, Suzanne J. Hand, and Henk Godthelp, the principal scientists on a remarkable excavation since 1976, explain the vast environmental and geographic changes that have occurred in this area since Australia broke away from the supercontinent of Gondwana, and how the animals on board this continental raft evolved through the ages. Photographs and evocative artwork bring to life the teeming tropical world that once existed in the now arid wastes of Riversleigh, and the authors discuss some of the unusual techniques used on a dig. They describe how to recognize fossils, how to date them, and how to reconstruct extinct animals from them. Originally published as Riversleigh: The Story of Animals in Ancient Rainforests of Inland Australia, this award-winning book is being issued for the first time in the United States.

A landmark history of Australia's first successful settler farming area, which was on the Hawkesbury-Nepean River. Award-winning historian Grace Karskens uncovers the everyday lives of ordinary people in the early colony, both Aboriginal and British. Winner of the Prime Minister's Award for Australian History 2021 Winner of the NSW Premier's Australian History Prize 2021 Co-winner of the Ernest Scott Prize for History 2021 'A masterpiece of historical writing that takes your breath away' - Tom Griffiths 'A majestic book' - John Maynard 'Shimmering prose' - Tiffany Shellam Dyarubbin, the Hawkesbury-Nepean River, is where the two early Australias - ancient and modern - first collided. People of the River journeys into the lost worlds of the Aboriginal people and the settlers of Dyarubbin, both complex worlds with ancient roots. The settlers who took land on the river from the mid-1790s were there because of an extraordinary experiment devised half a world away. Modern Australia was not founded as a gaol, as we usually suppose, but as a colony. Britain's felons, transported to the other side of the world, were meant to become settlers in the new colony. They made history on the river: it was the first successful white farming frontier, a community that nurtured the earliest expressions of patriotism, and it became the last bastion of eighteenth-century ways of life. The Aboriginal people had occupied Dyarubbin for at least 50,000 years. Their history, culture and spirituality were inseparable from this river Country. Colonisation kicked off a slow and cumulative process of violence, theft of Aboriginal children and ongoing annexation of the river lands. Yet despite that sorry history, Dyarubbin's Aboriginal people managed to remain on their Country, and they still live on the river today. The Hawkesbury-Nepean was the seedbed for settler expansion and invasion of Aboriginal lands to the north, south and west. It was the crucible of the colony, and the nation that followed.

This extraordinary book is both an engaging military history and an enthralling mystery. Australia’s Lost Heroes tells the astonishing little-known story of the Australian soldiers who fought the Red Army in Russia in 1919 and the personal odyssey, 100 years later, to locate and identify the lost grave of Victoria Cross hero Sergeant Samuel Pearse VC MM. The Anzac volunteers fought an arduous campaign punctuated by fierce ambushes in thick forest, swamps and marshes and attacks on fortified bunkers. They also had to fight a war within, avoiding the treachery and mutiny of White Russian ‘allies’. Remarkably, two Australians were awarded the Victoria Cross, one posthumously. Yet, unlike the reverence, recognition and commemoration afforded to WWI soldiers, not only do the deeds of Anzacs in Russia remain unrecognized, their graves lie lost and forgotten. Follow the author’s journey to a remote corner of Russia with the grandson of Samuel Pearse in the hope of identifying the lost grave. Guided by a Russian battlefield archaeologist, they discover an astonishing clue which may resolve the mystery of an Australian hero missing for 100 years. An extraordinary story of national importance dedicated to those forgotten Australian heroes who fought and died in Russia after the Armistice.

Where did they come from? And how and when did they arrive in Australia? Little-known, difficult to reach, yet vital to this question are literally thousands of rock paintings, some believed to be as much as 50,000 years old, surviving high up in raised small caves on cliff faces in the remote and rugged Kimberley Ranges of North-West Australia. Known as 'Bradshaws', after pioneer farmer Joseph Bradshaw who chanced upon the first examples in 1891, they feature lithe, graceful human figures depicted in a fashion altogether different from that of even the oldest traditional art. Indeed, present-day Aborigines disown them, insisting that the paintings are from 'before our time' and dismissing them as 'rubbish' art.But just who were the people depicted in these Kimberley rock paintings? The paintings indicate a people with seafaring traditions, and this 'first wave' of pre-historic migrants to Australia could have a number of alternative origins.Ian Wilson describes the early work on the Bradshaw Paintings, and explains how new dating techniques have shed new light on the findings. He explores the theories advanced for the origins of these people; one possibility is settlement from the Andaman Islands, where pygmy-like tribes still survive and speak a language closely related to some original languages. Farther afield still the author draws connections with Saharan peoples, and he even unearths startling similarities with South American tribes. He claims that even the boomerang is not peculiar to Australia, but can be traced in other, potentially earlier, pre-historic communities.Recalling the early work of Thor Heyerdahl, this will be a wide-ranging and provocative book. It was the author's enthusiasms for art, art history and archaeology which sparked his interest in the Turin Shroud, leading to two international bestsellers, and he now applies these same enthusiasms to the very Australian (yet also potentially international) mystery of the Kimberley rock

The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in “Little Boy Lost,” brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson’s poems of lost tramps, and preserved in the history books’ tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.

Now at last in one volume, Michael Crichton's Jurassic Park and The Lost World--the two incomparably suspenseful, supremely scary, utterly unputdownable, worldwide best-selling return-of-the-dinosaurs novels, which together constitute Jurassic World.