Winner of the Colin Roderick Award for Australian writing, the Ned Kelly Award for Australian crime fiction, and the CWA Duncan Lawrie Dagger Award. Peter Temple's The Broken Shore is a transfixing and moving novel about a place, a family, politics and power, and the need to live decently in a world where so much is rotten. The Broken Shore, his eighth novel, revolves around big-city detective Joe Cashin. Shaken by a scrape with death, he's posted away from the Homicide Squad to the quiet town on the South Australian coast where he grew up. Carrying physical scars and more than a little guilt, he spends his time playing the country cop, walking his dogs, and thinking about how it all was before. But when a prominent local is attacked in his own home and left for dead, Cashin is thrust into what becomes a murder investigation. The evidence points to three boys from the nearby aboriginal community—everyone seems to want to blame them. Cashin is unconvinced, and soon begins to see the outlines of something far more terrible than a burglary gone wrong. Peter Temple is currently being hailed as the finest crime writer in Australia, but it won't be long before he is recognized as what he really is—one of the nation's finest writers, period. Born in South Africa, Temple is writing a dynamic kind of literary thriller that ultimately defies classification.

From the editors of The Anthology of Colonial Australian Gothic Fiction comes this fascinating collection of disturbing mysteries and gruesome tales by authors such as Mary Fortune, James Skipp Borlase, Guy Boothby, Francis Adams, Ernest Favenc, 'Rolf Boldrewood' and Norman Lindsay, among many others. In the bush and the tropics, the goldfields and the city streets, colonial Australia is a troubling, bewildering place and almost impossible to regulate—even for the most vigilant detective. Ex-convicts, bushrangers, ruthless gold prospectors, impostors, thieves and murderers flow through the stories that make up this collection, challenging the nascent forces of colonial law and order. The landscape itself seems to stimulate criminal activity, where identities change at will and people suddenly disappear without a trace. The Anthology of Colonial Australian Crime Fiction is a remarkable anthology that taps into the fears and anxieties of colonial Australian life.

In this searing, “indisputable page-turner” (Associated Press), a town’s dark secrets come to light in the aftermath of a young priest’s unthinkable last act—in the vein of The Dry and Where the Crawdads Sing. In Riversend, an isolated Australian community afflicted by an endless drought, a young priest does the unthinkable: he kills five parishioners before being taken down himself. A year later, journalist Martin Scarsden arrives in Riversend. His assignment: to report how the townspeople are coping as the anniversary of the tragedy approaches. But as Martin meets the locals and hears their version of events, he begins to realize that the accepted explanation—a theory established through an award-winning investigation by Martin’s own newspaper—may be wrong. Just as Martin believes he’s making headway, a shocking new crime rocks the town. As the national media flocks to the scene, Martin finds himself thrown into a whole new mystery. What was the real reason behind the priest’s shooting spree? And how does it connect to other deaths in the district, if at all? Martin struggles to uncover the town’s dark secrets, putting his job, his mental state, and his very life at risk. For fans of James Lee Burke, Jane Harper, and Robert Crais, Scrublands is “a gritty debut...sensitively rendered” (The New York Times Book Review) that marks Chris Hammer as a stunning new voice in crime fiction.

What deadly secrets have been swept away by the flood? In Northern New South Wales, heavily pregnant and a week away from maternity leave, Detective Sergeant Kate Miles is exhausted and counting down the days. But a violent hold-up at a local fast-food restaurant with unsettling connections to her own past, means that her final days will be anything but straightforward. When a second case is dumped on her lap, the closed case of a man drowned in recent summer floods, what begins as a simple informal review quickly grows into something more complicated. Kate can either write the report that's expected of her or investigate the case the way she wants to. As secrets and betrayals pile up, and the needs of her own family intervene, how far is Kate prepared to push to discover the truth? The Torrent is tense and atmospheric Australian crime at its best. Perfect for fans of Jane Harper and Chris Hammer.

ONE OF THE YEAR’S 10 BEST MYSTERY NOVELS — PUBLISHERS WEEKLY Finalist for the CWA (Crime Writers’ Association) Gold Dagger Finalist for John Creasey (New Blood) Dagger Awards From Australia’s most exciting new crime-writing talent comes an “outstanding . . . gripping and violent” thriller starring a deaf PI who is “original and appealing” (The Guardian) Caleb Zelic can’t hear you, but he sees everything. And he never forgets a face. Caleb Zelic's childhood friend has been brutally murdered—fingers broken, throat slit—at his home in Melbourne. Tortured by guilt, Caleb vows to track down the killer. But he's profoundly deaf; missed words and misread lips can lead to confusion, and trouble. Fortunately, Caleb knows how to read people; a sideways glance, an unconvincing smile, speak volumes. When his friend Frankie, a former cop, offers to help, they soon discover the killer is on their tail. Sensing that his ex-wife may also be in danger, Caleb insists they return to their hometown of Resurrection Bay. But here he learns that everyone—including his murdered friend—is hiding something. And the deeper he digs, the darker the secrets . . .

Australian and New Zealand crime and thriller writing - collectively referred to as Southern Cross Crime - is booming globally, with antipodean authors regularly featuring on awards and bestseller lists, such as Eleanor Catton's Booker Prize winning The Luminaries and Jane Harper's big commercial hit, The Dry, winner of the CWA Gold Dagger Award. Hailing from two sparsely populated nations on the far edge of the former Empire - neighbours that are siblings in spirit, vastly different in landscape - Australian and New Zealand crime writers offer readers a blend of exotic and familiar, seasoned by distinctive senses of place, outlook, and humour, and roots that trace to the earliest days of our genre. Southern Cross Crime is the first comprehensive guide to modern crime writing from "Down Under". From coastal cities to the outback, leading critic Craig Sisterson showcases key titles from over 250 storytellers, plus screen dramas ranging from Mystery Road to Top of the Lake. Fascinating insights are added through in-depth interviews with some of the prime suspects who paved the way or instigated the global boom, including Michael Robotham, Paul Cleave, Emma Viskic, Paul Thomas, Candice Fox, and Garry Disher. 'Southern Cross Crime is informative, knowledgeable, wide ranging. If you have any ideas about writing a crime novel you need to read it, if you enjoy reading crime novels, you need to read it, if you simply love reading, you need to read it. This is not a dry as dust tome - the writer's encyclopaedic knowledge is carried lightly... a box of the finest literary chocolates' - Renée Taylor, 2018 recipient of the Prime Minister's Award for Literary Achievement in Fiction 'A valuable and illuminative resource for crime fiction fans everywhere' - Book'd Out

"Previously published by Bantam Australia in trade paperback in January 2017"--Copyright page.