Australia has an enormously rich heritage of gardens and gardening and there has never before been a reference work of this scale with this diversity covering this wide-ranging subject. Ten years in the making, The (Oxford) Companion to Australian Gardens covers all aspects of Australiangardening from Aboriginal land management practices to modern garden design.Interest in gardening and garden design has increased over the last few years. The aim of the Companion is to further the understanding of gardens and gardening and provide a useful reference tool for anyone with an interest in gardens, landscape gardening, art, and architecture.With around 400 entries, the text covers topics such as designed landscapes, agriculture, architecture, art, botany, ecology, forestry, horticulture, landscape architecture, town planning, and viticulture.With the help of their team of over 200 expert contributors, Richard Aitken and Michael Looker have produced an authoritative and comprehensive reference work. The main text is lavishly illustrated and many of the illustrations have never before been published.This is a must-have reference work for anyone working in or studying garden design or landscape design, particularly those who have an international interest in the subject.

A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.

Annotation "In her inquiry into the intricate connections among work, place, and people, Frieda Knobloch explores the lives of two Rocky Mountain botanists, Aven Nelson (1859-1952) and Ruth Ashton Nelson (1896-1987)." "Botanical Companions is a reworking of academic genres that will intrigue readers interested in environmental history, ecocriticism, cultural studies, American studies, and the natural history of the Rocky Mountain West."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Discovery. Desire. Deception. A wondrously imagined tale of two female botanists, separated by more than a century, in a race to discover a life-saving flower, from the author of the bestselling The Forgotten Letters of Esther Durrant In Victorian England, headstrong adventuress Elizabeth takes up her late father's quest for a rare, miraculous plant. She faces a perilous sea voyage, unforeseen dangers and treachery that threatens her entire family. In present-day Australia, Anna finds a mysterious metal box containing a sketchbook of dazzling watercolours, a photograph inscribed 'Spring 1886' and a small bag of seeds. It sets her on a path far from her safe, carefully ordered life, and on a journey that will force her to face her own demons. In this spellbinding botanical odyssey of discovery, desire and deception, Kayte Nunn has so exquisitely researched nineteenth-century Cornwall and Chile you can almost smell the fragrance of the flowers, the touch of the flora on your fingertips . . . 'Two incredibly likeable, headstrong heroines . . . watching them flourish is captivating. With these dynamic women at the helm, Kayte weaves a clever tale of plant treachery involving exotic and perilous encounters in Chile, plus lashings of gentle romance. Compelling storytelling' The Australian Women's Weekly 'The riveting story of two women, divided by a century in time, but united by their quest to discover a rare and dangerous flower said to have the power to heal as well as kill. Fast-moving and full of surprises, The Botanist's Daughter brings the exotic world of 19th-century Chile thrillingly to life' KATE FORSYTH Praise for The Forgotten Letters of Esther Durrant: 'If you enjoyed City of Girls by Elizabeth Gilbert, read Kayte Nunn' The Washington Post 'Nunn's US debut is an engaging, dual-period narrative tracing Esther's journey towards healing and wholeness as well as Rachel's attempts to move beyond her wanderlust and unwillingness to commit to a home, job or relationship. The ending highlights the enduring power of love and forgiveness' Booklist Magazine 'Vivid descriptions highlight intertwining plot lines that seamlessly build to a satisfying climax. For fans of authors such as Lauren Willig and Kate Morton' Library Journal **Contains BONUS extract from Kayte's newest spellbinding novel, THE SILK HOUSE**

When Catharine Parr Traill came to Upper Canada in 1832 as a settler from England, she brought along with her ties to British botanical culture. Nonetheless, when she arrived she encountered a new natural landscape and, like other women chronicled in this book, set out to advance the botanical knowledge of the time from the Canadian field. Flora’s Fieldworkers employs biography, botanical data, herbaria specimens, archival sources, letters, institutional records, book history, and abundant artwork to reconstruct the ways in which women studied and understood plants in the nineteenth century. It features figures ranging from elite women involved in imperial botanical projects in British North America to settler-colonial women in Ontario and Australia – most of whom were scarcely visible in the historical record – who were active in “plant work” as collectors, writers, artists, craft workers, teachers, and organizers. Understood as an appropriate pastime for genteel ladies, botany offered women pathways to scientific education, financial autonomy, and self-expression. The call for more diverse voices in the present must look to the past as well. Bringing botany to historians and historians to botany, Flora’s Fieldworkers gathers compelling material about women in colonial and imperial Canada and Australia to take a new look at how we came to know what we know about plants.

"A thorough revision and expansion of Pate and Beard's Kwongan--Plant Life of the Sandplain (1984)"--Page 4 of cover.