An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.

First critical edition of Burmeister's newly discovered Aulularia Joannes Burmeister of Lüneburg (1576–1638) was among the greatest Neo-Latin poets of the German Baroque. His masterpieces, now mostly lost, are Christian ‘inversions’ of the Classical Roman comedies of Plautus. With only minimal changes in language and none in meter, each transforms Plautus’s pagan plays into comedies based on biblical themes. Fascinating in their own right, they also bring back to attention forgotten genres of Renaissance literature. This volume offers the first critical edition of the newly discoveredAulularia (1629), which exists in a sole copy, and the fragments of Mater-Virgo(1621), which adapts Plautus’s Amphitryo to show the Nativity of Jesus. The introduction offers reconstructions of Susanna (based on Casina) and Asinaria(1625), Burmeister's two lost or unpublished inversions of Plautus. Fontaine also provides the only biography of Burmeister based on archival sources, along with discussions of his inimitable Latinity and the perilous context of war and witch-burning in which Burmeister wrote. Burmeister's inversions bear witness to the special talent of his age for the creative reworking of Classical literature, such as Monteverdi's Poppea or Purcell's Dido and Aeneas, as well as to his tumultuous times, with his views on military abuses in the Thirty Years' War prefiguring those of Grimmelshausen's Simplicius Simplicissimus.

Bibliographical record of works published by members of the Association, in v. 28- 1897-

Plautus was the single greatest influence on Western comedy. Shakespeare's Comedy of Errors and Molière's The Miser are two subsequent classics directly based on Plautine originals. Plautus himself borrowed from the Greeks, but his jokes, rapid dialogue, bawdy humour, and irreverent characterizations are the original work of an undisputed genius. The comedies printed here show him at his best, and professor Segal's translations keep their fast, rollicking pace intact, making these the most readable and actable versions available. His introduction considers Plautus' place in ancient comedy, examines his continuing influence, and celebrates his power to entertain. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This is a newly revised, critical text of the fragments attributed to the Roman knight and mimographer Decimus Laberius, a witty and crudely satirical contemporary of Cicero and Caesar. Laberius is perhaps the most celebrated comic playwright of the late Republic, and the fragments of plays attributed to him comprise the overwhelming majority of the extant evidence for what we conventionally call 'the literary Roman mime'. The volume also includes a survey of the characteristics and development of the Roman mime, both as a literary genre and as a type of popular theatrical entertainment, as well as a re-evaluation of the place of Laberius' work within its historical and literary context. This is the first English translation of all the fragments, and the first detailed English commentary on them from a linguistic, metrical, and (wherever possible) theatrical perspective.

Is Classics still important and relevant to a Jesuit education? The answer is a resounding "Yes." Classics remains an essential component of Jesuit education. This series of essays argues and proves that Classics and Jesuit education are indivisibly intertwined. Moreover, any Jesuit school that embraces liberal arts must have Classics at the core of its curriculum.