Stock displays an enviable and intimate knowledge of the text of Augustine, above all of his Confessions and, as the book progresses, of the De Trinitate.

The Confessions of St. Augustine is one of the few Christian classics that is still widely read in the secular academy. Yet, oddly enough, it is not often read in the manner Augustine appears to have intended and in which the church read it for centuries: as a model of conversion, devotion, friendship, and the love of God. This book is a companion for any reader of the Confessions--whether in an academic, ecclesial, or devotional context--informed by the latest scholarship yet always directed toward pushing the reader, with Augustine, toward God.

Augustine's vision at Ostia is one of the most influential accounts of mystical experience in the Western tradition, and a subject of persistent interest to Christians, philosophers and historians. This book explores Augustine's account of his experience as set down in the Confessions and considers his mysticism in relation to his classical Platonist philosophy. John Peter Kenney argues that while the Christian contemplative mysticism created by Augustine is in many ways founded on Platonic thought, Platonism ultimately fails Augustine in that it cannot retain the truths that it anticipates. The Confessions offer a response to this impasse by generating two critical ideas in medieval and modern religious thought: firstly, the conception of contemplation as a purely epistemic event, in contrast to classical Platonism; secondly, the tenet that salvation is absolutely distinct from enlightenment.

Augustine's Confessions is one of the most powerfully evocative autobiographies of the Christian West. It recounts the complex experiences through which this formative theologian came to renounce the compulsive sexual practice of his youth, reinvesting his attention and affection in a disciplined spirituality. The Confessions is explicitly about desire, longing, passion--physical and spiritual. It narrates Augustine's desperate attempt to get, and to keep, the greatest degree of pleasure. Even his conversion to Catholic Christianity is narrated as a seduction to continence, and the model of spirituality he articulated relied intimately and profoundly on his sexual experience. Desire and Delight explores the erotics of asceticism as described by Augustine, noticing the gendered foundation of his model of spiritual aspiration. Going beyond the tormented, self-conscious Augustine of conventual interpretations, one discovers in this book a man impelled by the eros that defines human beings as such: the pursuit up the scale of pleasures to the ultimate Pleasure. The pursuit is analyzed here in the text, context, and subtext, with such intellectual and emotional engagement that the Confessions becomes a text of pleasure.

The City of God is the most influential of Augustine's works, which played a decisive role in the formation of the Christian West. This book is the first comprehensive modern guide to it in any language. The City of God's scope embodies cosmology, psychology, political thought, anti-pagan polemic, Christian apologetic, theory of history, biblical interpretation, and apocalyptic themes. This book is, therefore, at once about a single masterpiece and at the same time surveys Augustine's developing views through the whole range of his thought. The book is written in the form of a detailed running commentary on each part of the work. Further chapters elucidate the early fifth-century political, social, historical, and literary background, the work's sources, and its place in Augustine's writings.The book should prove of value to Augustine's wide readership among students of late antiquity, theologians, philosophers, medievalists, Renaissance scholars, and historians of art and iconography.

This book is a tool for teaching and studying the great Christian classic, Augustine's Confessions. It is a unique venture in which thirteen different scholars look at each of the thirteen books in the Confessions and interpret their chapters in light of that book and in light of the rest of Augustine's work. The result is that the richness and ambiguity of Augustine's work shines through as well as the richness and ambiguity of different readings of the Confessions.