The influence of Christianity on literature has been great throughout history, as has been the influence of the great Christian, Augustine. Augustine and Literature considers the influence of Augustine on the theory and practice of an academic discipline of which he himself was not a practitioner-literature, especially poetry and fiction. The essays in this volume explore the many influences of Augustine on literature, most obviously in terms of themes and symbols, but also more pervasively perhaps in proving that literature strives for meaning through and beyond the fictional or metaphorical surface. The authors discussed in these essays, from Dante and Milton to O'Connor and Faulkner, all demonstrate a common concern that literature must be attentive to the highest things and the deepest journeys of the soul. Together these essays offer a compelling argument that literature and Augustine do belong together in the common task of guiding the soul toward the truth it desires.

From Pulitzer Prize–winner Garry Wills, the story of Augustine’s Confessions In this brief and incisive book, Pulitzer Prize-winning historian Garry Wills tells the story of the Confessions--what motivated Augustine to dictate it, how it asks to be read, and the many ways it has been misread in the one-and-a-half millennia since it was composed. Following Wills's biography of Augustine and his translation of the Confessions, this is an unparalleled introduction to one of the most important books in the Christian and Western traditions. Understandably fascinated by the story of Augustine's life, modern readers have largely succumbed to the temptation to read the Confessions as autobiography. But, Wills argues, this is a mistake. The book is not autobiography but rather a long prayer, suffused with the language of Scripture and addressed to God, not man. Augustine tells the story of his life not for its own significance but in order to discern how, as a drama of sin and salvation leading to God, it fits into sacred history. "We have to read Augustine as we do Dante," Wills writes, "alert to rich layer upon layer of Scriptural and theological symbolism." Wills also addresses the long afterlife of the book, from controversy in its own time and relative neglect during the Middle Ages to a renewed prominence beginning in the fourteenth century and persisting to today, when the Confessions has become an object of interest not just for Christians but also historians, philosophers, psychiatrists, and literary critics. With unmatched clarity and skill, Wills strips away the centuries of misunderstanding that have accumulated around Augustine's spiritual classic.

Books V-IX of the Confessions trace five crucial years in the life of Augustine, from his debut as a teacher of rhetoric in North Africa to his baptism as a Christian and the renunciation of a worldly career in Milan. This commentary will be invaluable for those wishing to read his story in the original Latin. Through careful glosses and notes, Augustine's Latin is made accessible to students of patristics and of classics. His extensive quotations from Scripture are translated and explained in light of the variant Bible texts and the interpretative assumptions through which he came to understand them. The unfolding of his career is set against the background of political, cultural, and religious change in the fourth century, and the art with which he created a form of narrative without precedent in earlier Latin literature is illustrated in close detail.

This volume offers a comprehensive portrait--or rather, self-portrait, since its words are mostly Augustine's own--drawn from the breadth of his writings and from the long course of his career

Accompanied by a commentary, this volume presents the Latin text of one of the great classics of Christian literature. Books I-IV of the Confessions reflect on Augustine's infancy and childhood, adolescent rebellion and student days, as well as his early teaching career.

It is the year 597 and Pope Gregory is sending a select number of his monks, led by Fr. Augustine, to re-evangelize England. Young Wolf, born in that land but raised in Rome, accompanies his father, Wolfstan, who goes as a guide and interpreter. Though the King of Kent's wife is a Christian, the missionaries from Rome do not know whether they will be welcomed, tolerated or martyred. In a story full of adventure, Wolf meets Fritha, a Saxon girl whose life and destiny are soon closely bound up with his own. Events, significant in the history of Christianity, are vividly brought to life by this veteran writer of historical fiction. Illustrated by Mary Beth Owens.

The Confessions of St. Augustine is one of the few Christian classics that is still widely read in the secular academy. Yet, oddly enough, it is not often read in the manner Augustine appears to have intended and in which the church read it for centuries: as a model of conversion, devotion, friendship, and the love of God. This book is a companion for any reader of the Confessions--whether in an academic, ecclesial, or devotional context--informed by the latest scholarship yet always directed toward pushing the reader, with Augustine, toward God.