While there is now renewed interest in the history of Athens under the Roman empire, the Augustan and Julio-Claudian periods remain relatively neglected in terms of extended study. Thus the only comprehensive historical works on the period and its epigraphy remain those of Paul Graindor, which were published before the discovery of the Athenian Agora and its epigraphical wealth. This study aims to help provide a basis for new research on early Roman Athens, in the form of an epigraphical and historical reference work, in two parts. The Epigraphical Catalogue (Part I) represents both a companion and supplement to the Attic corpus of the "Inscriptiones Graecae" (Minor Editio) as it pertains to the Augustan and Julio-Claudian period. The Prosopographical Catalogue (Part II) offers an updated prosopography of the period as it relates to the material of the Epigraphical Catalogue. An appendix provides a chronological list of the period's major office-holders, liturgists, and priesthoods.

This collection of essays considers the challenging questions around the formation, establishment and continuation of the Julio-Claudian principate from the coming to power of Augustus. Augustus laid down the ground rules for a princeps, and the essays explore the subsequent transition of power, and how the succession and subsequent rule manifested itself, even though there was no formal mechanism for such a transfer. These essays fully utilize the extant literary, epigraphic, numismatic and visual record to evaluate Augustus’ “political legacy”. The representation, and retention, of power was a critical issue for the princeps and his subjects, and the contributors provide fresh political and literary analysis of aspects of the principates of Augustus, Tiberius, Claudius and Nero.

This volume, rather than concentrating on politics and imperial administration, studies the manifold ways in which people were ritually engaged in producing, consuming, organising and worshipping that fitted the changing realities of empire, focusing on how individuals and groups tried to do things 'the right way', the Greco-Roman imperial way. Given the deep cultural entrenchment of ritualistic practices, an imperial identity firmly grounded in such practices might well have been instrumental not just to the long-lasting stability of the Roman imperial order but also to the persistency of its ideals well into post-Roman times.

The fourteen essays in this volume share new and evolving knowledge, theories, and observations about the city of Athens or the region of Attica. The contents include essays on topography, architecture, religion and cult, sculpture, ceramic studies, iconography, epigraphy, trade, and drama. This volume is dedicated to John McK. Camp II, to acknowledge the extraordinary impact he has had on the field of Greek archaeology through his work in the Athenian Agora, as a scholar of ancient Greece, and as Mellon Professor at the American School of Classical Studies. The contributors' work represents current research by the latest generation of scholars with ties to Athens. All of the contributors were students of Professor Camp in Greece, and their essays are dedicated to him in gratitude for his profound influence on their lives and careers.

A major new history of Athens' remarkably long and influential life after the collapse of its empire To many the history of post-Classical Athens is one of decline. True, Athens hardly commanded the number of allies it had when hegemon of its fifth-century Delian League or even its fourth-century Naval Confederacy, and its navy was but a shadow of its former self. But Athens recovered from its perilous position in the closing quarter of the fourth century and became once again a player in Greek affairs, even during the Roman occupation. Athenian democracy survived and evolved, even through its dealings with Hellenistic Kings, its military clashes with Macedonia, and its alliance with Rome. Famous Romans, including Julius Caesar and Mark Antony, saw Athens as much more than an isolated center for philosophy. Athens After Empire offers a new narrative history of post-Classical Athens, extending the period down to the aftermath of Hadrian's reign.

This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.