A young man desperate for work and independence finds himself employed in a rural nursing home. When young Jason gets too close to a resident (a self-proclaimed KGB spy who is under the watchful eye of an agent known only as Chandler) he finds his only way out is in. Based on a true story.

Christa Wolf was arguably the best-known and most influential writer in the former East Germany. Having grown up during the Nazi regime, she and her family were forced to flee their home like many others, nearly starving to death in the process. Her earliest novels were controversial because they contained veiled criticisms of the Communist regime which landed her on government watch lists. Her past continued to permeate her work and her life, as she said, "You can only fight sorrow when you look it in the eye." August is Christa Wolf's last piece of fiction, written in a single sitting as an anniversary gift to her husband. In it, she revisits her stay at a tuberculosis hospital in the winter of 1946, a real life event that was the inspiration for the closing scenes of her 1976 novel Patterns of Childhood. This time, however, her fictional perspective is very different. The story unfolds through the eyes of August, a young patient who has lost both his parents to the war. He adores an older girl, Lilo, a rebellious teenager who controls the wards. Sixty years later, August reflects on his life and the things that she taught him. Written in taut, affectionate prose, August offers a new entry into Christa Wolf's work and, incidentally, her first and only male protagonist. More than a literary artifact, this new novel is a perfectly constructed story of a quiet life well lived. For both August and Christa Wolf, the past never dies.

“A writer with . . . vision and scope . . . breathtaking, shimmering prose.”—Anne Rice The armies of Charlemagne are poised to conquer Italy. The human side of shapeshifter Maeniel owes allegiance to Charlemagne. But the wolf acknowledges no master. Still, it is as both wolf and man that he embarks on a hazardous mission for the emperor. Captured, Maeniel is condemned to death. Now, with the help of a Saxon warrior whose love poses dangers of its own, Maeniel’s soul mate, Regeane, will brave the icy crags and crevices of the Alps to rescue her husband, only to find that he is the bait in a trap set for her by a villainous man from her darkest past. But there is another enemy at work. Behind the tangle of ambitions and animosities driving kings and commoners alike, an ancient evil thirsts for a revenge of its own: a revenge that demands the blood of Maeniel and Regeane…and of all humanity. “Action and intrigue-filled . . . Borchardt’s strength . . . is her deeply researched setting, which brings alive the barbaric era after the fall of the Roman Empire.”—Publishers Weekly

The subjects Wolf addressed have dominated Homeric scholarship for almost two centuries. Especially important were his analyses of the history of writing and of the nature of Alexandrian scholarship and his consideration of the composition of the Homeric poems--which set the terms for the analyst/unitarian controversy. His exploration of the history of the transmission of the text in antiquity opened a new field of research and transformed conceptions of the relations of ancient and modern culture. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A small rabbit asks his mother again and again: Are you sure the wolf will not come? A clever story about overcoming nighttime fears and worries, accompanied by exceptional illustrations A surprise ending turns the plot on its head and delightfully vanquishes the rabbit's fears

Tells the story of how the research university emerged in the early nineteenth century at a similarly fraught moment of cultural anxiety about revolutionary technologies and their disruptive effects on established institutions of knowledge.

An updated history of classical philology had long been a desideratum of scholars of the ancient world. The volume edited by Diego Lanza and Gherardo Ugolini is structured in three parts. In the first one (“Towards a science of antiquity”) the approach of Anglo-Saxon philology (R. Bentley) and the institutionalization of the discipline in the German academic world (C.G. Heyne and F.A. Wolf) are described. In the second part (“The illusion of the archetype. Classical Studies in the Germany of the 19th Century”) the theoretical contributions and main methodological disputes that followed are analysed (K. Lachmann, J.G. Hermann, A. Boeckh, F. Nietzsche and U. von Wilamowitz-Moellendorff). The last part (“The classical philology of the 20th century”) treats the redefinition of classical studies after the Great War in Germany (W. Jaeger) and in Italy (G. Pasquali). In this context, the contributions of papyrology and of the new images of antiquity that have emerged in the works of writers, narrators, and translators of our time have been considered. This part finishes with the presentation of some of the most influential scholars of the last decades (B. Snell, E.R. Dodds, J.-P. Vernant, B. Gentili, N. Loraux).