Bruce Dawe is widely appreciated as a social satirist, but many readers are unaware of the range and various dimensions of his poetry. Dennis Haskall offers an insightful exploration of all Dawe's poetry from his first publication in 1954 to 2001.

This exciting one-of-a-kind volume brings together new contributions by geographically diverse authors who range from early career researchers to well-established scholars in the field. It unprecedentedly showcases a wide variety of the latest research at the intersection of Australian literary studies and cognitive literary studies in a single volume. It takes Australian fiction on the leading edge by paving the way for a new direction in Australian literary criticism.

The last continent to be claimed by Europeans, Australia began to be settled by the British in 1788 in the form of a jail for its convicts. While British culture has had the largest influence on the country and its presence can be seen everywhere, the British were not Australia's original populace. The first inhabitants of Australia, the Aborigines, are believed to have migrated from Southeast Asia into northern Australia as early as 60,000 years ago. This distinctive blend of vastly different cultures contributed to the ease with which Australia has become one of the world's most successful immigrant nations. The A to Z of Australia relates the history of this unique and beautiful land, which is home to an amazing range of flora and fauna, a climate that ranges from tropical forests to arid deserts, and the largest single collection of coral reefs and islands in the world. Through a detailed chronology, an introduction, appendixes, a bibliography, and cross-referenced dictionary entries on some of the more significant persons, places, and events; institutions and organizations; and political, economic, social, cultural, and religious facets, author James Docherty provides a much needed single volume reference on Australia, from its most unpromising of beginnings as a British jail to the liberal, tolerant, democracy it is today.

The cross is regarded as Jesus Christ’s great work of salvation. But is it also a work of creation? Excitingly plumbing Scripture and Christian tradition, Andrew McGowan shows that it is. “Each of Jesus’s seven words from the cross can be understood as a creative act, as a new divine work,” he writes. From the cross, Jesus works forgiveness, bestows Paradise, enacts human relationship, identifies completely with humanity, fulfills Scripture, and reenacts Sabbath. From early days, Christians—for good reason—linked the original seven days of creation with creation and re-creation at the apex of salvation. Seven Last Words recovers this linkage in all its power and perennial freshness. But that is not all. In addition to surveying the seven last words Jesus spoke, McGowan insists that at the cross “the eternal Word not only speaks, but listens.” And so he turns to the “conversations” spoken not only from but to the cross. Here he opens new vistas on the words of Judas, Dismas (the criminal crucified beside Jesus), Mary, God the Father, Longinus (the centurion), and Nicodemus, and ruminates fascinatingly on the accompanying silence of the angels. Profound and endlessly edifying, Seven Last Words will richly repay reading and rereading.

From the author of Poetry Reloaded, comes a text for senior students that will enhance their appreciation and understanding of poetry while preparing them to master English exams and other assessment tasks. Through close readings of a wide variety of poems, Poetry Remastered offers new ways for students to: investigate poetry through the key areas of imagery, sound devices, form and structure, mood and theme, and historical and authorial context; uncover the different meanings embedded in poems by exploring them through a variety of critical reading frameworks; develop sophisticated ways of comparing and contrasting poetic styles by looking closely at the structure and features specific to this literary form; understand what teachers and examiners are looking for in a written response by providing annotated sample essays as models for their own writing; develop and justify their own interpretations and evaluations of poetry by refining key essay writing skills.

Draws on scholarship from leading figures in the field and spans Australian literary history from colonial origins, indigenous and migrant literatures, as well as representations of Asia and the Pacific and the role of literary culture in modern Australian society.

'With each change of poetic clothes, at each moment, [Dawe] displays us ironically, satirically, good-humouredly to ourselves, with a warmth and sadness for humanity's follies.' - Thea Astley, Three Australian Writers 'Bruce Dawe is that rare phenomenon, a natural poet with a superlative feeling for language.' - Geoffrey Lehmann, The Bulletin '...in him we have an individual and passionately perceptive writer whose work has already assumed its proper territory and whose terms are directed from the heart as well as the mind.' - Judith Wright, Poetry No. 4 (Series: UWAP Poetry) [Subject: Poetry]