In this highly provocative and informed work, Byron L. Sherwin, one of the leading Jewish ethicists of our time, demonstrates how the wisdom of the past—found in classical texts that form Jewish religious tradition—can forcefully address the moral perplexities of the present. In setting out a contemporary agenda for Jewish ethics, Sherwin debunks common misconceptions about Jewish ethics and distinguishes between the ethics of Judaism and various forms of secular and religious ethics. He shows, for example, how the ethics of Judaism and the ethics of Jews often are at odds, how the Judeo-Christian ethic is an obsolete myth, and how Jewish and G:hristian ethics radically differ both in terms of their theological assumptions and in their applied methodologies. Sherwin delineates a methodology for Jewish ethics, which he applies to a wide variety of issues such as health and healing, euthanasia, reproductive biotechnology, cloning, parent-child relationships, economic justice, repentance or "moral rehabilitation," and the relationship between humans and machines. Drawing on a wide range of biblical, rabbinical, Jewish philosophical and kabbalistic sources, Jewish Ethics for the Twenty-First Century links the biblical term "image of God" to moral freedom, human creativity and the challenge of becoming God's "partner in creation" and a coauthor of the Torah.

'ATTAR FOR THE TWENTY-FIRST CENTURY Selected Ghazals of 'Attar and Ghazals inspired by them by his Translator Paul Smith. Farid al-din 'Attar is seen with Sana'i and Rumi (who he met and influenced) as one of the three most important Sufi Poet-Masters of the 13th century. He composed over forty books mainly in the epic masnavi form, his most famous being The Book of God and The Conference of the Birds. He also composed many powerful mystical poems in the ghazal form that influenced Sadi and Hafiz and all who came later. 'Attar's powerful, honest and controversial ghazals remain as fresh today as they always were. With 'Attar the image of the 'rend'... the drunken debauchee, the thief of love, the carefree outsider, the honest scallywag, appears as the poet, the lover... the voice of the ghazal. The way of the malamati, or the path of 'no blame' has now stepped onto the stage of the play of the history of the ghazal and the story of the lover and beloved, the wine and the intoxicated, the Master and the devotee... will never be the same again! Here is a large translation of his ghazals in English in the correct-rhyme structure with the beauty and meaning and all with ghazals by his translator inspired by their first couplets that are in this ancient form but are for these times. Introduction: Life & Times and Poetry of 'Attar and essay on the Ghazal and its finest composers with examples. Selected Bibliography, Glossary. Large Print (14pt) & Large Format (8" x 10") Format Paperback. Pages 248. Comments on Paul Smith's Translation of Hafiz's 'Divan'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu, Hindi and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Makhfi, Ghalib, Iqbal, Rahman Baba, Bedil, Baba Farid, 'Iraqi, Ibn al-Farid, Nesimi, Amir Khusrau and many others, as well as his own poetry, fiction, plays, biographies, children's books and 12 screenplays. amazon.com/author/smithpa

Drench yourself in the classic scent of Rose given the royal nod by Queen Elizabeth I and Shakespeare; make your boudoir emanate with the warmth of the same Frankincense used by Cleopatra to seduce Mark Antony; spice up your senses with perfume culled from aromatics once found only in exotic reaches of the Far East and thought to be more precious than gold jewels. In this new book, expert Edwin Morris traces perfume's exotic history. The Scents of Time reveals perfume's surprisingly widespread and permanent place in world culture through beautiful full-color photographs of artifacts and paintings dating from 2000 B.C. to the present. Drawn from the collections of The Metropolitan Museum of Art, the works include tiny Babylonian bronze vessels, kohl containers from Egypt, Grecian animal-shaped perfume flasks, blown-glass bottles from Rome and the Islamic world, Chinese scrolls, porcelain potpourris from the court of Louis XV, Lalique art glass from the turn of the twentieth century, and much more. Of course, no story of perfume would be complete without the scents themselves so Givaudan Roure, the prestigious perfume manufacturer of such names like Armani, Dior, and Balmain, has specially blended eight perfumes for this book. Together, they represent the most influential scents in history: Eau de Cologne, Orange Blossom, Spice, Frankincense, Rose, Sportif, Millefleurs, and Sandalwood-Jasmine.

This practical handbook is designed to help anyone who is preparing to teach a world history course - or wants to teach it better. It includes contributions by experienced teachers who are reshaping world history education, and features new approaches to the subject as well as classroom-tested practices that have markedly improved world history teaching.

While previous collections of Emerson essays have tended to be a sort of 'stock-taking' or 'retrospective' look at Emerson scholarship, this collection follows a more 'prospective' trajectory for Emerson studies based on the recent increase in global perspectives in nearly all fields of humanistic studies.

First written in the 12th century, Conference of the Birds is an allegory of extreme measures for extreme times -- the story of birds seeking a king is the story of all of us seeking God. Like the birds, we may be excited for the journey, until we realize that we must give up our fears and hollow desires, that our journey will be long and hard. Like the duck, we may not wish to leave the water. Like the nightingale, we may want to stay close to our roses. Direct and to the point, Masani's translation, made in the early part of the 19th century, is particularly apropos for our early 21st century times -- both are periods of intense spiritual seeking.