Modern technology has brought some new twists and turns to horror. Found footage, cell phone-based viruses, literal ghosts in the machines but maybe it's time for a throwback. It's time for some new tales of slumber party horrors, VCR monsters, and problems that can't be solved with a smart phone. We want tales of unstoppable monsters, sewer-dwelling creatures, looming threats of cold-war chaos. Give us fear under the neon lights of an arcade, people fighting for their lives against the backdrop of a hot city night and a cheesy sax solo. Take us back to a time when latchkey kids had to fend for themselves and the only thing left to stop an unspeakable horror was a plucky band of high school kids. Make it bloody. Make it gnarly. Make it 80s! Featuring over 20 Bram Stoker Award winning and Best Selling Authors such as Joe R. Lansdale, Kasey Lansdale, Weston Ochse, Lisa Morton, Grady Hendrix, Tim Waggoner, Christina Sng, Stephanie M. Wytovich, Jess Landry, Vince Liaguno, F. Paul Wilson, John Skipp, Linda D Addison and many more. "Reading Attack from the '80s brings on a nostalgia tinged with blood. It's like being impaled on a time machine and dragged through sickly houses haunted by serial killers, spooky fairgrounds where kids vanish, woodlands stalked by unnameable beasts ... and it is wonderful. I'm in my teens again, and the horrors are more terrifying than ever." -Tim Lebbon, author of Eden "Attack from the '80s sends us rollicking back into the pop culture madness of that genre, and does it with creeps, fun, and great storytelling from today's top horror writers!" -Jonathan Maberry, NY Times bestselling author of Ink and Rot & Ruin "Deliriously, deliciously gruesome, Attack from the '80s is a treat for horror fans looking for the hard stuff. An all-star lineup of writers inspired by that gnarliest of decades. Rad!" -David Wellington, Marvel Zombies, Monster Island Table of Contents Introduction by Mick Garris Top Guns of the Frontier by Weston Ochse Snapshot by Joe R. Lansdale and Kasey Lansdale The Devil in the Details by Ben Monroe Return of the Reanimated Nightmare by Linda Addison Taking the Night Train by Thomas F. Monteleone Catastrophe Queens by Jess Landry Your Picture Here by John Skipp Permanent Damage by Lee Murray Slashbacks by Tim Waggoner Munchies by Lucy A. Snyder Ten Miles of Bad Road by Stephen Graham Jones Epoch, Rewound by Vince A. Liaguno Demonic Denizens by Cullen Bunn The White Room by Rena Mason Ghetto Blaster by Jeff Strand Haddonfield, New Jersey 1980 by Cindy O'Quinn When He Was Fab by F. Paul Wilson Welcome to Hell by Christina Sng Perspective: Journal of a 1980s Mad Man by Mort Castle Mother Knows Best by Stephanie M. Wytovich Stranger Danger by Grady Hendrix The Garden of Dr. Moreau by Lisa Morton

The author describes how her rejection of the materialism of her generation and her low-budget search for creative fulfillment led her to a duplex in Seattle, a beach hut in Mexico, and a Left Bank convent, but never freed her from her obligations as an American.

For fans of vintage YA, a humorous and in-depth history of beloved teen literature from the 1980s and 1990s, full of trivia and pop culture fun. Those pink covers. That flimsy paper. The nonstop series installments that hooked readers throughout their entire adolescence. These were not the serious-issue novels of the 1970s, nor the blockbuster YA trilogies that arrived in the 2000s. Nestled in between were the girl-centric teen books of the ’80s and ’90s—short, cheap, and utterly adored. In Paperback Crush, author Gabrielle Moss explores the history of this genre with affection and humor, highlighting the best-known series along with their many diverse knockoffs. From friendship clubs and school newspapers to pesky siblings and glamorous beauty queens, these stories feature girl protagonists in all their glory. Journey back to your younger days, a time of girl power nourished by sustained silent reading. Let Paperback Crush lead you on a visual tour of nostalgia-inducing book covers from the library stacks of the past.

An inspiring, unique account of 1980s fashion and culture, as seen on the deeply influential, subversive pages of BLITZ, the pioneering '80s style magazine.

In this engaging new book, Bradford Martin illuminates a different 1980s than many remember—one whose history has been buried under the celebratory narrative of conservative ascendancy. Ronald Reagan looms large in most accounts of the period, encouraging Americans to renounce the activist and liberal politics of the 1960s and ‘70s and embrace the resurgent conservative wave. But a closer look reveals that a sizable swath of Americans strongly disapproved of Reagan's policies throughout his presidency. With a weakened Democratic Party scurrying for the political center, many expressed their dissatisfaction outside electoral politics. Unlike the civil rights and Vietnam era protesters, activists of the 1980s often found themselves on the defensive, struggling to preserve the hard-won victories of the previous era. Their successes, then, were not in ushering in a new era of progressive reforms but in effecting change in areas from professional life to popular culture, while beating back an even more forceful political shift to the right. Martin paints an indelible portrait of these and other influential, but often overlooked, movements: from on-the-ground efforts to constrain the administration's aggressive Latin American policy and stave off a possible Nicaraguan war, to mock shanties constructed on college campuses to shed light on corporate America's role in supporting the apartheid regime in South Africa. The result is a clearer, richer perspective on a turbulent decade in American life.

The Korean War (1950-1953) was the first - and only - full-scale air war in the jet age. It was in the skies of North Korea where Soviet and American pilots came together in fierce aerial clashes. The best pilots of the opposing systems, the most powerful air forces, and the most up-to-date aircraft in the world in this period of history came together in pitched air battles. The analysis of the air war showed that the powerful United States Air Force and its allies were unable to achieve complete superiority in the air and were unable to fulfill all the tasks they'd been given. Soviet pilots and Soviet jet fighters, which were in no way inferior to their opponents and in certain respects were even superior to them, was the reason for this. The combat experience and new tactical aerial combat tactics, which were tested for the first time in the skies of Korea, have been eagerly studied and applied by modern air forces around the world today. This book fully discusses the Soviet participation in the Korean War and presents a view of this war from the opposite side, which is still not well known in the West from the multitude of publications by Western historians. The reason for this, of course, is the fact that Soviet records pertaining to the Korean War were for a long time highly classified, since Soviet air units were fighting in the skies of North Korea "incognito", so to speak or even more so to write about this was strictly forbidden in the Soviet Union right up to its ultimate collapse. The given work is in essence the first major work in the post-Soviet era. First published in a small edition in Russian in 1998, it was republished in Russia in 2007. For the first time, the Western reader can become acquainted with the most detailed and informative work existing on the course of the air war from the Soviet side, now in English language. The work rests primarily on the recollections of veterans of this war on the so-called 'Red' side - Soviet fighter pilots, who took direct part in this war on the side of North Korea. Their stories have been supplemented with an enormous amount of archival documents, as well as the work of Western historians. The author presents a literal day-by-day chronicle of the aerial combats and combat work of Soviet fighter regiments in the period between 1950 and 1953, and dedicates this work to all the men on both sides who fought and died in the Korean air war.

In a shocking, never-before-told story from the vaults of American history, Tonight We Bombed the US Capitol takes a close look at the explosive hidden history of M19—the first and only domestic terrorist group founded and led by women—and their violent fight against racism, sexism, and what they viewed as Ronald Reagan’s imperialistic vision for America. In 1981, President Ronald Reagan announced that it was “morning in America.” He declared that the American dream wasn’t over, but the United States needed to lower taxes, shrink government control, and flex its military muscles abroad to herald what some called “the Reagan Revolution.” At the same time, a tiny band of American-born, well-educated extremists were working for a very different kind of revolution. By the end of the 1970s, many radicals had called it quits, but six veteran women extremists came together to finish the fight. These women had spent their entire adult lives embroiled in political struggles: protesting the Vietnam War, fighting for black and Native American liberation, and confronting US imperialism. They created a new organization to wage their war: The May 19th Communist Organization, or “M19,” a name derived from the birthday shared by Malcolm X and Ho Chi Minh, two of their revolutionary idols. Together, these six women carried out some of the most daring operations in the history of domestic terrorism—from prison breakouts and murderous armed robberies, to a bombing campaign that wreaked havoc on the nation’s capital. Three decades later, M19’s actions and shocking tactics still reverberate for many reasons, but one truly sets them apart: unlike any other American terrorist group before or since, M19 was created and led by women. Tonight We Bombed the US Capitol tells the full story of M19 for the first time, alongside original photos and declassified FBI documents. Through the group’s history, intelligence and counterterrorism expert William Rosenau helps us understand how homegrown extremism—a threat that still looms over us today—is born.