With the concept of 'Atomic Anxiety', this book offers a novel perspective on one of the most important and longstanding puzzles of international politics: the non-use of U.S. nuclear weapons. By focusing on the fear surrounding nuclear weapons, it explains why nuclear deterrence and the nuclear taboo are working at cross purposes in practice.

With the concept of 'Atomic Anxiety', this book offers a novel perspective on one of the most important and longstanding puzzles of international politics: the non-use of U.S. nuclear weapons. By focusing on the fear surrounding nuclear weapons, it explains why nuclear deterrence and the nuclear taboo are working at cross purposes in practice.

For many, nuclear anxiety is closely related to the Cold War between the U.S. and U.S.S.R. Following the atomic bombings of Hiroshima and Nagasaki in World War II, the devastating potential of these weapons was all too clear, which led to significant anxiety among civilians, politicians, and military personnel over their use. Though the Cold War ended in 1991, anxieties surrounding nuclear armament remain, and the players involved in these nuclear standoffs have changed over recent decades. Your readers will explore the history and present status of nuclear weaponry, along with its social, political, and health impacts.

International scholars from architecture, design, urban planning, and interior design here reappraise modern life in the context of practices of dwelling over the span of the postwar period. Reassessing culture and the economic and political effects on civilian life, this collection looks at what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism's ordinary denizens.

No professional group in the United States benefited more from World War II than the scientific community. After the atomic bombings of Hiroshima and Nagasaki, scientists enjoyed unprecedented public visibility and political influence as a new elite whose expertise now seemed critical to America's future. But as the United States grew committed to Cold War conflict with the Soviet Union and the ideology of anticommunism came to dominate American politics, scientists faced an increasingly vigorous regimen of security and loyalty clearances as well as the threat of intrusive investigations by the notorious House Committee on Un-American Activities and other government bodies. This book is the first major study of American scientists' encounters with Cold War anticommunism in the decade after World War II. By examining cases of individual scientists subjected to loyalty and security investigations, the organizational response of the scientific community to political attacks, and the relationships between Cold War ideology and postwar science policy, Jessica Wang demonstrates the stifling effects of anticommunist ideology on the politics of science. She exposes the deep divisions over the Cold War within the scientific community and provides a complex story of hard choices, a community in crisis, and roads not taken.

After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy.Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons.Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate.

Our thinking is inhabited by images-images of sometimes curious and overwhelming power. The mushroom cloud, weird rays that can transform the flesh, the twilight world following a nuclear war, the white city of the future, the brilliant but mad scientist who plots to destroy the world-all these images and more relate to nuclear energy, but that is not their only common bond. Decades before the first atom bomb exploded, a web of symbols with surprising linkages was fully formed in the public mind. The strange kinship of these symbols can be traced back, not only to medieval symbolism, but still deeper into experiences common to all of us. This is a disturbing book: it shows that much of what we believe about nuclear energy is not based on facts, but on a complex tangle of imagery suffused with emotions and rooted in the distant past. Nuclear Fear is the first work to explore all the symbolism attached to nuclear bombs, and to civilian nuclear energy as well, employing the powerful tools of history as well as findings from psychology, sociology, and even anthropology. The story runs from the turn of the century to the present day, following the scientists and journalists, the filmmakers and novelists, the officials and politicians of many nations who shaped the way people think about nuclear devices. The author, a historian who also holds a Ph.D. in physics, has been able to separate genuine scientific knowledge about nuclear energy and radiation from the luxuriant mythology that obscures them. In revealing the history of nuclear imagery, Weart conveys the hopeful message that once we understand how this imagery has secretly influenced history and our own thinking, we can move on to a clearer view of the choices that confront our civilization. Table of Contents: Preface Part One: Years of Fantasy, 1902-1938 1. Radioactive Hopes White Cities of the Future Missionaries for Science The Meaning of Transmutation 2. Radioactive Fears Scientific Doomsdays The Dangerous Scientist Scientists and Weapons Debating the Scientist's Role 3. Radium: Elixir or Poison? The Elixir of Life Rays of Life Death Rays Radium as Medicine and Poison 4. The Secret, the Master, and the Monster Smashing Atoms The Fearful Master Monsters and Victims Real Scientists The Situation before Fission Part Two: Confronting Reality, 1939-1952 5. Where Earth and Heaven Meet Imaginary Bomb-Reactors Real Reactors and Safety Questions Planned Massacres "The Second Coming" 6. The News from Hiroshima Cliché Experts Hiroshima Itself Security through Control by Scientists? Security through Control over Scientists? 7. National Defenses Civil Defenses Bombs as a Psychological Weapon The Airmen Part Three: New Hopes and Horrors, 1953-1963 8. Atoms for Peace A Positive Alternative Atomic Propaganda Abroad Atomic Propaganda at Home 9. Good and Bad Atoms Magical Atoms Real Reactors The Core of Mistrust Tainted Authorities 10. The New Blasphemy Bombs as a Violation of Nature Radioactive Monsters Blaming Authorities 11. Death Dust Crusaders against Contamination A Few Facts Clean or Filthy Bombs? 12. The Imagination of Survival Visions of the End Survivors as Savages The Victory of the Victim The Great Thermonuclear Strategy Debate The World as Hiroshima 13. The Politics of Survival The Movement Attacking the Warriors Running for Shelter Cuban Catharsis Reasons for Silence Part Four: Suspect Technology, 1956-1986 14. Fail/Safe Unwanted Explosions: Bombs Unwanted Explosions: Reactors Advertising the Maximum Accident 15. Reactor Poisons and Promises Pollution from Reactors The Public Loses Interest The Nuplex versus the China Syndrome 16. The Debate Explodes The Fight against Antimissiles Sounding the Radiation Alarm Reactors: A Surrogate for Bombs? Environmentalists Step In 17. Energy Choices Alternative Energy Sources Real Reactor Risks "It's Political" The Reactor Wars 18. Civilization or Liberation? The Logic of Authority and Its Enemies Nature versus Culture Modes of Expression The Public's Image of Nuclear Power 19. The War Fear Revival: An Unfinished Chapter Part Five The Search for Renewal 20. The Modern Arcanum Despair and Denial Help from Heaven? Objects in the Skies Mushroom and Mandala 21. Artistic Transmutations The Interior Holocaust Rebirth from Despair Toward the Four-Gated City Conclusion A Personal Note Sources and Methodology Notes Index Reviews of this book: Nuclear Fear is a rich, layered journey back through our 'atomic history' to the primal memories of monstrous mutants and mad scientists. It is a deeply serious book but written in an accessible style that reveals the culture in which this fear emerges only to be suppressed and emerge again. --Ellen Goodman, Boston Globe Reviews of this book: A historical portrait of the quintessential modern nightmare...Weart shows in meticulous and fascinating detail how [the] ancient images of alchemy-fire, sexuality, Armageddon, gold, eternity and all the rest-immediately clustered around the new science of atomic physics...There is no question that the image of nuclear power reflects a complex and deeply disturbing portrait of what it means to be human. --Stephan Salisbury, Philadelphia Inquirer Reviews of this book: A detailed, probing study of American hopes, dreams and insecurities in the twentieth-century. Weart has a poet's acumen for sensing human feelings ... Nuclear Fear remains captivating as history...and original as an anthropological study of how nuclear power, like alchemy in medieval times, offers a convenient symbol for deeply-rooted human feelings. --Los Angeles Times Reviews of this book: Weart's tale boldly sweeps from the futuristic White City of the 1893 Chicago World's Fair and the discovery of radioactivity in 1896 through Hiroshima and Star Wars... (An] admirable call for synthesis of art and science in a true transmutation that takes us beyond nuclear fear. --H. Bruce Franklin, Science