A catalog of wonders, from walking fish to self-medicating chimpanzees. This Atlas of Poetic Zoology leads readers into a world of wonders where turtles fly under the sea, lizards walk on water, insects impersonate flowers, birds don't fly, frogs come back from the dead, and virgin sharks give birth. Animals, writes Emmanuelle Pouydebat, are lyric poets; they discover and shape the world when they sing, dance, explore, and reproduce. The animal kingdom has been evolving for millions of years, weathering many crises of extinction; this book allows us to draw inspiration from animals' enduring vitality. Pouydebat's text, accompanied by striking color illustrations by artist Julie Terrazzoni, offers a catalog of wondrous beings. Pouydebat describes the African bush elephant—the biggest land mammal of them all, but the evolutionary descendant of a tiny animal that stood less than fifty centimeters (nineteen inches) high sixty million years ago; the scaly, toothless pangolin, the world's most endangered mammal—and perhaps its most atypical; the red-lipped batfish, which walks, rather than swims, across the ocean floor; and the great black cockatoo, a gifted percussionist. Chimpanzees, she tells us, self-medicate with medicinal plants; the jellyfish, under stress, reverts to juvenile polyp-hood; and the sweetly named honey badger feeds on reptiles, termites, scorpions, and earthworms. Pouydebat, a researcher at the French Museum of Natural History, and Terrazzoni capture the astonishment promised by any excursion into nature—the happiness that comes from watching a dragonfly, spider, frog, lizard, elephant, parrot, mouse, orangutan, or ladybug. It's the joy of witnessing life itself. We need only open our eyes to see.

Botanical encounters in the rainforest: trees that walk, a leaf as big as an awning, a plant that dances. This Atlas invites the reader to tour the farthest reaches of the rainforest in search of exotic—poetic—plant life. Guided in these botanical encounters by Francis Hallé, who has spent forty years in pursuit of the strange and beautiful plant specimens of the rainforest, the reader discovers a plant with just one solitary, monumental leaf; an invasive hyacinth; a tree that walks; a parasitic laurel; and a dancing vine. Further explorations reveal the Rafflesia arnoldii, the biggest flower in the world, with a crown of stamens and pistils the color of rotten meat that exude the stench of garbage in the summer sun; underground trees with leaves that form a carpet on the ground above them; and the biggest tree in Africa, which can reach seventy meters (more tha 200 feet) in height, with a four-meter (about 13 feet) diameter. Hallé's drawings, many in color, provide a witty accompaniment. Like any good tour guide, Hallé tells stories to illustrate his facts. Readers learn about, among other things, Queen Victoria's rubber tree; legends of the moabi tree (for example, that powder from the bark confers invisibility); a flower that absorbs energy from a tree; plants that imitate other plants; a tree that rains; and a fern that clones itself. Hallé's drawings represent an investment in time that returns a dividend of wonder more satisfying than the ephemeral thrill afforded by the photograph. The Atlas of Poetic Botany allows us to be amazed by forms of life that seem as strange as visitors from another planet.

An illustrated exploration of colors and patterns in the animal kingdom, what they communicate, and how they function in the social life of animals. Are animals able to appreciate what humans refer to as “beauty”? The term scarcely ever appears nowadays in a scientific description of living things, but we humans may nonetheless find the colors, patterns, and songs of animals to be beautiful in apparently the same way that we see beauty in works of art. In Animal Beauty, Nobel Prize–winning biologist Christiane Nüsslein-Volhard describes how the colors and patterns displayed by animals arise, what they communicate, and how they function in the social life of animals. Watercolor drawings illustrate these amazing instances of animal beauty. Darwin addressed the topic of ornament in his 1871 book The Descent of Man and Selection in Relation to Sex, and did not hesitate to engage with criteria of beauty, convinced that animals experienced color and ornament as attractive and agreeable in the same way that we do, and that the role this played in mate choice pointed to a “sexual selection” distinct from natural selection. Nüsslein-Volhard examines key examples of ornament and sexual selection in the animal kingdom and lays the groundwork for biological aesthetics. Noting that color patterns have not been a research priority—perhaps because they appeared to be nonessential luxuries rather than functional necessities—Nüsslein-Volhard looks at recent scientific developments on the topic. In part because of Nüsslein-Volhard's own research on the zebrafish, it is now possible to decipher the molecular genetic mechanisms that lead to production of colors in animal skin and its appendages and control its pattern and distribution.

The first anthology on animal music and communication, with contributions from leading scientists, researchers and musicians. Ever since the accidental discovery of whale song in 1967, the idea of complex animal sentience has been gaining strength within the scientific community. A growing number of researchers and academics are exploring the idea that animals enjoy music on a similar level to human beings. Animal Music is the first anthology to present an overview of the current state of this vital debate. Its authors have spoken to the leading scientists, researchers and musicians in the field to uncover hidden meanings and new perspectives. They visit the world's largest library of animal sounds, hack into the mysterious sonic world of shrimps, travel back in time to the point where animal and human songs diverged, and decode the latest neuroscientific findings about animal music and communication. The book includes exclusive interviews with Chris Watson, Jana Winderen, Yannick Dauby, Slavek Kwi and Geoff Sample as well as features on Bernie Krause, David Rothenberg and Olivier Messiaen and many more. Includes specially-compiled 60 minute CD of field recordings from the Gruenrekorder label. 01 Tikal Dawn – Andreas Bick, Germany 02 hermetica – Daniel Blinkhorn, Australia 03 Amazons & Parrots – Rodolphe Alexis, France 04 Grand Canal Springs (Excerpt) – Tom Lawrence, Ireland 05 seals – Martin Clarke, United Kindom 06 BOTO (extract) -ARTIFICIAL MEMORY TRACE, Ireland 07 Adélie_penguins (Excerpt) – Craig Vear, United Kindom 08 Pilot Whales (Excerpt) – Heike Vester, Norway/Germany 09 Brame, septembre 2011 – Marc Namblard, France 10 formica aquilonia, sweden – Jez riley French, United Kindom 11 Schwebfliegen – Lasse Marc Riek, Germany 12 central mongolian high mountain range habitat – Patrick Franke, Germany 13 Otus spilocephalus – Yannik Dauby, France 14 untitled#292 – Francisco López, Spain 15 Summer Sunset 01 – Eckhard Kuchenbecker, Germany 16 Waldkauz-Balz – Walter Tilgner, Germany 17 WHAT BIRDS SING – David Rothenberg, United States of America

An exhaustive investigation of the case of Gef, a “talking mongoose” or “man-weasel,” who appeared to a family living on the Isle of Man. “I am the fifth dimension! I am the eighth wonder of the world!” During the mid-1930s, British and overseas newspapers were full of incredible stories about Gef, a “talking mongoose” or “man-weasel” who had allegedly appeared in the home of the Irvings, a farming family in a remote district of the Isle of Man. The creature was said to speak in several languages, to sing, to steal objects from nearby farms, and to eavesdrop on local people. Despite written reports, magazine articles and books, several photographs, fur samples and paw prints, voluminous correspondence, and signed eyewitness statements, there is still no consensus as to what was really happening to the Irving family. Was it a hoax? An extreme case of folie à plusieurs? A poltergeist? The possession of an animal by an evil spirit? Now you can read all the evidence and decide for yourself. Seven years' research and interviews, photographs (many previously unseen), interviews with surviving witnesses, visits to the site—all are presented in this book, the first examination of the case for seventy years. In the words of its mischievous, enigmatic subject, “If you knew what I know, you'd know a hell of a lot!"

An engrossing, adventure-filled account of the rush to discover and save Vietnam's most extraordinary animals Deep in the jungle where the borders of Vietnam meet those of Laos and Cambodia is a region known as "the lost world." Large mammals never seen before by Western science have popped up frequently in these mountains in the last decade, including a half-goat/half-ox, a deer that barks, and a close relative of the nearly extinct Javan rhino. In an age when scientists are excited by discovering a new kind of tube worm, the thought of finding and naming a new large terrestrial mammal is astonishing, and wildlife biologists from all over the world are flocking to this dangerous region. The result is a race between preservation and destruction. Containing research gathered from famous biologists, conservationists, indigenous peoples, former POWs, ex-Viet Cong, and the first U.S. ambassador to Vietnam since the war's end, Gold Rush in the Jungle goes deep into the valleys, hills, and hollows of Vietnam to explore the research, the international trade in endangered species, the lingering effects of Agent Orange, and the effort of a handful of biologists to save the world's rarest animals.