The poems in Atheists and Empty Spaces explore the quintessential aspect of humanity – the need of having something in which to believe. Modern humanity attempts to fill the empty spaces in the psyche with emotional and psychological sustenance that was once provided by communal connections, religion, and the worship of deities or even nature. These poems explore how, in many ways, people have all become atheists because they no longer know how to connect to natural and supernatural forces, and they simply no longer believe in them. Humanity is now lacking a connection to the impulses that once nurtured human desires. However, the poems also suggest that art can provide a path back to those vital connections. Some poems are simple explorations of personal pain that cannot be soothed. Others are thorough considerations of how warped or misguided humanity’s attempts really are at solving an elusive and unidentified misery. Most of these poems take traditional forms of verse and song, but some find their unique rhythms in contemporary free verse. Others use examples from ancient cultures to comment on contemporary culture while some ideas spring from news headlines of today. Each poem in this collection reflects on the ways that modern humans seek to fill their empty spaces, whether atheist or not.

When the Bolsheviks set out to build a new world in the wake of the Russian Revolution, they expected religion to die off. Soviet power used a variety of tools--from education to propaganda to terror—to turn its vision of a Communist world without religion into reality. Yet even with its monopoly on ideology and power, the Soviet Communist Party never succeeded in overcoming religion and creating an atheist society. A Sacred Space Is Never Empty presents the first history of Soviet atheism from the 1917 revolution to the dissolution of the Soviet Union in 1991. Drawing on a wealth of archival material and in-depth interviews with those who were on the front lines of Communist ideological campaigns, Victoria Smolkin argues that to understand the Soviet experiment, we must make sense of Soviet atheism. Smolkin shows how atheism was reimagined as an alternative cosmology with its own set of positive beliefs, practices, and spiritual commitments. Through its engagements with religion, the Soviet leadership realized that removing religion from the "sacred spaces" of Soviet life was not enough. Then, in the final years of the Soviet experiment, Mikhail Gorbachev—in a stunning and unexpected reversal—abandoned atheism and reintroduced religion into Soviet public life. A Sacred Space Is Never Empty explores the meaning of atheism for religious life, for Communist ideology, and for Soviet politics.

This is a provocative account of the astounding new answers to the most basic philosophical question: Where did the universe come from and how will it end?

The essays in this book not only examine the variety of atheist expression and experience in the Western context, they also explore how local, national and international settings may contribute to the shaping of atheist identities. By addressing identity at these different levels, the book explores how individuals construct their own atheist—or non-religious—identity, how they construct community and how identity factors into atheist interaction at the social or institutional levels. The book offers an interdisciplinary comparative approach to the analysis of issues relating to atheism, such as demography, community engagement, gender politics, stigmatism and legal action. It covers such themes as: secularization; the social context of atheism in various Western countries; the shifting of atheist identities based on different cultural and national contexts; the role of atheism in multicultural settings; how the framework of “reasonable accommodation” applies to atheism; interactions and relationships between atheism and religion and how atheism is represented for political and legal purposes. Featuring contributions by international scholars at the cutting edge of atheism studies, this volume offers unique insights into the relationship between atheism and identity. It will serve as a useful resource for academics, journalists, policy makers and general readers interested in secular and religious studies, identity construction and identity politics as well as atheism in general.

An accessible discourse written by a trusted expert and scholar critiquing the new atheism on its own merits and claims. The rise of the new atheism, which includes the manifestos of Richard Dawkins and Christopher Hitchens, has created a public willingness in today's marketplace to talk about God and religion. Yet the debate up to this point has focused largely on rebutting the new atheist critique of Christianity. Why God Won't God Away moves into new territory by challenging the new atheism on its own grounds. Chapters include discussion on: What is the new atheism The problem of religion The problem of human nature Believing only what can be proved Dealing with imagined worlds and myths The new humanism and the new enlightenment Violence and dogmatism This book is written by a theology professor and Christian apologist who not only has a best-selling book rebutting the new atheist critique of Christianity but has debated Richard Dawkins in Oxford, Christopher Hitchens in Washington, and Daniel Dennett in London.

Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

Is Atheism Dead? is an entertaining, impressively wide-ranging, and decidedly provocative answer to that famous 1966 TIME cover that itself provocatively asked “Is God Dead?” In a voice that is by turns witty, muscular, and poetic, Metaxas intentionally echoes C.S. Lewis and G.K. Chesterton in cheerfully and logically making his astonishing case, along the way presenting breathtaking—and often withering—new evidence and arguments against the idea of a Creatorless universe. Taken all together, he shows atheism not merely to be implausible and intellectually sloppy, but now demonstrably ridiculous. Perhaps the only unanswered question on the subject is why we couldn’t see this sooner, and how embarrassed we should be about it.