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Four Against Darkness is a solitaire dungeon-delving game that may also be played cooperatively. No miniatures are needed. All you need is this book, a pencil, two dice, and grid paper. Choose four characters from a list of classic types (warrior, wizard, rogue, halfling, dwarf, barbarian, cleric, elf), equip them, and venture into dungeons created by dice rolls and your own choices. You will fight monsters, manage resources, grab treasure, dodge traps, find clues, and even accept quests from the monsters themselves. Your characters will level up, becoming more powerful with each game... IF THEY SURVIVE.

Fighting in the Dark is a new book about naval combat at night; the title also, however, signifies the overarching theme of the book, of moving from dark to light: in short, the process of mastering technological change during war. The authors start with the proposition that it is hard to hit an invisible target, particularly one in motion. In the nineteenth century, when ships relied upon visual signaling and vessels beyond hailing range were deaf and mute in the dark, night battles at sea were rare and largely accidental. Three inventions changed this: the torpedo, the searchlight, and the radio. These inventions at the end of the nineteenth and start of the twentieth centuries transformed naval warfare by making combat in the dark feasible and in some cases, desirable. The process by which navies used the dark and adapted it into a medium for effective combat was long and difficult, more so for some than others. This book is about that process and about how Russian, British, German, Italian, Japanese and US navies confronted the specific new challenges and adapted to unfamiliar situations and emerging technologies. Fighting in the Dark consists of chapters written by a group of highly respected naval historians, and the book’s approach illuminates how different navies and cultures approached common problems. The fierce night-time battles that are described serve as a metaphor for the larger issues and the reader is led along a fascinating journey of naval warfare from the Russo-Japanese War, through WWI, to the Second World War, and from the Pacific to the English Channel.

Before the twentieth century ships when relied upon visual signaling, vessels beyond range of sight or a cannon shot, were blind, deaf, and dumb in the dark, making night battles at sea rare, and near always accidental. The introduction of certain technologies like the torpedo, the searchlight, radio and then radar, transformed naval warfare by making night combat feasible and, in some cases, desirable. The process by which navies integrated these new tools of war and turned the dark into a medium for effective combat, however, was long and difficult. Fighting in the Dark tells the story of surface naval combat at night from the Russo-Japanese War through World War II. The book is about the process of confronting and mastering problems brought on by technological change during war. It does this by examining seven periods focusing on the Imperial Russian Navy in 1904–1905, the Imperial German Navy from 1914–1918, the Royal Navy from 1916–1939, the Regia Marina from 1940–1943, the Imperial Japanese Navy in 1942, the U.S. Navy in 1943–1944, and the Royal Navy and Royal Canadian Navy from 1943–1944.The chapters are written by authors hailing from Australia, Canada, Italy, and the United States, all recognized masters in their subject.

Despite the Holocaust's profound impact on the history of Eastern Europe, the communist regimes successfully repressed public discourse about and memory of this tragedy. Since the collapse of communism in 1989, however, this has changed. Not only has a wealth of archival sources become available, but there have also been oral history projects and interviews recording the testimonies of eyewitnesses who experienced the Holocaust as children and young adults. Recent political, social, and cultural developments have facilitated a more nuanced and complex understanding of the continuities and discontinuities in representations of the Holocaust. People are beginning to realize the significant role that memory of Holocaust plays in contemporary discussions of national identity in Eastern Europe. This volume of original essays explores the memory of the Holocaust and the Jewish past in postcommunist Eastern Europe. Devoting space to every postcommunist country, the essays in Bringing the Dark Past to Light explore how the memory of the "dark pasts" of Eastern European nations is being recollected and reworked. In addition, it examines how this memory shapes the collective identities and the social identity of ethnic and national minorities. Memory of the Holocaust has practical implications regarding the current development of national cultures and international relationships.

Few historical images are more powerful than those of wartime London. Having survived a constant barrage of German bombs, the city is remembered as an island of courage and defiance. These wartime images are still in use today to support a wide variety of political viewpoints. But how well do such descriptions match the memories of those who survived the blitz? Jean Freedman interviewed more than fifty people who remember London during the war, focusing on under-represented groups, including women, Jews, and working-class citizens. In addition she examined original propaganda, secret government documents, wartime diaries, and postwar memoirs. Of particular significance to Freedman were the contemporary music, theater, film, speeches, and radio drama used by the British government to shape public opinion and impart political messages. Such bits of everyday life are mentioned in virtually every civilian's experience of wartime London but their interpretations of them often clashed with their government's intentions. By exploring the differences between wartime documentation and postwar memory, oral and written artifacts, and the voices of the powerful and the obscure, Freedman illuminates the complex interactions between myth and history. She concludes that there are as many interpretations of what really happened during Britain's finest hour as there are people who remember it.