Illustration by a fellow prisoner. The text in this volume is based on the original translation from the French by Preston Rambo.

The persistent myths of the French Revolution--that the destruction of the old order brought unrivaled freedom and happiness for Europe--are shattered in this rousing study of the political violence and social turmoil that struck France in the late 18th century. In the midst of the terrors which unfettered Enlightenment ideology unleashed on the West, Christian hope arose anew to bring true light to one of history's darkest hours.

Excerpt from The Correspondence of Henrik Ibsen ON the 3lst of May 1880, Henrik Ibsen wrote to his publisher, Frederik Hegel, that he had begun a little book in which he intended to give some account of the outward and inward conditions under which each one of his works had come into being (letter It was to be called From Simian, to Rome, and was to give descriptions of his life at Skien and Grimstad, Bergen and Christiania, Dresden, Munich, and Rome. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Ballet changed dramatically during the French Revolution. Judith Chazin-Bennahum reveals how the cold, stylized dance movements and weighted ornamental costumes of the 18th-century court ballets developed into the ballet of the Romantic movement, where dancers wore lightweight costumes that allowed them to flow freely across the stage and take to the air. Chazin-Bennahum studies the "livrets "(printed scenarios) of ballets performed in Paris from 1787 to 1801 to illustrate how dance reflected the social and political upheaval of the French Revolution. Ballet s main characters changed from mythological heroes and heroines to the heroes of the Revolution. She examines three major types of ballets and their sources to document these changes: ballets based on classical mythology; ballets inspired by the revolutionary spirit; and ballets rooted in middle-class themes from pastoral drama, traditional comedy, and exotic settings."

"In this wickedly humorous book, Geoffrey Abbott describes the effectiveness of instruments of torture and reveals the macabre origins of familiar phrases such as 'gone west' or 'drawn a blank'. Covering everything from the preparation of the victim to the disposal of the body 'What a Way to Go' is everything you ever wanted to know about the ultimate penalty--and a lot you never thought to ask."--Publisher's description

This eBook features the unabridged text of ‘Reprinted Pieces’ from the bestselling edition of ‘The Complete Works of Charles Dickens’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dickens includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Reprinted Pieces’ * Beautifully illustrated with images related to Dickens’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. At 12.00 midnight, Maximilien Robespierre, the most prominent member of the Committee of Public Safety which had for more than a year directed the Reign of Terror, was planning to destroy one of the most dangerous plots that the Revolution had faced. By 12.00 midnight at the close of the day, following a day of uncertainty, surprises, upsets and reverses, his world had been turned upside down. He was an outlaw, on the run, and himself wanted for conspiracy against the Republic. He felt that his whole life and his Revolutionary career were drawing to an end. As indeed they were. He shot himself shortly afterwards. Half-dead, the guillotine finished him off in grisly fashion the next day. The Fall of Robespierre provides an hour-by-hour analysis of these 24 hours.