Victorian Britain, at the head of the vast British Empire, was the wealthiest and most powerful country in the world. Yet, not all Britons were seen as possessing the characteristics that defined what it actually meant to be 'British.' At the Margins of Victorian Britain focuses on the political means of policing unwanted 'others' in Victorian society: the Irish, Catholics and Jews, atheists, prostitutes and homosexuals. In this groundbreaking study, Dennis Grube details the laws and conventions that were legally and culturally enforced in order to bar these 'others' from gaining power and influence in Victorian Britain. Utilizing a wide-ranging analysis, the book focuses on key case-studies: the anti-Semitism implicit in Lord Rothschild's barring from the House of Commons; the fine line between accepted male love and companionship and homosexuality, culminating in the Oscar Wilde trials of the 1890s; and how laws against disease were used to police prostitutes and correct moral vices. Political and legal rhetoric, backed by the force of legislation, set the boundaries of 'Britishness', and enforced those boundaries through the 'majesty' of British law. As Jews, Roman Catholics and atheists were brought into a genuine sense of partnership in the British constitution by being allowed to seek election to Parliament - homosexuals, prostitutes and the allegedly innately criminal Irish found themselves further and more vehemently displaced as the nineteenth century progressed. 'Otherness' stopped being a religious question and became instead a moral one. That fundamental shift marks the moment that 'Britishness' became a values-based question. And we've been arguing about what those values are ever since. This will be essential reading for those working in the fields of Victorian studies, social and cultural history and constitutional identity.

Victorian Britain, at the head of the vast British Empire, was the wealthiest and most powerful country in the world. Yet, not all Britons were seen as possessing the characteristics that defined what it actually meant to be 'British.' At the Margins of Victorian Britain focuses on the political means of policing unwanted 'others' in Victorian society: the Irish, Catholics and Jews, atheists, prostitutes and homosexuals. In this groundbreaking study, Dennis Grube details the laws and conventions that were legally and culturally enforced in order to bar these 'others' from gaining power and influence in Victorian Britain. Utilizing a wide-ranging analysis, the book focuses on key case-studies: the anti-Semitism implicit in Lord Rothschild's barring from the House of Commons; the fine line between accepted male love and companionship and homosexuality, culminating in the Oscar Wilde trials of the 1890s; and how laws against disease were used to police prostitutes and correct moral vices. Political and legal rhetoric, backed by the force of legislation, set the boundaries of 'Britishness', and enforced those boundaries through the 'majesty' of British law. As Jews, Roman Catholics and atheists were brought into a genuine sense of partnership in the British constitution by being allowed to seek election to Parliament - homosexuals, prostitutes and the allegedly innately criminal Irish found themselves further and more vehemently displaced as the nineteenth century progressed. 'Otherness' stopped being a religious question and became instead a moral one. That fundamental shift marks the moment that 'Britishness' became a values-based question. And we've been arguing about what those values are ever since. This will be essential reading for those working in the fields of Victorian studies, social and cultural history and constitutional identity.

How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

This volume is unique in its focus on cross-fertilisation in the arts, on very specific exploration of liminal spaces, and on the representation of marginal figures in writing. The essays here grew out of the Borders and Margins colloquium, held at Leeds Trinity University, UK, in April 2010, which was the fourth in a series of colloquia. This collection, moreover, contributes to a growing area of scholarship which explores Anglo-French interactions and exchanges. In choosing the term “liminality”, the editors are aware of its nuanced implications, allowing suggestions both of the initial and the transitional. The contributors here are academics from the fields of literature, history and art history, and their essays cover art history, literature, cultural history, the arts, and faith. Altogether, this collection evokes a sense of temporal shift, in that changes in values and focus are uncovered as the nineteenth century progresses. Some have an ekphrastic quality, showing how pictures can have a narrative, and how pictures, as well as texts, can be encoded with moral and social interpretations. Close scrutiny is applied to different kinds of texts, fiction and non-fiction, and the purposes for which they were produced. This book will appeal to scholars and academics interested in a wide range of cross-categorisational transactions in nineteenth-century Britain. It will be of interest to scholars of Victorian culture, and English nineteenth-century literature and art, particularly in terms of genre, as well as to academics interested in the development of social, personal, and national identities.

Coverage of canonical and less-explored texts in fiction, film and museology. Innovative vision of how Gothic evokes the regions of Great Britain. The first work to consider Gothic and the regional experience at length.

Nineteenth-century Britain did not invent chronic illness, but its social climate allowed hundreds of men and women, from intellectuals to factory workers, to assume the identity of "invalid." Whether they suffered from a temporary condition or an incurable disease, many wrote about their experiences, leaving behind an astonishingly rich and varied record of disability in Victorian Britain. Using an array of primary sources, Maria Frawley here constructs a cultural history of invalidism. She describes the ways that Evangelicalism, industrialization, and changing patterns of doctor/patient relationships all converged to allow a culture of invalidism to flourish, and explores what it meant for a person to be designated—or to deem oneself—an invalid. Highlighting how different types of invalids developed distinct rhetorical strategies, her absorbing account reveals that, contrary to popular belief, many of the period's most prominent and prolific invalids were men, while many women found invalidism an unexpected opportunity for authority. In uncovering the wide range of cultural and social responses to notions of incapacity, Frawley sheds light on our own historical moment, similarly fraught with equally complicated attitudes toward mental and physical disorder.

An intriguing look at the marginal sciences of the nineteenth century and their influence on the culture of the period.