Brooke knows the rules. Everyone in the city outside the wall does. If you never cause any trouble, you never disappear. Even after her father's mysterious death, she's always known she'll do whatever it takes to live a good life and earn her place on the land one day. But when the watchmen suddenly start following her every move, it doesn't matter if she's done anything wrong. Now she needs to find out why they are watching before she vanishes without a trace. The City on the Sea, book one in the City on the Sea Series, is the thrilling first installment to this futuristic dystopian series. Climate change and rising sea levels have forced humanity to survive on the ocean in order to protect the precious bit of land remaining. This richly descriptive and darkly beautiful story will make you wonder if you have what it takes to live in the city on the sea.

New York is a city of few boundaries, a city of well-known streets and blocks that ramble on and on, into our literature, dreams, and nightmares. We know the city by the byways that split it, streets like Broadway and Madison and Flatbush and Delancey. From those streets, peering down the blocks and up at the top floors, the city seems immense and endless. And though the land itself may end at the water, the city does not. Long before Broadway was a muddy cart track, the water was the city's most distinguishing feature, the rivers the only byways of importance. Some people, like William Kornblum, still see the city as an urban archipelago, shaped by the water and the people who have sailed it for goods, money, pirate's loot, and freedom. For them, the City will always be an island. William Kornblum--New York City native, longtime sailor, urban sociologist, and first-time author--has spent decades plying the waterways of the city in his ancient catboat, Tradition. In At Sea in the City, he takes the reader along as he sails through his hometown, lovingly retelling the history of the city's waterfront and maritime culture and the stories of the men and women who made the water their own. In At Sea in the City and in Kornblum's own humility, humor, and sense of wonder, one detects echoes of E. B. White, John McPhee, and Joseph Mitchell.

Jeremy Dodge knew the Earth would face starvation if it were not for the new science of "aquaculture". With the world's population numbering many billions, only the extra food being cultivated on the bottom of the sea could feed everyone. But, like the rest of the surface-dwellers, Jeremy did not know what a vicious monopoly underwater cultivation had become. That is, until the dreadful moment when he himself was kidnapped and dragged beneath the depths. And there he was to learn that just making his own escape would not be enough - he would have to save mankind from the tyranny of a new race of water-breathing human monsters!

_______________ 'Full of fun, longing and wit ... a debut of spirit and imagination, loaded with intelligent charm' - Ali Smith 'A touching and engrossing story ... an assured debut' - The Times 'A colourful and peripatetic view of politics in Pakistan ... an interesting and promising novel' - Guardian _______________ BY THE ACCLAIMED WINNER OF THE WOMEN'S PRIZE FOR FICTION SHORTLISTED FOR THE JOHN LLEWELLYN RHYS PRIZE _______________ Hasan is eleven years old. He loves cricket, pomegranates, the night sky, his clever, vibrant artistic mother and his etymologically obsessed lawyer father, and he adores his next-door neighbour Zehra. One early summer morning, while lazing happily on the roof, Hasan watches a young boy flying a yellow kite fall to his death. Soon after, Hasan's idyllic, sheltered family life is shattered when his beloved uncle Salman, a dissenting politician, is arrested and charged with treason... Set in a land ruled by an oppressive military regime, this eloquent, charming and quietly political novel vividly recreates the confusing world of a young boy on the edge of adulthood, and beautifully illustrates the transformative power of the imagination.

Originally published in 1978. Josef Konvitz provides a broad comparative study of European port cities since the Renaissance by examining how they were built and rebuilt in the context of urban industrialization. Konvitz argues that as seafaring became more critical to Western civilization, intellectuals and rulers placed more importance on urban planning. Planning looked different, of course, in various European cities. In Paris, riverside planning was patched into the existing frame of the city, whereas Scandinavian towns on the Baltic were over-designed to accommodate a degree of maritime trade unsustainable for cities writ large. In the eighteenth century, city planning fell out of vogue, and new solutions were introduced to help solve the problems created by urban development. With a series of helpful maps, Konvitz's book is an important source for urban historians of early modern Europe.

Working the night shift as a temp in a high-rise cubicle, Erik Orton knew something had to change. He felt the responsibility of providing for his wife and their five children--the youngest with Down syndrome--but craved a life that offered more than just surviving. Watching the sailboats on the Hudson River during his sunset dinner breaks, Erik dared to dream. What would it be like to leave the hustle of the city and instead spend a year on a sailboat, somewhere beautiful, as a family? Despite having no sailing experience, his wife Emily's phobia of deep water, and already stretching every dollar to pay rent and buy groceries, the family of seven turned their excuses into reasons and their fears into motivation. Sure, they would miss their friends, they could go broke, they could get injured or die. Worst of all, they could humiliate themselves by trying something audacious and failing. But the little time they still had together as a family, before their oldest daughter left for college, was drifting away. The Ortons cast off the life they knew to begin an uncertain journey of 5,000 miles between New York City and the Caribbean, ultimately arriving at a new place within themselves. A portrait of a captivating and resilient family and a celebration of the courage it takes to head for something over the horizon, this is a deeply compelling story--told alternately by Erik and Emily--for all those who dream of leaving routine in their wake.

In a crumbling neighbourhood in New Delhi, a child waits for a mother to return home from work. And, in parallel, in a snow-swept town in Germany on the Baltic Sea coast a woman, her memory fading, shows up at a deserted hotel. Worlds apart, both embark, in the course of that night, on harrowing journeys through the lost and the missing, the living and the dead, until they meet in an ending that breaks the heart - and holds the promise of putting it back together again. Called the novelist of the newsroom, Raj Kamal Jha cleaves open India's tragedy of violence against women with a powerful story about our complicity in the culture that supports it. This is a book about masculinity - damaging and toxic and yet enduring and entrenched - that begs the question: What kind of men are our boys growing up to be?