Fiction. Art. The broken windows of the abandoned sanitarium are foreboding and ominous, yet darkly inviting. The inmates have long since departed, but their suffering can still be felt imprinted on the stagnant air of the empty wards. The door at the front of the overgrown madhouse has been ripped from its hinges. It would be easy to cross the threshold, yet we hesitate to enter... Having spent a lifetime exploring the long-abandoned Essex Mountain Sanatorium and Overbrook Psychiatric Hospital in Northern New Jersey, Wheeler Antabanez, artist, writer, and intrepid explorer of New Jersey's abandoned and defiled places, is uniquely qualified to open doors at the Old Asylum that no one even knew existed. In these stories, illustrated with remarkably evocative paintings by the author, the broken hulk of the abandoned mental hospital comes vividly back to life, reanimated by a spirit of risk-taking, transgressive adventure, macabre humor, and the author's comprehensive artistic and personal mission to create from the ruins of our collective past an imaginative, vibrantly living whole. The book contains reproductions of a series of paintings by the author.

They arrive alive. They leave dead.But first, they give me their confessions.My name is Jack Steen. That name shouldn't mean anything to you. Unless you're about to die. And then I'm your bloody guardian angel. I work as a night nurse in the Asylum for the criminally insane. My name is the only real name you'll find in this book. I won't tell you which hospital I work at. I won't tell you the names of those dying.But I won't lie to you.You'll read exactly what I'm told. If you're smart, if you're deranged enough to read between the lines, you'll know who is telling the story.They could be playing their final game with me by messing with my head. Now, maybe they're messing with yours too.Inside this book are 4 confessions: One has an interesting 'appetite'. One was the Ken to his Barbie, and he would do anything to keep her happy.Another is a Nanny, but not one you want watching your kids.The other is the sweetest soul you'd ever meet but you'll have a hard time reading her confession. WARNING: There is swearing in this book. And some stories might be a trigger for something you have a hard time handling. But, these are the confessions of serial killers, mass murderers and such. NOTE: These once were published as novellas. Now they're in a full length novel. Deal with it.Want to read the next set of Confession books? Sign up for my mailing list - I'm told all the real authors have one, so I figured why not

The Book of Other People is just that: a book of other people. Open its covers and you’ll make a whole host of new acquaintances. Nick Hornby and Posy Simmonds present the ever-diverging writing life of Jamie Johnson; Hari Kunzru twitches open his net curtains to reveal the irrepressible Magda Mandela (at 4:30a.m., in her lime-green thong); Jonathan Safran Foer's Grandmother offers cookies to sweeten the tale of her heart scan; and Dave Eggers, George Saunders, David Mitchell, Colm Tóibín, A.M. Homes, Chris Ware and many more each have someone to introduce to you, too. With an introduction by Zadie Smith and brand-new stories from over twenty of the best writers of their generation from both sides of the Atlantic, The Book of Other People is as dazzling and inventive as its authors, and as vivid and wide-ranging as its characters.

A man who does not recognise his own face, an aristocrat who keeps his amputated limbs in jars on the shelf, an infant that commits suicide, a cat that is secretly writing a novel, a rooster that rebels against fate -- those are some of the characters that make Bahram Sadeqi's stories intriguing, incomparable and inimitable. Sadeqi is an original story-teller who depicts familiar facts and mundane realities in such a way that shocks us to the core and makes us call everything into question. With a subtle irony reminiscent of Poe, Kafka and Marquez, he engages us in an intricate quest to explore the meaning of life, death and the cosmos. Considering the slight body of work Sadeqi left behind after his untimely death, one cannot help but be struck by the impact his work has had on Persian literature nevertheless. Sadeqi consistently transgressed established literary ideologies with an easy confidence, pioneering an entirely new style of literature and presenting his own unique perspective on the human condition. His presence in contemporary Persian prose fiction was like that of a lone meteorite: appearing in a blinding flash, instantly yet fleetingly illuminating its surroundings, then abruptly fading into the darkness, leaving only a completely original, overwhelming and fantastic trail, the remainder of something singularly magnificent that we cannot hope to ever see repeated. Ever since he first published his stories in literary journals as a young writer, Sadeqi's works have been widely reprinted, finding vast audiences among each new generation of Iranians. This collection contains some of Sadeqi's best short stories, as well as Malakut, his magnum opus, a novella that took everyone by surprise in the 1960s, still fascinating readers and critics alike.

A collection of horror short stories by Ian Madison Keller centered around a very furry apocalypse. Read about a park ranger who needs to escape from intelligent forest creatures out for her blood, a house cat who must decide between revenge or helping her friends, a girl trying to remember who she is with the help of her ghost dog, a vampire who steals the wrong artifact and ends up in over her head, and a half-bat girl out to solve a series of brutal murders. Collection includes The Fluffpocalypse, Escape from the Wild, Survivors of the Holocene, So That They May Rule, Clary's Asylum, Romancing the Tombstone, and Poppy and the Great Expo.

Stories within stories, a few contemporary fables, a hint of the narrative complexity of Borges, a whiff of the gritty realism of pre- and post-communist life in Eastern Europe - these are the elements that come together in a unique and surprising way in the wildly imaginative and endlessly engaging short stories of Georgi Gospodinov. Whether a tongue-in-cheek crime/horror story or the Christmas story of a pig, a language game leading to an unexpected epiphany or an inward-looking tale built on the complexity of a puzzle box, the work in this collection offers a kaleidoscopic experience of a writer whose style has been described as anarchic, experimental (New Yorker) and compulsively readable (New York Times). Gospodinov's debut prose work Natural Novel was hailed as a go-for-broke postmodern construction - a devilish jam of jump-cut narration, pop culture riffs, wholesale quotation, and Chinese-box authorship (Village Voice). At once familiar and fantastic, his writing is high comedy, high seriousness, and of very high order.

Rough Waters and Other Stories is a collection of original stories addressing different ethical questions and dilemmas. An introduction makes connections among the stories, puts them in personal and political perspective, and anchors them in a tragic understanding of life and ethics. The characters in Rough Waters and Other Stories – some based on real historical people - must make or finesse ethical choices, some of them straight-forward, others tragic in nature. Tragic choices involve trade-offs between seemingly irreconcilable but important goals. Alternatively, they entail committing ourselves to decisions or policies whose outcomes are uncertain. We are desperate to avoid tragic choices and prone to convince ourselves – often in the face of good evidence – that we can satisfy all of our desires or needs instead of making difficult choices between or among them. We also tend to convince ourselves that our decisions or policies well succeed in proportion to the degree that we feel compelled to commit to them. A standard trope of Greek tragedy – think here of Oedipus – is that our choices sometimes lead directly to the outcomes we are trying desperately to avoid.