This work hypothesizes that astronomical symbols on ancient and medieval coins were often used as a way of recording actual celestial events of that period. The author provides more than 550 figures and line drawings of coins, maps, and astronomical events to illustrate this hypothesis.

The coins of ancient and medieval Europe provide unique insights into the economic and political history of their period. In a time when few members of the population could read or write, the symbols depicted on coins offered a medium for communication, propaganda, and historical archiving. This work hypothesizes that astronomical symbols on ancient and medieval coins were often used as a way to record actual celestial events. The author provides more than 550 figures and line drawings of coins, maps, and astronomical events to illustrate this hypothesis. In addition, several appendices evaluate the historical accuracy of ancient and medieval coinage and offer additional examples not included in the main text.

This book is not a standard coin catalogue, but it focuses on quantities and percentages of the mysterious 5950 sphere images on Roman coin reverses, and a few Greek coins. This research identifies political, cultural, religious and propaganda trends associated with the coin sphere images, and offers a variety of new findings.

This book discusses the study of astronomy in different cultures, applied historical astronomy and history of multi-wavelength astronomy, and the genesis of recent research. It contains peer-reviewed papers gathered from the International Conference on Oriental Astronomy 9 (ICOA-9) held at the Indian Institute of Science Education and Research Pune, India. It covers the areas like megalithic and other prehistoric astronomy, astronomical records in ancient texts, astronomical myths and architecture, astronomical themes in numismatics and rock art, ancient astronomers and their instruments, star maps and star catalogues, historical records and observations of astronomical events, calendars, calendrical science and chronology, the relation between astronomy and mathematics, and maritime astronomy. This book will be a valuable complement to a future generation of students and researchers who develop an interest in the field of Asian and circum-Pacific history of astronomy.

The archaeological study of the ancient world has become increasingly popular in recent years. A Research Guide to the Ancient World: Print and Electronic Sources, is a partially annotated bibliography. The study of the ancient world is usually, although not exclusively, considered a branch of the humanities, including archaeology, art history, languages, literature, philosophy, and related cultural disciplines which consider the ancient cultures of the Mediterranean world, and adjacent Egypt and southwestern Asia. Chronologically the ancient world would extend from the beginning of the Bronze Age of ancient Greece (ca. 1000 BCE) to the fall of the Western Roman Empire (ca. 500 CE). This book will close the traditional subject gap between the humanities (Classical World; Egyptology) and the social sciences (anthropological archaeology; Near East) in the study of the ancient world. This book is uniquely the only bibliographic resource available for such holistic coverage. The volume consists of 17 chapters and seven appendixes, arranged according to the traditional types of library research materials (bibliographies, dictionaries, atlases, etc.). The appendixes are mostly subject specific, including graduate programs in ancient studies, reports from significant archaeological sites, numismatics, and paleography and writing systems. These extensive author and subject indexes help facilitate ease of use.

In this book, Boston University Professor of Astronomy Michael Mendillo takes readers deep into the annals of history, showing how visual depictions of the heavens evolved in tandem with science and religion throughout much of Western culture. With unprecedented scope and scale, Professor Mendillo explores how cave art, illuminated manuscripts, sculptures, paintings and architecture reflected some of the great religious and secular battles taking place over the course of centuries. Enter a world of biblical proportions, where constellations of ancient heroes and pagans were thoroughly recast as Christian saints and the Twelve Apostles. This nontechnical narrative brings vitality and accessibility to some of the most enduring subjects in human history, offering a lively new exploration of the visual connections between celestial phenomena and artistic expression. “Ever wonder how religion and art became forces of imagination on our night skies? Or how the night skies became forces of imagination on our religion and art? In this brilliant study of constellations and culture, Michael Mendillo, professor of astronomy at Boston University, reveals that the canopy of stars has been an ideologically contested space from the beginning, ensuring that the next time you look up, the sky will look completely different to you.”- Neil deGrasse Tyson, Director, Hayden Planetarium, American Museum of Natural History "Saints and Sinners impressionistically reveals the connections of art, astronomy, and religion in Western culture to illuminate the age-old quest for celestial-terrestrial connections.” - Roberta J.M. Olson, author of Giotto’s Portrait of Halley’s Comet and Cosmos: The Art and Science of the Universe “Professor Mendillo’s book does a priceless service, opening the doors of our minds to images that will stir us, because the heavens are part of us, and we all long to know how and why.” - Rev. David R. Thom, MIT Chaplain and Convener of the Cambridge Faculty Roundtable on Science, Art & Religion "Over a lifetime devoted to astronomical research and teaching, Michael Mendillo has indulged a parallel passion for artistic representations of the heavenly bodies. In this sumptuous volume, he explores the projection of our changing belief systems onto the constant stars.” - Dava Sobel, author of Longitude, Galileo’s Daughter and The Glass Universe